1 |
June 1974 |
"Possession" |
single |
Some weeks June 1974 seems to me like a white-label vendor of future old Simple Minds b-sides. |
2 |
The Algorithm |
"pointers" |
single |
The djentstep has lost some step, but it's still at least compucore. |
3 |
Eagulls |
"Skipping" |
single |
Northern blacklight marching howl. |
4 |
BRONCHO |
"Fantasy Boys" |
single |
Wobbly post-tornado flooded-Spector dream-logic pop. |
5 |
The KVB |
"White Walls" |
...Of Desire |
Shoegaze with new gaze but weird vintage shoes. |
6 |
The Joy Formidable |
"Liana" |
single |
Oh, I remember now. The Joy Formidable were CHVRHCES with guitars before CHVRCHES. |
7 |
Blondfire |
"Kiss and Collide" |
True Confessions - EP 5 |
Sighing simmer-and-crash indietronica. |
8 |
Lucius |
"Something About You" |
Good Grief |
Ambitious, riveting, percussive deconstructed Motown via Paisley Park via some ungovernable city on the Moon. |
9 |
Glint |
"Get Out The Way" |
Inverter |
Imagine something smaller than Dragons. |
10 |
Linney |
"Hi, My Name Is - Original Mix" |
Things We Say EP 4 |
Teen pop as a compositional style. |
11 |
Sizzy Rocket |
"THRILLS" |
single |
Teen trap pop? Charli XCX with more Beyoncé? |
12 |
Skeletonwitch |
"Well of Despair" |
single |
Frantic, unglossy melodic thrash-metal. |
13 |
Harakiri for the Sky |
"Calling the Rain" |
single |
Atmospheric black post-rock, like study-music for slowly and methodically lighting your work on fire. |
14 |
Uruk-Hai |
"Return of the Fallen Warriors" |
Elbenstahl |
Solipsistic ambient Tolkien laptop epicore-metal, like a musical evocation of the footnotes for a script for a montage of a battle. |
15 |
Northless |
"The Curse of Being" |
Cold Migration 3 |
What it sounds like when the universe tries to change its mind about having permitted you to form. |
16 |
Auroch |
"From Forgotten Worlds" |
From Forgotten Worlds |
The breath of wolves, tinged with the smell, from deep in their throats, of what's left of your sentries. |
17 |
Kerri Watt |
"The Wild" |
single |
Pealing, affirmational country-pop anthem (technically from Milngavie, not Nashville, but whatever). |
18 |
Namewee |
"Cry Father" |
single |
Sweeping, sentimental Malaysian orch-pop. |
19 |
Cardiknox |
"Earthquake" |
Portrait |
If New York City ever gets into Eurovision, they will clean up. |
20 |
Bob Mould |
"The End of Things" |
single |
Should you ever forget that Bob Mould was in an important punk band. |
21 |
Information Society |
"Praying To The Aliens" |
Orders Of Magnitude |
Because the original version wasn't nearly cartoonish enough. |
22 |
Julianna Barwick |
"Nebula" |
single |
What radio astronomy should actually sound like. |
23 |
Ethernet |
"Hourglass" |
Elementals & True Light |
What radio astronomy without singing should actually sound like. |
24 |
Fovea Hex |
"The Golden Sun Rises Upon the World Again" |
The Salt Garden 1 4 |
What radio astronomy would sound like if we discovered a planet inhabited by giant intelligent plants that learned our language by listening to Linda Thompson and Nico records. |
25 |
Caliban |
"Mein schwarzes Herz" |
single |
Battalion-singalong German cathartic metalcore. |
26 |
Fear Of Domination |
"Adrenaline" |
single |
Euphoric Finnish electro-metalcore. |
27 |
Killswitch Engage |
"Quiet Distress" |
single |
Metalcore + earnestness = power-emo. |
28 |
Belanova |
"Cásate Conmigo" |
single |
Reggae-accessorized Mexican big-pop, like a theme-song for the Lego Amigas' beach party. |
29 |
Susanna |
"Hole" |
single |
Kate Bush never sounded anywhere near as blippy as this, but few singers come this close to Kate's oblique poetic sense. Or to what Jane Siberry might sound like if she hadn't given up on technology. |
30 |
Johndoe |
"Wild dog" |
Skandinista |
