1 |
Neptunian Maximalism |
"Daiitoku-Myōō no Ōdaiko" |
Éons |
If we measure by the level of percussive creativity on metal records, instead of pandemics or police brutality, we're having a pretty good year. |
2 |
Jesu |
"Because of You" |
single |
I am disinclined to credit art to concurrent oppression or adversity, |
3 |
Al-Namrood |
"Al Hallaj" |
Wala'at |
but happy to give art extra glory for everything it transcends. |
4 |
Astaroth |
"Obscura -Another scenario-" |
Genesis of "Astaroth" -Chapter 1- 5 |
I will tolerate, apparently, any number of metal bands named after variant demons, |
5 |
Feuerschwanz |
"Malleus Maleficarum" |
Das Elfte Gebot |
or marching anthems dedicated to specious grimoires, |
6 |
Romuvos |
"Aizkraukle (1279)" |
The Baltic Crusade |
or bookish processionals extrapolated from feudal disputes whose Wikipedia explanations may as well involve Grand Fenwick. |
7 |
Aseitas |
"Blood Into Oil" |
single |
There are universes hidden in morbid dreams. |
8 |
Brujeria |
"Covid-666" |
Covid-666 +1 |
We are made of crawling flesh, |
9 |
Atlases |
"Dreadlight" |
single |
as surely as spinning atoms |
10 |
Thecodontion |
"Pangaea" |
Supercontinent |
and the slow flex of the turtles that wager our fortunes. |
11 |
Fellwarden |
"Pathmaker" |
Wreathed in Mourncloud |
Our notions of elegance are formulated in decay, |
12 |
Grief & Bliss |
"A Walking Void" |
Hiraeth 3 |
or maybe our tolerance of chaos is predicated on our ability to conflate it with complexity. |
13 |
Red Moon Architect |
"Rise" |
single |
We seek an element of will in a possibility-space of wishful unattended vindication. |
14 |
Amaranthe |
"Viral" |
single |
We are indignant when asked to take practical steps we used to reserve for ritual, |
15 |
Volturian |
"Haunting Symphony" |
single |
and awakened by questions posed about our movitations for sleep. |
16 |
Jasmine Cain |
"Burnout" |
SEVEN |
But we do not sleep to make a point, |
17 |
Alien Huang |
"我不是空笑夢" |
single |
and we are not subdividing infinity as an act of arbitrary discipline. |
18 |
梦然 |
"山鹊" |
山鹊 +1 |
We believe in our own singularity, and then we paint landscapes |
19 |
raymay |
"update" |
single |
distinguished only by our techniques. |
20 |
Poppin'Party |
"Breakthrough!" |
Breakthrough! |
We dream of asteroid mining, |
21 |
PARADISES |
"BRIGHT FUTURE, YOUR SMILE" |
single |
and returning as heroes from epic journeys, |
22 |
GO TO THE BEDS |
"GO TO THE BEDS is my life" |
single |
to distract ourselves from these tense quarantines |
23 |
Yui Sakakibara |
"Love☆Jet!" |
single |
spaced diffidently across the surface of a hollow world. |
24 |
ミュウ(CV:高橋李依) |
"Trauma" |
Song of LISTENERS: side Hello |
You can try to hate exuberance, |
25 |
HUiT(有原 翼(CV.西田望見),野崎夕姫(CV.南 早紀),東雲 龍(CV.近藤玲奈),河北智恵(CV.井上ほの花)) |
"胸の音色" |
刹那、轟く歓声 |
but only by pretending your own retreats and revisions |
26 |
Kami-sama, I have noticed |
"インナーサークル" |
single |
are not secretly scored, |
27 |
lical |
"nyctalopia" |
abyss esthesia 6 |
and carefully never learning any difficult skill. |
28 |
ヨルシカ |
"思想犯" |
single |
The weekend looking up Japanese colleges didn't turn out like you planned. |
29 |
FOMARE |
"MEWOTOJIREBA" |
single |
If you close your eyes |
30 |
Mrs. GREEN APPLE |
"スターダム" |
single |
and look up |
31 |
KEN |
"Summer" |
single |
into a warm and open sky, |
32 |
JAM Project |
"Versus Road 〜非現実的サバイバル〜" |
single |
all the regret within range of your aura will be lifted three inches into the air. |
33 |
Triple777 |
"COSMIC TRAIN" |
single |
Amazing things are not always straightforwardly transformational, |
34 |
The Well Runs Red |
"Dead to the Dirt" |
Neverscape 6 |
but nor are slow apocalypses assembled from just polyester and dismay. |
35 |
JPEGMAFIA |
"THE BENDS!" |
single |
Anarchy is not a social program, |
36 |
Backxwash |
"Bad Juju (Moris Blak Remix)" |
single |
and masks have a history woven thickly out of thin layers, |
