1 |
Molly Sandén |
"Youniverse" |
single |
Youphoric Yourovision. |
2 |
IG88 |
"Hiding in My Hands" |
Hiding in My Hands |
Pop songs deconstructed into drifty, fractured, recursive nostalgia. |
3 |
NateWantsToBattle |
"Same Old Forest" |
Songs of Time |
Minecraft-core pop-punk auteur's long-promised Legend of Zelda concept-album. |
4 |
Tonight Alive |
"To Be Free" |
Limitless |
Sydney pop-punk goes fearlessly epic and methodically quiet at once, like a cross between ABBA and Muse, or the grand pop album to go with the Jezabels' Synthia. |
5 |
Frightened Rabbit |
"Get Out" |
single |
Lurching, lovecrushed surrender. |
6 |
Little Green Cars |
"Clair de Lune" |
single |
Low-ish indie-folk-pop, but LGC sound like a different band to me when Faye isn't singing the lead. |
7 |
Fatima Al Qadiri |
"Blood Moon" |
Brute |
Ominous experimental synthetic dystopiatronica. |
8 |
Anna Meredith |
"Nautilus" |
Varmints |
Experimental modern composition in nominal, colorful pop-song shapes. |
9 |
Muncie Girls |
"Learn In School" |
From Caplan To Belsize |
Magnificent, tiny, roaring, plaintive punk-as-understatement catharsis like the hybrid legacy of Sleeper and Bikini Kill. |
10 |
Kneebody |
"Loops" |
Kneedelus |
Apparently all you have to do to make jazz tolerable to me is stick it in a computer and chop it up a little. |
11 |
La Gale |
"Salem City Rockers" |
Salem City Rockers |
Glitchy, dark-glitter Swiss-French post-world atmospheric hip hop. |
12 |
Amore Ad Lunam |
"I'm Inside You" |
single |
Goth-caped love metal from somewhere deep in the vein that runs from later Sisters of Mercy to earlier HIM. |
13 |
The Great Line |
"How Can a Man Die Better" |
Illuminature |
Howling atmospheric post-hardcore, like sleeping on a flying carpet made of slate and terror. |
14 |
Lions and Tigers |
"Katherine" |
Everything Is Illuminated 5 |
Punchy Austin pop-emo. |
15 |
Eissturm |
"Falling Snow" |
The Oak |
Whisper-shrieky, frost-shrouded atmospheric black metal. |
16 |
Now or Never |
"The Voice Inside" |
II |
Cheerfully semi-anachronistic power-glam Euro-metal. |
17 |
Kristin Kontrol |
"X-Communicate" |
single |
Dum Dum Girls' beepy neo-New-Wave solo-project expedition into Berlin/New Order anthropology. |
18 |
Mitski |
"Your Best American Girl" |
single |
A lullaby for the end of the world. |
19 |
Mary Lattimore |
"Otis Walks Into the Woods" |
At the Dam |
Aeolian harp-and-echo sketches. |
20 |
Beseech |
"Beating Pulse" |
My Darkness, Darkness |
Gruff, dark-romantic Swedish gothic metal. |
21 |
Jennifer O'Connor |
"Mountains" |
Surface Noise |
Close, hushed, elegant indie bedroom-folk. |
22 |
Lera Lynn |
"Shape Shifter" |
single |
Sparse anti-country twang. |
23 |
Sorcier des Glaces |
"Passage Au-Dela Des Glaciers Noirs" |
North |
Freeze-dessicated Québécois raw black metal. |
24 |
Panopticon |
"Håkan's Song" |
Panopticon & Waldgeflüster (Split) |
Object-lesson in how to do a genuinely collaborative split single: each band provides one massive-torment new pagan-metal epic and one spare neo-folk cover of one of the other band's songs. |
25 |
Oyinda |
"Never Enough" |
single |
Fractured, chattery post-world experimental soul. |
26 |
Natalie McCool |
"Fortress" |
single |
Grand pop cloaked in minimalist singer-songwriter indietronica. |
27 |
MICappella |
"One of These Days" |
single |
Frenetic Singaporean a cappella K-Pop group. |
28 |
Wolvserpent |
"Aporia:Kala:Ananta" |
single |
Take a pop song and slow it down to 40:30 and you get instant funeral doom metal. Except this was never a pop song. |
29 |
Inverloch |
"From the Eventide Pool" |
Distance | Collapsed |
Epic-elegiac black doom metal. |
30 |
COIN |
"Stilled" |
Stilled |
Ambient displacement. |
31 |
Paperwhite |
"On My Own" |
single |
Shimmery dream-funk-pop. |
32 |
Hammock |
"Dissonance" |
single |
Blurry, unhurried cloud-gaze. |
33 |
Howl |
"Sports Challenge" |
