| 1 | UNDEAD CORPORATION | "Blaze" | Blaze +1 | You can tell what we have defeated by what we resurrect as symbology, |
| 2 | KAQRIYOTERROR | "Full Time Dive" | Full Time Dive +1 | and thus evolution and progress are inevitably movements into metaphor. |
| 3 | NightOwl | "Yoakemae" | Answer 4 | Cultural tourism is both a luxury of an entitled society |
| 4 | R!N | "Going my way" | single | and a natural expression of its conception and primacy of curiosity. |
| 5 | Ryokuoushoku Shakai | "これからのこと、それからのこと" | LITMUS | If you are starving, you visit strangers to steal their food. |
| 6 | Hitsujibungaku | "あの街に風吹けば" | you love | Once your home is safe, you learn to perceive safety as a conduit between differently safe realms. |
| 7 | anewhite | "バケトナ" | single | Once you can sing, |
| 8 | zenbukiminoseida. | "Loose leaf - kisaragi megumi solo" | Loose leaf (kisaragi megumi solo) 2 | you can hear every other song at once, |
| 9 | NEO JAPONISM | "GAN GAN HERO!!!!!" | single | and once you understand that everybody can sing, |
| 10 | Gacharic Spin | "I wish I" | single | you reveal your own infinite voices. |
| 11 | Matenrou Opera | "Owaranunamidanoumide" | Owaranu namidano umide 3 | And then you have to decide what to say |
| 12 | Murder in Greenvale | "STAY" | single | about everything. |
| 13 | Edge Of Paradise | "False Idols" | single | We are so close to our better selves: |
| 14 | Ad Infinitum | "Unstoppable" | single | their skin warm against our knives, |
| 15 | Windrunner | "Mahogany" | single | their blood sinuous and coiled, |
| 16 | VENUES | "Razorblade Teeth" | Solace | our yearnings folded into steel. |
| 17 | The Great Discord | "Dies Irae" | single | We can start to speak intelligibly, |
| 18 | Omnium Gatherum | "Paragon" | single | however tragically speculatively, |
| 19 | Dawn Of Solace | "White Noise" | single | about peace, |
| 20 | MØL | "Serf" | Serf +1 | but still end up screaming. |
| 21 | Thyrfing | "Håg och minne" | Vanagandr | The things all stories share are the illusion that the past has a boundary, |
| 22 | Doedsvangr | "As the Rivers Bleed Their Blessings" | single | and the conceit that we can look over it from beyond. |
| 23 | Obscurity | "Wodanaz Kriger" | SKOGARMAORS | True advances in weaponry |
| 24 | Banshee | "Let the Light Decay" | single | are methods for stretching larger canvases |
| 25 | Wormwitch | "Canadian Denim Mountain Attack" | Wolf Hex | for war painting, |
| 26 | Windfaerer | "Oxalá" | Breaths of Elder Dawns | not better logistics for shipping cases of guns |
| 27 | Fluisteraars | "Het overvleugelen der meute" | Gegrepen Door de Geest der Zielsontluiking | to a knife fight |
| 28 | MONO | "Innocence" | Innocence +1 | and leaving them there. |
| 29 | Boris | "Fundamental Erorr" | No | "Didn't you already write a loud song about noise?" |
| 30 | Rivers of Nihil | "Focus" | single | Yes! Do you like those? We have more! |
| 31 | Leprous | "Out of Here" | Aphelion | Didn't we already fight this war? |
| 32 | TesseracT | "Concealing Fate Parts 1, 2 & 3 - P O R T A L S" | PORTALS | Yes, and it didn't help. How long would a song have to be |
| 33 | Aisles | "Megalomania" | single | for you to accept it in place of violence? |
| 34 | Fire-Toolz | "I Am a Cloud" | single | This is why you cannot negotiate with natural phenomena |
| 35 | Kedr Livanskiy | "Boy" | single | or animal societies |
| 36 | Isabella Lovestory | "Tranki" | single | that have no currency of song. |
| 37 | Macy Rodman | "Punk Rock Boyfriend" | Unbelievable Animals | They cannot recognize your implicit stipulation of safety, |
| 38 | Bob Vylan | "Pretty Songs" | single | and thus cannot value your distinction between art and fighting. |
| 39 | Lil Darkie | "PSYCHEDELIC TECHNO DEATH" | single | You can tell what has defeated us |
| 40 | Wstdyth | "Riff Raff" | single | by the self-evidentally idiotic things we still say, |
| 41 | iamjakehill | "Waiting to Die" | single | or by how we huddle instead of dancing in storms. |
| 42 | Tevil Bloom | "Eyes On The Road" | Eyes On The Road | Roads are a way of materializing the end of the fear that keeps you in one place, |
