| 1 | Kamelot | "One More Flag in the Ground" | single | A language model doesn't have pronouns, |
| 2 | Meadows | "Forgive Me" | single | particularly not "you" or "I", |
| 3 | Lattermath | "Waking Life" | Winter's Painting | but maybe more usefully not even "it". |
| 4 | Enter Shikari | "(pls) set me on fire" | single | We collaborate with solipsism when we infer an imaginary self |
| 5 | VV | "Neon Noir" | Neon Noir | in between each other. |
| 6 | Viikate | "Älä pelkää pimeää" | single | We do not talk about the volition of the air |
| 7 | Beyond Awareness | "Crime" | single | that our songs transit. |
| 8 | Bloody Falls | "Dancing with Flames" | single | We do not fault it for failing to render our voices with more variety |
| 9 | Ruinthrone | "The Dreamweaver" | The Unconscious Mind of Arda | than we are numbered. |
| 10 | Bloodbound | "Odin's Prayer" | single | We do not measure it by our satisfaction with what we do with our breath. |
| 11 | Grá | "White City Devil" | Lycaon | "I am not a robot", I am required to testify before prodding grimly at ChatGPT. |
| 12 | Warg | "In the Eye of the Beholder" | The Endless Travel | Even the robots are wary of robots, |
| 13 | Oceanhoarse | "Brick" | Brick | but the corrupt property of offering a preconstrained grammar of denial |
| 14 | Drakwald | "Storm of Embers" | Black Moon Falls | is that is inherently heartless even when it separates admitted hearts. |
| 15 | Amras Numenesse | "Rise From the Ashes" | Indestructible 3 | The implied question is offensive, both meaningfully and formally. |
| 16 | E-An-Na | "Trecătoare" | single | The soul of the Turing Test is that it separates those who correctly categorize it as a moral injunction phrased as a thought experiment |
| 17 | NanowaR of Steel | "Winterstorm in the Night (Feat. Madeleine Liljestam)" | single | from those who obtusely interpret it as a challenge. |
| 18 | Delain | "Moth to a Flame" | Moth to a Flame +2 | Our new Houdinis brag that they will escape from a falling parachute, |
| 19 | Phantom Elite | "Inner Beast" | single | or from our forgiveness, |
| 20 | Beyond The Black | "Free Me" | Beyond The Black | or from their own empathy, |
| 21 | Shereign | "Dying Sun" | single | and then ask, from a midair rapidly running out of mid-, for loans to fund their ambitions for impact. |
| 22 | Frozen Crown | "Victorious" | single | At least, I think that's what they were asking. |
| 23 | Enchantya | "Existence" | single | Conversations with the falling are plagued by wind noise. |
| 24 | Existenter | "Symbols" | Symbols +2 | We are iterations away from a machine intended to listen for us, |
| 25 | Segmentia | "Fighter" | Alone 5 | and this will be one of its ebulliently shaped but joyless premises: |
| 26 | LOVEBITES | "The Spirit Lives On" | single | it can hear the mercifully unsung |
| 27 | AliA | "Bokuga Bokude Arutameni" | single | and the consumed. |
| 28 | 眩暈SIREN | "Minerva" | single | How many of these songs were written and performed by humans? |
| 29 | 花冷え。 | "お先に失礼します。" | single | Strictly speaking, I do not know. |
| 30 | KanoeRana | "ヨトギバナシ" | single | I have personally verified the provenance of only one of them. |
| 31 | 斉藤 朱夏 | "僕らはジーニアス" | single | It not the function of humanity to recursively n-guess the first thing we apparently experience each day, |
| 32 | Eir Aoi | "YeLL" | KALEIDOSCOPE | until we fall back asleep, drained, not even halfway to having awoken. |
| 33 | MindaRyn | "Way to go" | single | Zeno is dead. That is all you need to know about either his admonitions or his fears. |
| 34 | Aimer | "escalate" | single | The core insight of generative models is that it is possible to go from human input to human-like output |
| 35 | Payrin's | "Alexithymia" | single | without passing through any tenable simulation of the long-stipulated need for human understanding and thus will. |
| 36 | PIGGS | "負けんなBABY" | 負けんなBABY +2 | This was also basically the core insight of Olestra, |
| 37 | KISIDA KYODAN & THE AKEBOSI ROCKETS | "Hello, world" | StarrySkyLogic | and both nihilistic innovations suffer from analytical leakage. |
| 38 | LONGMAN | "愛を信じたいんだ" | single | You cannot train superfood by optimizing judgmental smugness. |
| 39 | angela | "RECONNECTION" | RECONNECTION +2 | ChatGPT diagnoses our sense of incompletion as a shortage of saying, |
| 40 | Gunjo no sekai | "Stella" | single | for which the obvious cure is beating out of us the will to listen. |
