| 1 | La Oreja de Van Gogh | "Te Pareces Tanto a Mí" | single | Statues encode myth |
| 2 | Varry Brava | "Mi Mejor Momento" | single | through a one-way cypher |
| 3 | GRAN ANGULAR | "Verano en la Piel" | single | that metonymizes meaning |
| 4 | Aleks Syntek | "Corazones Invencibles - Desde Casa" | Desde Casa 4 | into a shell of irrelevant coincident features: |
| 5 | Veintiuno | "Salvavidas (feat. Pole.)" | single | a tired horse; |
| 6 | Saurom | "El Lazarillo De Tormes" | single | a waistcoat, color unspecified; |
| 7 | Boreale | "Tienila stretta questa felicità" | single | Robert E. Lee's mustache, |
| 8 | Ricardo Arjona | "El Invisible" | single | if we believe the sculptor had testimony to its volume and grain; |
| 9 | Gina Gina | "The One" | single | David's notorious penchant for lounging insouciantly against low tree stumps; |
| 10 | Ithwasa Lekhansela | "Ikhala Lentuthwane" | Ikhala Lentuthwane +2 | the way Columbus would stand near bodies of water, |
| 11 | Avante | "Ungalaleli Abantu" | Eqalwe Nguwe | his eyes twinkling, |
| 12 | Manyelo Dafro | "Ladon (feat. Bassekou Kouyaté)" | single | daring us to throw him in. |
| 13 | Mpumi Mzobe | "Uzobuya" | single | If defended properly against the corrosive effects of abstraction and modernism, |
| 14 | MC Yallah | "Kakana" | Mama Waliwamanyii 4 | a statue can tell an enduring story |
| 15 | Ms Level | "Umuntu Wami Lo" | single | of who owns the means of production |
| 16 | Ms Level | "Uthe Angeke" | single | of performative dignity. |
| 17 | Krizbeatz | "African Time" | single | Columbus left smallpox |
| 18 | Karen Zoid | "Indigo Girl" | single | and took potatoes, |
| 19 | Jordan Brooker | "Irish Rose" | single | and if you think statues are about history, |
| 20 | Koe Wetzel | "Sundy or Mundy" | single | tell me how he can just stand there, |
| 21 | The Front Bottoms | "montgomery forever" | montgomery forever / everyone blooms / camouflage 3 | saying nothing about guilt or consequences, |
| 22 | SayWeCanFly | "Nosebleed" | single | watching us struggle. |
| 23 | nAvvvi | "Android" | single | That is not why he is there, |
| 24 | JACKIE EXTREME | "THE BLUE" | Present Time, Present Day 5 | and not why we pull him down |
| 25 | GAIKA | "Kingdom of Slums" | Seguridad | and throw him into the water. |
| 26 | NNAMDÏ | "My Life" | Black Plight EP 3 | You can hardly call that un-American, |
| 27 | VIKING_DEATH_TRAP.EXE | "KVÆLT" | single | but it would have been much more American to have done it the day he arrived. |
| 28 | Tokyo Jetz | "FUXK IT" | single | He is there to mutely reiterate a power-structure. |
| 29 | Vantana Row | "Integrious / Verything - Live" | Live in a Van | We tear him down |
| 30 | galen tipton | "Courageous Grieving" | goddexx 5 | to remind ourselves |
| 31 | Madge | "Romeo" | single | that his silence is our power. |
| 32 | Ollie Wride | "Juliette" | single | Exactly none of the history in which he is implicated |
| 33 | The Spider Accomplice | "Crawl" | single | is evident in his features, |
| 34 | NEVIAH | "ROOTS MEAN SCARS" | single | and it is tempting to conclude that the statue is thus morally inert, |
| 35 | Dark Sarah | "Illuminate" | single | or that it sleeps with the dreams |
| 36 | Reasons Behind | "Binary Stars" | single | of those who share with it their own pure love. |
| 37 | System Divide | "Rise Again" | single | But put a rope around its neck, |
| 38 | PassCode | "MANTRA" | single | and pull with orthogonal purpose |
| 39 | MY FIRST STORY | "1,000,000 TIMES feat. chelly (EGOIST)" | 1,000,000 TIMES 2 | until the stone cracks, |
| 40 | GRAND FINALE | "Fly To The Shangri-La" | single | and you will find out how his shell contains centuries |
| 41 | ReoNa | "Untitled world" | single | of fear, and dominance, and oblivious entitlement, |
| 42 | CROWN POP | "LIFE" | single | and public-health mismanagement, |
| 43 | the mishmash | "HERO" | GOOD DAYS | and trenchant lessons we keep forgetting |
| 44 | えんそく | "5時限目のSUMMER SUITS" | 5次元SUMMER SUITS 4 | about the privatization of interrnational relations. |
| 45 | MAN WITH A MISSION | "Change the World" | Change the World +1 | A statue encases truth |
| 46 | UNMASK aLIVE | "Tao" | single | in the hopes of suspending a story |
| 47 | Ray | "fate" | fate +2 | at an advantageous point for its sponsor. |
| 48 | Diaura | "獄彩" | single | We put up a statue |
| 49 | Rhythmic Toy World | "HAME" | single | to claim, disingenuously, |
| 50 | aint | "Can't take back days" | single | that we have been delivered, by personal greatness, |
