Waltham: "Cheryl (Come and Take a Ride)" (1.9M mp3)  

I haven't even listened to the rest of the album yet, this is just track 1.

Come talk about movies...

And lastly, if for no other reason than that the time-stamps on our photos are the only journal I kept this time, the stubbornly and inexplicably interested are cautiously and apologetically welcome to click as fast as possible through the otherwise potentially interminable Japan+Bali 2005 extended instrumental all-plot remix.

 
 


Tokyo Metro, Tsukiji to Omote-Sando  
 


Tokyu Hands, Shibuya  
 


Nishi Shinjuku Hotel, Shinjuku  
 


Tokyo Metro, Asakusa to Shinjuku  
 


Mori Center 50F, Roppongi Hills  
 


Mori Center 52F, Roppongi Hills  
 


Shin-Yokohama Ramen Museum, Shin-Yokohama  
 


Pronto, Shinjuku  
 


Pura Dalem Agung, Ubud  
 


Segara Giri Kencana, Menjangan Island  
 


Taman Sari, Pemuteran  
 


Delta Dewata supermarket, Ubud  
 


Ngurah Rai Airport, Denpasar  
 


shinkansen platform, Shinagawa  
 


Hikari shinkansen, Shinagawa to Kyoto  
 


Kiyomizu-dera, Kyoto  
 


Kyoto Museum for World Peace, Ritsumeikan University, Kyoto  
 


Ryoanji, Kyoto  
 


OPA department store, Kyoto  
 


Shinagawa station, Tokyo

 
 


toro and hamachi, Daiwa Sushi, Tsukiji  
 


breakfast hotdog, Presto, East Shinjuku  
 


unidentified pastry, Presto, East Shinjuku  
 


takoyaki, sidewalk cart, Ueno Park  
 


Japan half-and-half, Bar Del Sole, Roppongi  
 


bi bim bap and bulgogi, Saikabo, Shinjuku My City  
 


ramen, Komurasaki, Shin-Yokohama Ramen Museum  
 


lukewarm soup, unnamed warung, Candi Kuning  
 


banana fritter, Ngiring Ngawedang, Munduk  
 


palm-sugar crepes, Taman Sari, Pemuteran  
 


Pocari Sweat, boat off Menjangan Island  
 


nasi goreng ananda, Ananda, Candi Kuning  
 


random ekiben #1, Shinagawa  
 


random ekiben #2, Shinagawa  
 


ramen, near Kinkakuji, Kyoto  
 


tea spigot, Musashi kaitenzushi, Kyoto

Zapruder Point: The O.M. (0.9M mp3)
from It's Always the Quiet Ones  

I loaded the CD-changer in my car before the trip, so interspersed with all the new Japanese pop and trip-photo sorting and back-at-work denial and willful continuing other-cultural immersion, I've been hearing a few records I was pondering before I left. I'm dancing around to ultra-produced big-corporate techno-pop in a language I only sporadically understand and even less often actually empathize with, but I'm also standing still, humming small, wistful, under-produced, uncalculated reasons for being home to feel right.