| 43 | 5v | "secure" | single | even if it's replaced by a fear of moving on unapproved paths. |
| 44 | lieu | "evil" | delete 2 | The new tokens are lowercase, |
| 45 | juno | "runaway" | single | but still poems of escape |
| 46 | Prentiss | "too fast" | single | from barely assembled traps. |
| 47 | LANY | "roll over, baby" | roll over, baby 5 | We grow older, and accumulate complex rationalizations |
| 48 | Emmit Fenn | "Into The Deep" | All This To Live For 3 | for simple imperatives: |
| 49 | Wrest | "Medicine" | single | why we don't stay up all night, |
| 50 | Sorry X | "Sinking" | single | why we wade or tan instead of swimming, |
| 51 | The Connells | "Stars" | Stars +2 | why we dream of dark and colliding stars |
| 52 | JAGUWAR | "Gold" | single | instead of the sun we orbit. |
| 53 | Gameboi | "Only Fan" | single | We have only one organ of touch, |
| 54 | Messer | "Boy in the Pictures" | Roses 5 | no matter how many ways we photograph our fantasies of contact. |
| 55 | We The North | "Exil" | single | We retreat from fire, |
| 56 | The Sere | "The Warning" | The Candle - EP 4 | out of the same instinct that draws us towards it. |
| 57 | Parallels | "True Desire" | SUPERSYMMETRY | All we really want is control over the centimeter of air immediately surrounding our bodies, |
| 58 | Supernova Plasmajets | "Lonely Hearts in the Night" | single | plus existential emotional validation |
| 59 | CHVRCHES | "Asking for a Friend" | Screen Violence | and a voice we feel confident enough to not use |
| 60 | Poppy | "So Mean" | So Mean +2 | in any government that serves us. |
| 61 | The Greeting Committee | "Ada" | single | We didn't invent darkness, |
| 62 | Everdeen | "By the Water" | Stay | but we gave it life. |
| 63 | Ngaiire | "Shoestring" | 3 | You can measure our humanity in gravity, |
| 64 | Celest | "Lejos de Mí" | single | but learn only how we adapt to temporary constraints. |
| 65 | Carina Dahl | "Kjæresten din" | single | Once you float free of your shoes, of your feet, |
| 66 | Toyah | "Take Me Home" | Posh Pop | you acquire more destinations than you could ever visit, |
| 67 | Josie Cotton | "Recipe for Disaster" | Pussycat Babylon | and are thus invited to stop thinking about movement as a checklist. |
| 68 | Caroline Jones | "Getting to Me" | single | We are spun by this one gravity storm, |
| 69 | Makhadzi | "Tchukutsha - Radio Edit" | Tchukutsha 2 | endlessly the same direction, |
| 70 | Nyon'Emhlophe | "Alibuyele emakhosini" | Umahosha wendoda | until we finally decide to step outside and above it, |
| 71 | Foresaga | "Seidr" | single | to look back and down on our tightwound centuries |
| 72 | Erdling | "Rabenherz" | Rabenherz +1 | and realize that we have become |
| 73 | Hämatom | "So wie wir" | single | exactly the gods we hypothesized, |
| 74 | Sondaschule | "Ich verspreche mir selbst" | single | and thus assume all their jubillant guilts. |
| 75 | Boris | "Genesis" | No | Divinity and mortality start the same way: |
| 76 | Julien Baker | "Favor - Jesu Remix" | single | with anything you are given and willingly transform, |
| 77 | CHVRCHES | "Better If You Don't" | Screen Violence | knowing that time is irreversible and still throwing yourself into moments, |
| 78 | The Ultimate Heroes | "Hindi Na Nga - Punk Rock Version" | Punk Rock Covers, Vol. 3 | knowing that everything you say with true belief will turn out to be wrong, |
| 79 | Megaraptor | "Jolene" | single | but so will the things you disclaim or disown, |
| 80 | Rina Sawayama | "Enter Sandman" | single | and if you believe wrong things with grace, |
| 81 | Emma Blackery | "How Soon Is Now?" | Girl In A Box | you get to keep the grace. |
| 82 | The Neal Morse Band | "Bridge over Troubled Water" | Innocence & Danger | You can tell what we have transcended by what mundane infrastructure becomes frivolous architecture, |
| 83 | Marli Siu | "Ae Fond Kiss (Choral)" | Our Ladies (Original Motion Picture Soundtrack) | and what private whispers become collective anthems, |
| 84 | Eddi Reader | "In A Big Country" | Our Ladies (Original Motion Picture Soundtrack) | and what survives the tenuous instants when we think maybe nothing can. |