| 1 | Archspire | "Bleed the Future" | single | Talking about music as background or foreground |
| 2 | The Sound That Ends Creation | "You're A Loose Cannon, But You Get Results" | single | risks an inverse synesthesia, |
| 3 | ONI INC. | "Always Wishing, Always Waiting" | Always Wishing, Always Waiting +1 | notionally transposing aural integrativity into visual occlusion. |
| 4 | Sarke | "Bleak Reflections" | single | Sound, like love, does not stop at objects, |
| 5 | Negură Bunget | "Brad - Single Edit" | single | but surrounds and suffuses them, |
| 6 | Rise to the Sky | "The Loss of Hope" | Per Aspera Ad Astra | and thus recruits them into its own joys. |
| 7 | Alkonost | "Solntse" | single | You can sit with your back to a revolutionary mural |
| 8 | Galwem | "Ouça Minha Voz" | Ouça Minha Voz +1 | and it will offer no comment on your complacencies. |
| 9 | Hadadanza | "El Brebaje" | single | But put rebel anthems in your headphones, |
| 10 | Filip Lackovic | "Drums of the Horde" | single | and you will have to answer to them, |
| 11 | Fejd | "Strilja" | single | will have to incorporate them into your movements. |
| 12 | Beast In Black | "Moonlight Rendezvous" | single | Of course it can be done, |
| 13 | Lords of Black | "What's Become of Us" | single | you can cultivate evil to a reverent soundtrack, |
| 14 | Vega | "Beautiful Lie" | single | or string diaphonous lattices of sugar to the accompaniment of corrosive cacophonies, |
| 15 | Adamantia | "Nuestro Primer Día Aquí" | Anhelos del Alma | but not in the same trivial way that you can think darkly in a white-walled room. |
| 16 | Last Days of Eden | "The Garden" | single | This is also true of the scents of viridian potential |
| 17 | Elisaday | "Inner War" | single | or narcissistic decay. |
| 18 | Whyzdom | "Notre Dame" | single | I feel no less atheistic in the grandest cathedrals, |
| 19 | Tezaura | "Scarecrows" | single | but less isolationist in even the smallest unfamiliar towns. |
| 20 | Rinrin | "Shadows" | Episode 1 5 | Community is harmonic |
| 21 | Megara | "Ni Contigo Ni Sin Ti" | single | where politics is precedental. |
| 22 | Esprit D'Air | "津波" | 津波 5 | Sightseeing is literal, and thus inherently virtualizable, |
| 23 | Crossfaith | "Slave Of Chaos" | single | where travel is immersive and thus does not become virtual in transmission. |
| 24 | NOCTURNAL BLOODLUST | "THE ONE" | THE ONE +1 | You can get postcards in the mail, |
| 25 | INUWASI | "setsuna" | chimera 6 | like we used to have to order CDs from Japan. |
| 26 | 04 Limited Sazabys | "fade" | fade / Just 2 | You can't run Spotify or GrubHub on clipper ships, |
| 27 | Ivy to Fraudulent Game | "Day to Day" | single | so no wonder people used to believe there was such a place as Away, |
| 28 | Optloquat | "Lapes" | From The Shallow | populated by inscrutable barbarian habits |
| 29 | Kiro Akiyama | "ナイトダンサー" | single | and the primitive precursors of civilized music. |
| 30 | CHiCO with HoneyWorks | "我武者羅" | single | We landed on inhabited islands |
| 31 | buGG | "My Fight Song" | My Fight Song +1 | as if upon ecliptic asteroids, |
| 32 | TrySail | "Re Bon Voyage" | single | with sharp swords and empty buckets the size of heads, |
| 33 | ReoNa | "生命線" | 月姫 -A piece of blue glass moon- THEME SONG E.P. | claiming we only intended to dig sparingly inquisitive holes under undisturbed starlight, |
| 34 | B.O.L.T | "まわりみち" | Attitude | and glancing calculatedly at the setting sun. |
| 35 | We=MUKASHIBANASHI | "We'll have a Dream together to never forget Youth With You." | single | Civilization is the incremental acknowledgement of barbarity: |
| 36 | CODE OF ZERO | "READY FOR ACTION" | single | wars of roses |
| 37 | ミズシラズ | "インベーダー" | インベーダー +1 | or attrition |
| 38 | Mada Mitakoto no Nai Sekai | "乙女解剖 feat.manaco" | single | or worlds. |
| 39 | Tigress | "Generation" | Pura Vida | We can be post-genre when we're suspended in sufficiency vats, |
| 40 | Thyla | "Gum" | single | tubed for a gentle chewing sensation in place of flavor, |
| 41 | Autumn Fires | "Losing Sleep" | single | selling off our interest in our subconscious |
| 42 | Perfect Average | "Re-Start" | single | as if we have forgotten the difference between debt |
| 43 | Hipersona | "Satellite" | single | and discovery. |
| 44 | cookii | "moonlight" | single | Night falls. Blades glide out of sheaths of almost their own accord, |
| 45 | Ropes Of Night | "The Whispers" | Impossible Space | if not for our hands, pulling them, |
| 46 | Vazum | "Wytch Lych" | single | strung between the need to go unnoticed |
| 47 | Odonis Odonis | "More" | More / Laced in Leather 2 | and the urge to see if a selfie could capture the way streetlights glitter |
| 48 | Deathsomnia | "Wastelands" | You Will Never Find Peace | as they are sliced and scattered into the dark. |
| 49 | Lightfoils | "Supervene" | single | In the morning, this will just look like a street, |
| 50 | The Psychedelic Furs | "Evergreen" | single | but the nightsongs remember. |
| 51 | Manic Street Preachers | "The Secret He Had Missed" | The Secret He Had Missed +1 | Gender and clothing are not the sources of magic, |
| 52 | Cold Night For Alligators | "Verism" | Verism +2 | as truth is not an ideology. |
| 53 | ENGST | "Au Revoir" | single | Love does not stop at objections, |
| 54 | Betontod | "Retro" | Retro +3 | or walls |
| 55 | Kapelle Petra | "An unsrer Tanke brennt noch Licht" | single | or defeats. |
| 56 | Spoegwolf | "Onbreekbaar" | Silwer | Take off the frayed belt that holds the empty sheath that held the sword, |
| 57 | Karen Zoid | "Guiding Light" | single | and leave it on the steps of the museum |
| 58 | Mashudu Nematoka | "Sila Li Funwa Nga Muambari" | single | that already has the metal in a glass case, |
| 59 | Makhadzi | "Zwivhuya" | African Queen | labeled with wishful misunderstandings of its provenance |
| 60 | Amon Tobin | "Phaedra" | single | and its guilt. |
| 61 | EOR | "Oodaaq 1978" | single | We write quiet histories of loud times, |
| 62 | Sam Fender | "Seventeen Going Under - Acoustic" | Seventeen Going Under 2 | and read them back to ourselves in even more revisionist silence. |
| 63 | Amamiya Sora | "永遠のAria - From THE FIRST TAKE" | single | We tell ourselves absurd, exquisite stories of the people we would have been, |
| 64 | The Ultimate Heroes | "STAY - Pop Punk Version" | single | and in these tiny, individually inadequate ways, |
| 65 | Korpiklaani | "Ennen" | single | gradually and incrementally become recognizable as them, |
| 66 | Sandi Thom | "Nothing else matters" | single | and some time later become indistguishable from them, |
| 67 | Dash Berlin | "you broke me first" | single | even to ourselves, |
| 68 | Yandere | "don't go" | single | even in our songs. |