37 |
nascar aloe |
"I Throw A Fit" |
single |
but you can't invoke vengeance in the argot of precarious privilege. |
38 |
SuiSai |
"A Petals Ashes" |
single |
No legends end with gray minions triumphantly fireproofing barriers in slow motion, |
39 |
James Colt |
"Fire Rains" |
single |
or golf carts with Confederate flags on their rooves jumping flooded access roads or drought-emptied creekbeds. |
40 |
boyband |
"tattoo" |
single |
Atavism is right to fear new heraldry. |
41 |
Drippin So Pretty |
"Green Dot" |
single |
We don't have heroes, we have stories of how people held heroism in their hands, |
42 |
Lil Skele |
"i still care, but i know that i shouldn't" |
single |
and what they put it down to pick up. |
43 |
Sueco the Child |
"Smackdown (feat. TOKYO'S REVENGE)" |
single |
We have a free market where you can negotiate any price |
44 |
Ryan Oakes |
"SAVE MYSELF" |
single |
for trophies rendered worthless by purchase. |
45 |
lil rxspy |
"caroline" |
single |
"This is it", we keep saying. "That's the end of the joke." |
46 |
Lil Darkie |
"ON THE MOUNTAIN" |
single |
All this means is that the rest of the continuing story is serious, |
47 |
Ados |
"Herkes Konuşur" |
single |
but it was all secretly serious to begin with. |
48 |
Big Narstie |
"Teachings of Marcus" |
single |
You can hold up books you haven't read with one hand, |
49 |
Prince Kaybee |
"Hosh - Edit" |
Hosh 2 |
confident that no knowledge or morals are going to spill out on your tie. |
50 |
Wiley |
"Sorry" |
Boasty Gang - The Album |
Those who don't read never have the exquisite rapture of unexpected sequels, |
51 |
Konshens |
"Pull Up" |
single |
or the functional click of learning which oceans hold which islands. |
52 |
Harry Shotta |
"Salute" |
single |
If we organize by the debts we collectively owe, we are naturally united |
53 |
Marlowe |
"Future Power Sources" |
single |
and gifted with a redemption plan. |
54 |
HoodCelebrityy |
"Broke Boy" |
single |
If we can measure by how filled with we are with starlight and confidence, instead of by how many people have to have it explained to them why Black Lives might Matter, |
55 |
cupcakKe |
"Discounts" |
single |
then we're having a pretty good year. |
56 |
Molly Brazy |
"Curious" |
single |
We need more female rappers and more female presidents, |
57 |
Petty Levels |
"Dat Ass" |
single |
and before you make the obvious suggestion, Cardi B won't be old enough until 2028, |
58 |
Lebra Jolie |
"Talk My Shit 2" |
single |
so we have to get through two more terms until she can run as AOC's VP, |
59 |
Cmten |
"I Want a Shawty Who Plays Minecraft" |
single |
and in the meantime we need somebody who isn't basically satisfied with a populace forced to stay inside and watch him on TV. |
60 |
Arca |
"No Queda Nada" |
KiCk i |
If we measure by latent grace, instead of unwillingness to place one's moral center of gravity more than half an inch in front of one's dubious teeth, |
61 |
vōx |
"How Do I Connect To The Spirits?" |
single |
maybe there is a version of humane spirituality that doesn't reduce to "I am more special than you". |
62 |
Young Ejecta |
"Screen Guru" |
Ride Lonesome |
Maybe we can use all these wires to do more than narrowcasting offers to trade dissatisfaction for ointments, |
63 |
Tatiana Hazel |
"Tension" |
DUALITY |
or senses of purpose for small-batch T-shirts. |
64 |
Miss Caffeina |
"Reina (feat. Rozalén)" |
single |
We are made of perilous land-bridges |
65 |
Kudai |
"Sin Despertar" |
single |
between continents of insular belief. |
66 |
Ella Vos |
"State of Emotion" |
State of Emotion +3 |
Our procedures for redress are optimized for petulant censure and minor punishment |
67 |
Stephanie Cheape |
"Back to Life" |
single |
where we need ways to revoke wrongful death |
68 |
LÉON |
"And It Breaks My Heart" |
And It Breaks My Heart / Who You Lovin / In a Stranger's Arms 3 |
and transplant broken hearts |
