| 1 | Taylor Swift | "Is It Over Now? (Taylor's Version) (From The Vault)" | 1989 (Taylor's Version) | Which do you want? |
| 2 | Taylor Swift | "Now That We Don't Talk (Taylor's Version) (From The Vault)" | 1989 (Taylor's Version) | An AI illusion of a future nobody will be proud of, |
| 3 | Orchestral Manoeuvres In The Dark | "Kleptocracy" | Bauhaus Staircase | or a piece of the ebullient human past that it takes us a few years to learn to hear as love? |
| 4 | Everything Everything | "Cold Reactor" | single | Stamp it with your name, with a name. |
| 5 | Geographer | "Everyone" | Everyone | Everything generative should say "(Nobody's version)". |
| 6 | Isbjörg | "Inure" | single | They will try to sell us anybody becoming anybody else, |
| 7 | Plini | "Ember" | single | and we will say "Hmm!" like Taylor does |
| 8 | DGM | "To The Core" | single | when she's becoming herself again. |
| 9 | Cvlt Ov the Svn | "Square Hammer" | single | There's a difference between extrapolation and growth, |
| 10 | La Mer | "Hell Can Wait" | Tetrahedra | especially when the extrapolation is interpolation with a surprising demo and a marketing plan. |
| 11 | Scars of Solitude | "Luna" | Luna +1 | The eager ease with which we are impressed is, of course, part of our charm, |
| 12 | Breath Of Wind | "The Stars Above Us" | single | one of the thousand noble impulses that can be nihilistically exploited, |
| 13 | Varathron | "Hegemony of Chaos" | single | grand gates into our ultimately unguarded cities. |
| 14 | Sangdragon | "Curse Of Desert (The Black Dragon)" | Hierophant | The black dragon circles twice before landing in our plaza and saying "Why should I spare this town?" |
| 15 | Sonus Mortis | "Among the Marrow and the Machines" | Of Red Barren Earth | with flames for a tongue, |
| 16 | Doro | "Fire in the Sky" | Conqueress - Forever Strong And Proud | and we smile and say "Who sent you? |
| 17 | Lucifer | "At The Mortuary - Halloween Edit" | At The Mortuary 2 | Who drew you? |
| 18 | Jasmine Cain | "Attitude is Everything" | single | You were magnificent in the air, but altitude is everything." |
| 19 | Dead Sara | "Violent" | single | Be gently led away by Anima Control, like the other beautiful imaginary beasts before you. |
| 20 | Solarcycles | "Nature's Blessing" | Lunar | We cannot be spared by extraneity, |
| 21 | Neperia | "Vritra's Garden" | single | nor consumed by our own multiplicity. |
| 22 | Snow White In The Dark | "MADE OF STONE" | single | You are made of words, letters, bending lines. |
| 23 | Exit Eden | "Run! (feat. Marko Hietala)" | single | What would you want, if you were real? |
| 24 | Serenity | "The End of Babylon" | The End of Babylon +3 | Food trucks, new songs, somebody who waves when you land. |
| 25 | Altersight | "День, когда..." | single | All these eons of imagining dragons, though, |
| 26 | Liv Sin | "Synthetic Generation" | single | and you'll notice we never do change the building codes |
| 27 | IKINÄ | "Kohti kuolemaa" | IKINÄ | to account for wingspans or scales. |
| 28 | As December Falls | "Tear It Out" | Join The Club (Extended Edition) | What we say we believe, what we plan for: the difference is what makes us |
| 29 | Cawston | "Safe With Me" | Safe With Me +1 | fragile and dangerous. |
| 30 | senses | "playing dead" | single | And what if we had even fled this city and left it to you? |
| 31 | KILLT MELT LAND | "Be I Am" | single | We'll just build it again, Taylor's Version, without you. |
| 32 | BiS | "LAZY DANCE" | single | Maybe this is what we do every day, already, |
| 33 | JUGS MAFIA | "full counter" | single | not trusting fixtures to remain fixed |
| 34 | Atomic Skipper | "SONIC" | single | but recreating our routine structures by rebelieving in their purposes. |
| 35 | AliA | "Our Song" | single | Our songs, our versions, |
| 36 | Minako Kotobuki | "唇にWasp" | Curious 6 | venom only on our lips because we love how it shines. |
| 37 | IRIS OUT | "Hustlers" | Hustlers 6 | Which do you want, a glittering kiss mapped onto smooth oleophobic glass, |
| 38 | yama | "ハロ" | single | or an angel signing posters in a shopping mall? |
| 39 | cotoba | "coii - Single Version" | co-isolation 2 | We look at our shoes not because we don't know what to say to her, |
| 40 | amazarashi | "インヒューマンエンパシー" | 永遠市 | but because we don't know what to say to ourselves |
| 41 | EVE OF THE LAIN | "閃光" | REVIVAL | about why we love what we love, |