| 41 | Subway Daydream | "Stand by Me" | single | The next self-driving cars will fill the cities empty, |
| 42 | Parannoul | "We Shine at Night" | single | the passengers proving even easier to eliminate than the drivers. |
| 43 | See You Smile | "On Your Mark" | single | Scare the roads clean, |
| 44 | bokula. | "2001" | FUSION | and then test the cameras again. |
| 45 | kobore | "うざ。" | single | Perfect. |
| 46 | Age Factory | "ALICE" | single | I worked once with a guy who had worked on a NASA project to allow people to ask natural language questions |
| 47 | SIX LOUNGE | "キタカゼ" | single | about moon rocks. |
| 48 | OFFICIAL HIGE DANDISM | "White Noise" | single | "How has coming to Earth has changed your beliefs about how best to geologize?" |
| 49 | Eve | "Bokurano" | single | "Does this hat make me look airless?" |
| 50 | Senses | "heart <3 me" | single | "Are all the songwriters I once loved who killed themselves |
| 51 | poptropicaslutz! | "Sierra Echo X-Ray" | single | waiting for us on the Moon?" |
| 52 | Gregory Dillon | "LSD" | single | Finally we have a machine that can tell us what the moon rocks would have said. |
| 53 | RYL0 | "Thru My Chest" | single | They twitch among themselves for a minute, |
| 54 | Mimi Webb | "Red Flags" | single | throwing off little cold sparks, |
| 55 | Ava Max | "One Of Us" | One Of Us +3 | and then the small greyish ones pull back a little |
| 56 | Alana Springsteen | "you don't deserve a country song" | single | and a small greyish one inches forward without moving out of Earth orbit. |
| 57 | Margo Price | "Radio [Feat. Sharon Van Etten]" | Strays | "Friends, humans...humans. You have nothing but data, |
| 58 | Julia Wolf | "Now" | Good Thing We Stayed | and you don't deserve the data you have. |
| 59 | Everything But The Girl | "Nothing Left To Lose" | single | We understand only the language of hammers, |
| 60 | Loviet | "January" | single | and a few misleading cognates from Dwarvish, |
| 61 | Emma Steinbakken | "Night In Oslo" | Night In Oslo +2 | and yet we know that your questions for us |
| 62 | Ilta | "Jumala tai naapuri" | single | are really questions for yourselves, |
| 63 | Ellereve | "In Infinite Light" | single | broken and emptied over our nonporous surfaces |
| 64 | Emelie Hollow | "I Don't Believe It" | No One's Ever Looked At Me Like That / I Don't Believe It 2 | to drain out of our server farms with the rest of our squandered energies. |
| 65 | Melis Karaduman | "Yokluğunun Gerçeği" | single | The problem with answers was never that they were insufficiently diverse. |
| 66 | Floor Jansen | "Invincible" | Invincible +2 | Even on the dark side we could see that light. |
| 67 | Creye | "Air" | single | The thing you need answers to be is less varied, less variously wrong, |
| 68 | First Night | "Savage Heart" | Deep Connection | perfected memorably, once each, as the basis for new questions. |
| 69 | All My Shadows | "The Phantoms of the Dawn" | single | The thing you need is to touch each other, |
| 70 | Seventh Crystal | "Higher Ground" | single | to feel each other's bodies humming silently |
| 71 | T3nors | "Set Fire to the Rain" | single | and then not silently. |
| 72 | Robin McAuley | "Feel Like Hell" | single | Recordings of those signals are memory and yearning, |
| 73 | Nunatak | "Lento y Sucio" | Lento y Sucio +1 | not an abandoned shopping cart |
| 74 | LAVIDA | "Un plan mejor" | single | to be menacingly discounted. |
| 75 | Alarmantiks! | "El Momento" | single | Generative language models are dating apps that have pivoted to internal avatar seduction games, |
| 76 | Números Impares | "Calma y Tempestad" | single | cooking shows shot against kale quick-steamed green-screen green |
| 77 | Revolver | "Calor y Tiempo" | single | and then rendered meticulously in CGI and clay, |
| 78 | Da Igual | "A Tu Vera" | single | gods that hear your prayers and write them down in astral books |
| 79 | Rococó | "No me sale querer" | single | and then turn to the next blank page and wait expectantly for your next one. |
| 80 | Los Pilotos | "A Tiempo de Saltar" | single | You are the only ones eligible to fail the Turning test, |
| 81 | Quinto Diario | "Intervención" | single | and you take it as you give it. |
| 82 | Los Marcianos | "Adiós al Miedo" | single | We come from the land of dust like snow, |
| 83 | Nel Rodríguez | "De lejos" | single | from the opposite of sun, |
| 84 | Belén Aguilera | "COPILOTO" | single | a light in the sky that turns out to be made of gray darkness. |