| 51 | NOISEMAKER | "Better Days" | H.U.E. | through struggle into a peaceful afterworld, |
| 52 | FOMARE | "ARUBA" | ME WO TOJIREBA | and should remember the names and hairlines of our benefactors |
| 53 | postman | "蒼" | HOPEFUL APPLE | as a courtesy. |
| 54 | Age Factory | "CLOSE EYE feat.Kamui" | CLOSE EYE (Reboot) 2 | Thereafter, it stands in judgment, |
| 55 | Wintaar | "So Be It" | I Am Ruin, I Am Death | practicing the exact petty opposite of stewardship, |
| 56 | Satylus | "Brightness" | Brightness +1 | waiting to see how long it will take us to decide to blame it |
| 57 | Ars Magna Umbrae | "Oracle of Luminous Dark" | single | for exactly what it is guilt of. |
| 58 | Vhäldemar | "Afterlife" | single | Tearing it down releases its truth again, |
| 59 | Varus | "Die Letzte Schenke" | A New Dawn | and returns all of us to its point of irresolution. |
| 60 | Second to Sun | "L" | single | The story is unsuspended. |
| 61 | Imperial Triumphant | "City Swine" | single | We can talk about reparations |
| 62 | Limos | "Rise to Arms" | Tales of the White Eye 4 | for things done by our distant ancestors, |
| 63 | Myridian | "Light Is Lost" | Light in the Abyss | because they didn't have that talk. |
| 64 | Profane Sanctum | "Soldiers Epitaph" | single | We can print new copies of every treaty Trump petulantly tore up |
| 65 | Doomcave | "The Illumination" | The Illumination | because it didn't mention his name anywhere, |
| 66 | Highborne | "Inquisitor of Frailty" | single | and resign ourselves to repairing his damage. |
| 67 | Samael | "Transcendence" | single | A standing statue is a power lesson; |
| 68 | Balance Breach | "Bad Blood" | Dead End Diaries | a fallen one, that is the history lesson. |
| 69 | Pain of Salvation | "ACCELERATOR" | single | History beats power: |
| 70 | Gazpacho | "Fireworker" | single | this is the thing history always learns, |
| 71 | Lonely Robot | "Keeping People as Pets" | single | and power never does. |
| 72 | Jet Jaguar | "No Surrender" | single | All of us are flawed, but some of us are trying to improve the world and/or ourselves anyway, |
| 73 | DevilDriver | "Iona" | single | and some of us are trying to be adored for existing, |
| 74 | Jesu | "Never There for You" | Never | and you can recognize the second kind pretty easily by their penchant for putting their name on things they pretend to think will outlive them, |
| 75 | sleepmakeswaves | "pyramids" | Out of Hours 4 | and then obsessively coming back to check on them. |
| 76 | Liturgy | "Antigone" | single | History prefers books to statues; |
| 77 | Rabbit Junk | "Prismatic" | single | power doesn't read in public because it doesn't like people to know it has to use glasses to see what the words are, |
| 78 | Beverly Glenn-Copeland | "River Dreams" | single | and then when it sees what they are is too vain to ask anybody what they mean. |
| 79 | Aleah | "Vapour - Acoustic" | Aleah | History wants to talk with us about the future; |
| 80 | Emma Ruth Rundle | "Staying Power" | single | power wants to lie to us about the past. |
| 81 | Charlotte Clark | "Disarray" | single | History knows we have never been modern, but knows that modernism at least shows intent; |
| 82 | Dream Wife | "Old Flame" | So When You Gonna... | power thinks it is the thing that made us civilized, and thus conflates debris with purpose. |
| 83 | Holy Esque | "Attach Yourself Today" | Isolation 3 | We have not yet been great, |
| 84 | Stanley Odd | "FUWSH" | single | and this will probably not turn out to have been the year we became great. |
| 85 | Montreal | "N.Y." | single | Trump wants to fill a garden of American heroes. |
| 86 | Rota | "İblisler" | single | When all you have is a shovel for digging yourself in deeper, |
| 87 | Max Cooper | "Swarm" | single | every open space looks like a good place for a new cemetary. |
| 88 | Robert Scott Thompson | "Suspended in Stasis" | single | Take the statues, leave the gravestones. |
| 89 | Alex Yarmak | "She Is Young, She Is Beautiful, She Is Next" | single | Some of the people who have lived come to stand, |
| 90 | GAIKA | "Iron Cut" | Seguridad | in death, for the stories that took place around them. |
| 91 | Ingrid Witt | "Can’t Help Falling In Love" | single | But it is their stories we need to remember, not their particular tired horses or their stupid hats. |
| 92 | Main-De-Gloire | "Someone You Loved" | single | Throwing them into the water solves nothing, but making them also solved nothing, and now we have another empty pedestal to remind us of our unfinished work. |