single |
Parts vaporwave, epicore and "Axel F". |
34 |
Min Stora Sorg |
"Min stora sorg" |
single |
Haunting, halting, sparkling, soaring, meticulous Swedish indie-drama-pop. |
35 |
Love of Lesbian |
"Planeador" |
El Poeta Halley |
Expansively various Spanish indie-everything punk/pop/slow-core/cantautor/rock. |
36 |
All Tvvins |
"Resurrect Me" |
Unbelievable 3 |
Quick, jabbing, drum-spattered indie dance-rock. |
37 |
Reckless Love |
"We Are The Weekend" |
InVader |
Sunny, flamboyantly goofy Finnish retro-glam-metal. |
38 |
Hacktivist |
"Taken (feat. Rou Reynolds)" |
single |
Grinding progressive grime-core. |
39 |
Anup Sastry |
"Enigma" |
Bloom |
Pounding hyper-technical hyper-unsubtle instrumental djent. |
40 |
Lumisokea |
"Generation Z" |
Transmissions from Revarsavr |
Belgian/Italian noise-as-jazz duo. |
41 |
Gondwana |
"A Gospel of Dirt" |
Aum |
Rumbling, meditative dronescapes from the Italian half of Lumisokea. |
42 |
Mortiis |
"The Great Leap" |
The Great Deceiver |
Goth-destructo-industrial blast-bluster. |
43 |
The Qemists |
"Jungle" |
Warrior Sound |
Ambitious post-drum-and-bass rockstep. |
44 |
Momoiro Clover Z |
"We Are Born" |
Amaranthus |
Hopping brightly from techno-power-metal to alternate-universe industrial-instructional-musical soundtracks... |
45 |
Momoiro Clover Z |
"Tougenkyou" |
Hakkin No Yoake |
...unless you want them to stay on J-Pop hyper-topic, in which case there's a whole other album released the same day. |
46 |
SHISHAMO |
"Gomenne, Koigokoro" |
SHISHAMO 3 |
Even lo-fi Japanese indie-pop sounds like the basis of an indecipherable cartoon superhero franchise. |
47 |
Avec Sans |
"Heartbreak Hi" |
Heartbreak Hi (Remixes) 3 |
Ebulient London arpeggiator metropop. |
48 |
Lethal Bizzle |
"Box" |
single |
This might be an argument against fighting. Or it might have been before Lethal Bizzle, JME and Face started having too much fun mangling the words. |
49 |
Tinchy Stryder |
"Allow Me" |
single |
I guess this is sort of UK trap. |
50 |
Jon Henrik Fjällgren |
"Vi är starka - Mijjieh lea gaarkijes" |
single |
Eurovision yoik! This should really win. |
51 |
Prince Rama |
"Fantasy" |
Xtreme Now |
Ceaseless-energy mosaic-pop made of broken bits of St. Vincent, Devo, Kate Bush and Propaganda. |
52 |
Ruben Samama |
"Will (Cells)" |
Insomnia |
Jazz bassist makes creaky post-world-fusion noise-ambience. |
53 |
Matthew Bourne |
"Somewhere I Have Never Travelled (For Coral Evans)" |
moogmemory |
Glacial-pace yoga for abandoned robots with immortality to kill. |
54 |
GENER8ION |
"H808" |
single |
Buzzy, martial, distended-funk electro-abstraction. |
55 |
Donots |
"I Will Deny" |
¡CARAJO! |
Vast, surging German anthem-punk. |
56 |
KMPFSPRT |
"Ich hör' die Single nicht" |
single |
Fast melodic German shout-along power-trio punk. |
57 |
Sue the Night |
"The World Below" |
single |
Gossamer jangle-indie dream-pop. |
58 |
Alpine Universe |
"Leap of Faith" |
single |
Earnest, dramatic electro-industrial epicore-core. |
59 |
Kitten |
"Church" |
Heaven or Somewhere in Between 5 |
Like the wall of sound is actually the sky. |
60 |
AURORA |
"Warrior" |
single |
This could easily be the Eurovision entry for New York. |
61 |
Bars and Melody |
"Hello" |
single |
Ghastly/wonderful British teen boy-band "rap" Adele cover. |
62 |
Mechanist |
"The Hum" |
The Hum +1 |
The sound of background noise self-organizing for a revolt. |
63 |
Bedårande Barn |
"Nu Och För Alltid" |
Nu Och För Alltid +1 |
Unhurried Stockholm pop-hard-rock. |
64 |
Colin Stetson |
"SORROW a reimagining of Gorecki’s 3rd Symphony: I - Extract" |
single |
And my non-album of the week is these two breathtaking preview fragments... |
65 |
Colin Stetson |
"SORROW a reimagining of Gorecki’s 3rd Symphony: III (Extract II)" |
single |
...from Colin Stetson's upcoming complete re-orchestration of Gorecki's masterpiece. |