69 |
HAIM |
"FUBT" |
Women In Music Pt. III |
without pretending unconvincingly that half-hearted is sufficient. |
70 |
Thyla |
"Everything (Vapor)" |
single |
Too much improvisation is poured into trying to levitate to a high enough point |
71 |
Moonrunner83 |
"Back To You" |
Back To You |
that you can keep the rain from simply falling without your own profitable intervention. |
72 |
The Midnight |
"Prom Night" |
Prom Night +3 |
We will survive a year without holding hands, |
73 |
The Anix |
"Do You Remember" |
GRAPHITE |
and probably retrospect will transmute tedium to wistful yearning, |
74 |
Anup Sastry |
"The Only Thing They Fear Is You" |
single |
but it won't restore squandered joy. |
75 |
Driive |
"The Intruder" |
single |
The autopsy of our culture won't say "They were proud of their history", |
76 |
Stand Atlantic |
"Jurassic Park" |
Jurassic Park 5 |
it will say "They couldn't stop drinking lite beer long enough to recognize their responsibility for extinction." |
77 |
A Story Told |
"Messed Around" |
single |
It will say "They put off tractable precautions |
78 |
Nothing But Thieves |
"Real Love Song" |
Real Love Song +1 |
in order to spend the time pardoning killers and misspelling signs proclaiming immunity." |
79 |
Rich O'Toole |
"Back On My Bullshit" |
New York |
It will say "Exceptionalism is what you get when other people's tears form a crust over your own eyes." |
80 |
17 Memphis |
"Does She Know" |
The Ballad of 17 Memphis |
It will say "The meaningless things we fight over look us in the eye and say 'Here is where you get to learn to share, |
81 |
Moonlight Social |
"An Ode To Humanity" |
single |
or collaborate on a rock opera about this plaintive moment of artificial scarcity, |
82 |
Alana Springsteen |
"Good Things Fall Apart" |
single |
or just check your masks and hold each other in a tight six-foot orbit.'" |
83 |
The Chicks |
"March March" |
March March +2 |
It will say "But we had more than momentum." |
84 |
Liz Longley |
"Finally High" |
Finally High 5 |
It will say "We were weak, and mostly consumed with an constant constructed effort to keep from being consumed, |
85 |
Clemency |
"Let Me Hold You" |
single |
but we had guitars with so many strings, |
86 |
Carl Stone |
"Figli" |
Ganci & figli 2 |
and hoarded treasures that became bountiful currency when broken properly into enough shards." |
87 |
Jónsi |
"Swill" |
Swill +1 |
It will say "We were beautiful in our separate rooms, |
88 |
Robert Scott Thompson |
"Teardrops and the Holding Pattern" |
Teardrops and the Holding Pattern +1 |
posed against expedient backgrounds, |
89 |
Parry Gripp |
"Rat in a Dollhouse" |
Sunny the Rat - EP 5 |
willing to see what professionalism reveals when it's sliced open by our lives." |
90 |
Nightcore Red |
"The Other Side (Switching Vocals)" |
single |
It will say "If you close your eyes |
91 |
Minniva |
"The Human Paradox" |
single |
and look up |
92 |
Red Handed Denial |
"Telephone" |
single |
into a rendered sky |
93 |
Grouplove |
"Dancing On My Own" |
Dancing On My Own +1 |
you can imagine that the blood is water." |
94 |
First to Eleven |
"Girlfriend" |
single |
We believe in stories defined by their convenient myopia, |
95 |
American Hi-Fi |
"Our House" |
Our House +1 |
but a bad story relies on brevity to substitute wit for soul. |
96 |
Kesha |
"Children of the Revolution" |
single |
Keep telling it and you'll eventually get to the part where things change. |
97 |
Monica Naranjo |
"Autómatas (P-Machinery)" |
Mes Excentricitès, Vol. 2 |
Machines call out for followers, plaintively, ignored. |
98 |
Inter Arma |
"Purple Rain" |
Purple Rain +2 |
We haven't the patience for dystopia, either, fortunately. |
99 |
Ben Folds |
"2020" |
single |
Keep telling it and and you'll eventually get to the part where we write a song to remember what it was like in the middle, because we believe there is a middle. |