Glorious Norwegian punk-ragged indie rock, like a less-glam Killers crossed with a less-folk Alarm. |
31 |
Sie Gubba |
"Bra nok - som du e" |
single |
Norwegian "country rock" is kind of like Runrig with extra guitars instead of fiddles, but then fiddles instead of bagpipes. |
32 |
Fiordaliso |
"Nel molo di san blas - Radio Edit" |
Nel molo di san blas 2 |
Italian arena-pop-rock singer Fiordaliso, of whom I've previous never heard, has apparently sold over 6 million records, and now I'm going to have to go back and listen to them all. |
33 |
Jonathan Johansson |
"No Rest for Me" |
single |
An experiment to see if you can turn Justin Bieber exactly 74% of the way into Sigur Rós. |
34 |
ADIAM |
"Runaway" |
single |
Muted, gleaming, slab-construction click-soul. |
35 |
Moiré |
"Brixton" |
single |
Dance-flux. |
36 |
Graze |
"Kliph" |
Kliph +2 |
Deep dance-flux. |
37 |
Donato Dozzy |
"Quadra Sette" |
Squadra Quadra 2 |
Deep structural dance-flux. |
38 |
ASP |
"Das Kollektiv" |
single |
Gothic-industrial folk-punk. |
39 |
Unzucht |
"Kettenhund" |
Kettenhund 5 |
Progressive stentorian electronic metalcore. |
40 |
Erik Ekholm |
"Furia" |
Dreadnought |
Ekholm has 20k monthly listeners, so presumably this isn't a custom-written epicore anthem for my internet domain. And yet. |
41 |
Pegboard Nerds |
"Bass Charmer (feat. JFMEE)" |
single |
Norwegian heroic epicore-arabesque-grime-step. |
42 |
San Holo |
"New Sky" |
New Sky +1 |
Sanfir, Master of the Pitchbend Wheel. |
43 |
All Or Nothing |
"Stand Up!" |
Stand Up! +1 |
J-indie-pop sparkles pretty much the same even without the production gloss. |
44 |
Ereb Altor |
"A Fine Day to Die" |
Blot - Ilt - Taut |
Full black metal viking. |
45 |
Obsidian Kingdom |
"A Year with No Summer" |
A Year With No Summer |
Progressive post-doom math-core. |
46 |
New Arcades |
"Until the End" |
single |
When I was a kid I would flip over sealed albums to see if the credits mentioned synthesizers, and this is basically what I always hoped it meant if they did. |
47 |
Ladyhawke |
"A Love Song" |
single |
Part of the genius of CHVRCHES is the restraint and melancholy. But if you take those away, you get another great thing. |
48 |
Lonely The Brave |
"Radar" |
single |
When in doubt, more guitars. |
49 |
Gazelle Twin |
"Blood Gushes I" |
Out of Body |
Gazelle Twin are the anti-matter Björk. |
50 |
ANOHNI |
"Drone Bomb Me" |
single |
Post-world trans-indietronic unterrorizable flutter-step. |
51 |
Dream Wife |
"Hey Heartbreaker" |
EP01 4 |
Breathy, spiky, warmly tweek punk-pop, like the Elastica to Muncie Girls' Sleeper. |
52 |
Kristallbarn |
"Motiv" |
Motiv Till Morgondan 6 |
It's not like Eurovision created that style and forced it upon people. |
53 |
Timoteij |
"Firelight" |
Under Our Skin 5 |
Not upon the Swedish people, anyway. |
54 |
Marathonmann |
"Blick in die Zukunft" |
single |
German post-hardcore so post- it kind of comes back around to punk again. |
55 |
Normandie |
"Fight" |
Inguz |
Viking emo. It's time. |
56 |
Do |
"Zonder Jou (Titelsong Rokjesdag)" |
single |
Genial, jangly Dutch movie theme. |
57 |
A Cámara Lenta |
"Toda la Verdad" |
Bendita Locura |
Intriguingly wide-ranging pop/rock/Latin record anchored by a handful of boisterously uncluttered throwback pop-punk songs. |
58 |
AURORA |
"Running With The Wolves" |
All My Demons Greeting Me As A Friend (Deluxe Version) |
Album debut by ethereal Norwegian synth-pop multi-vocalist. |
59 |
Kirsten Adamson |
"New York Girl" |
single |
Beepy far-retro re-invocation of the age of Toni Basil, Lene Lovich, Josie Cotton and Cyndi Lauper. |
60 |
Rooxx |
"Moving On" |
single |
Stately ABBA-esque synth-pop power-ballad. |
61 |
Luca Brasi |
"Anything Near Conviction" |
single |
Surging, soaring, stabbing, masterfully uncomplicated melodic night-ending Tasmanian punk. |