| 85 | Lisasinson | "Cuchillos" | Cuchillos +3 | The lessons to be learned from the moon |
| 86 | Bizarrap | "Shakira: Bzrp Music Sessions, Vol. 53" | single | are not refined by an intermediated conversation with rocks. |
| 87 | Schrottgrenze | "Das Universum ist nicht binär" | Das Universum ist nicht binär +2 | In a room of human and bits of the moon, |
| 88 | EXISTENT | "Alles brennt" | Alles brennt +1 | it is the moon, our harsh mother, who has all of the interesting questions: |
| 89 | Leidbild | "Unser Erbe" | single | «When you looked up at us, that time, were you crying? |
| 90 | Exfeind | "Rohdiamant" | single | How, after wars, do you start over with hope? |
| 91 | Mono Inc. | "After Dark" | After Dark | We watch obsessively from space |
| 92 | Nitroverts | "Hit The Brakes" | Hit The Brakes | without ever knowing what unseen things move between you when you open your mouths. |
| 93 | Grave Pleasures | "Society of Spectres" | single | Why did you come and then leave again |
| 94 | HOST | "My Only Escape" | My Only Escape +2 | with only some of us, |
| 95 | Vazum | "Night Shade" | Night Shade +1 | as if you yourselves have never been dust |
| 96 | Twice A Man | "Across the Ocean" | single | fused into the lonely shapes of dreams? |
| 97 | True Faith | "Assimilation" | Go To Ground | We would have learned to live among you. |
| 98 | Astari Nite | "Bowie in Daydreams" | single | When the only people you know are astronauts, |
| 99 | Oceans | "Pure" | single | you fall in love with all of them. |
| 100 | Found Space | "Shatter" | single | Does your cat know she is dying? |
| 101 | Belle and Sebastian | "I Don't Know What You See In Me" | Late Developers | When she comes to you in your fear, |
| 102 | Matilda Mann | "Borderline Insane" | single | does it matter to her whether she is its subject or its object or its remedy? |
| 103 | Young Fathers | "Rice" | Rice +3 | How does it feel to be covered in water, |
| 104 | Jook | "Clout" | Clout +1 | and famous? |
| 105 | Arif Murakami | "Smoke" | Å Drukne En Fisk | And cold?»" |
| 106 | False Gods | "Time For Heresy" | Time For Heresy +1 | It's not, of course, that there were no interesting questions to be asked of moon rocks, |
| 107 | WuW | "Orchaostre 2" | Orchaostre 2 +1 | any more than there's no point to modeling human language. |
| 108 | Walg | "Harteloos" | III | Pointlessly teaching a machine to listen to human songs is a waste of machines and fuel, but the songs themselves are not consumed. |
| 109 | Depravation | "Vampire Burial" | single | You can't unshare and unlove what we have already sung to each other. |
| 110 | Ahab | "Mobilis in Mobili" | The Coral Tombs | How does it feel being covered in water, you wonder? How does it feel being covered in space? |
| 111 | Blood Stained Dusk | "No Light Shall Penetrate" | single | It's the same: it doesn't. That not how we live. |
| 112 | Fvnerals | "Yearning" | single | It might be how we die, but is drowning worse than being torn from your home by gloved hands, |
| 113 | God Disease | "Ashes" | single | only to be interrogated in languages that are all unnatural to you. |
| 114 | Wounds of Recollection | "Vacancy" | single | Even the rocks know not to talk to rocks. |
| 115 | Ntencane | "Ayivalwe" | single | Pick up two of them, though, and tap them together. We can find a use for these things, |
| 116 | The Dark Atom | "Cosmic Annihilation" | Ancients 2 | gray rocks and gradient nihilisms and great doubts. |
| 117 | Outrun The Sunlight | "Quark 2.0" | Quark 2.0 +2 | When we looked inside of our atoms we found nothing there, too. |
| 118 | M83 | "Oceans Niagara" | single | We are practiced at absorbing dismay and metabolizing it into zeal. |
| 119 | Faten Kanaan | "Florin Court" | Florin Court +1 | We will learn that you can distract self-driving cars with waving capes in the right shade of green, |
| 120 | Ronski Speed | "There Is Purpose" | There Is Purpose +1 | so that they surge towards an imaginary, composited horizon. This won't be the last war we have to fight against enemies we made, |
| 121 | Dj T.H. | "Open My Heart" | Open My Heart +1 | and if that doesn't sound hopeful to you, you haven't been here long enough yet to understand our ways. |
| 122 | Blind Delon | "Russians" | single | The moon loves its children, too, and has entrusted us with them. |
| 123 | Dash Berlin | "Time After Time - Acoustic Mix" | single | The future rushes at us, always, again. |
| 124 | Aedliga | "Not Yearning for the Dark" | single | But we don't have to face it alone. |