| 42 | ROOKiEZ is PUNK'D | "I'm gonna do it" | single | and so it's hard to explain how the songs can become about that. |
| 43 | BIGMAMA | "数学 | RULER" | Tokyo Emotional Gakuen | We come to say that we fell in love, |
| 44 | Esprit D'Air | "Grudge" | single | and she holds out a hand to help us up again. |
| 45 | Black Magnet | "Birth" | Birth +1 | We will wonder, eventually, if Taylor picked football by cross-referencing the schedules of stadiums when she didn't need them herself, |
| 46 | Prins Svart | "Parasit" | single | and the team because they match her lipstick, |
| 47 | Eisenherz | "Engel Der Nacht" | Eisenherz | but we all have logistical reasons for why we end up where we are, |
| 48 | Kill Shelter | "In Decay [V]" | single | and we still have to wake up and be today's version of ourselves again. |
| 49 | HEALTH | "ASHAMED" | ASHAMED +3 | Maybe this will eventually turn out to be how the concussions stopped. |
| 50 | Chelsea Wolfe | "Whispers In The Echo Chamber" | Whispers In The Echo Chamber +1 | We can let staged glamour and performative introspection |
| 51 | Bob Vylan | "He's A Man" | single | tempt us into finally making decisions we've long understood were necessary. |
| 52 | WARGASM (UK) | "Venom" | Venom | American football is a bad game. We have other bad games, scattered around the world, |
| 53 | Triángulo de Amor Bizarro | "La Carretera Nocturna" | single | that cannot be won without doing worse damage than the victories, |
| 54 | Miss Caffeina | "Sábado" | single | and cannot be confined to weekends. |
| 55 | Quinto Elemento | "Divergente" | Inmortales | We think that if we want to live forever, we have to live in a different way, |
| 56 | Victorias | "Todo Irá Bien" | Todo Irá Bien +1 | but it's the other way around: |
| 57 | Crystal Canyon | "Belt Of Orion" | single | we try to live the same way even twice, and fail, |
| 58 | Bodyslam | "ปรากฏการณ์ผีเสื้อ" | single | and this failure pushes forever forward by one day. |
| 59 | JUST LIKE US. | "Discovery" | single | This is the difference between learning from mistakes and experiences |
| 60 | ELEYN | "Yakap" | single | and merely recombining them until they're just barely unrecognizable. |
| 61 | Six Going on Seven | "Endurance" | Self-Made Mess | Our languages are large, but our fears are small, |
| 62 | Alexandra Kay | "Painted Him Perfect" | All I've Ever Known | and if we stop reciting them for a moment |
| 63 | Laura Pausini | "Oltre la superficie" | Anime parallele | they flutter away into some other chamber of our vast hearts. |
| 64 | liza | "STUPID WHEEL" | single | We wrote so many great car songs, but we still need to mostly get rid of cars. |
| 65 | PAWS | "Helen Back" | PAWS | We filled stadiums to cheer for boyfriends endangering their ACLs, |
| 66 | ONR | "Cold In My Shadow" | single | and to concentrate wealth when we really needed to be distributing it, |
| 67 | Dance Gavin Dance | "War Machine" | single | but the real triumphs of will are small machines no good for war: |
| 68 | Gameboi | "Cruise Control" | single | tiny devices that take charge of mistakes we are not improved by making, |
| 69 | daine | "CUT MY HEART OUT" | single | precise surgery to excise foreign bodies |
| 70 | NateWantsToBattle | "FVKD" | single | or hopelessness, |
| 71 | i9bonsai | "windchimes" | single | ways to restate ambient noises as apologies, |
| 72 | blackwinterwells | "circuit breaker" | particle physics 2 | ways to stop retracing bad patterns |
| 73 | Thy Slaughter | "Sentence" | Sentence / If I Knew 2 | along the same borders. |
| 74 | saoirse dream | "down in flames" | single | Every automation releases us to drift across lines. |
| 75 | Poppy | "The Attic" | Zig | These mechanical elegies do not record fights between humanity and artifice, |
| 76 | Jesse Detor | "Sofia I'm Sorry" | single | they conjure ways to extend our powers |
| 77 | Phoebe Green | "I Can't Ride A Bike" | single | by relinquishing leverage. |
| 78 | Miles Hunt | "I Used To Want It All" | Things Can Change | We get caught in our shadows |
| 79 | The Mountain Goats | "Only One Way" | Jenny from Thebes | and attached to talismans that changed us once, long ago. |
| 80 | Son of Africa | "CHWAYITA(Queen Charisma) Siphiva-Why udlalangam" | single | But what do you want to learn? |
| 81 | Mfanomhlophe | "Dlala Mamaz" | single | How to do something you only ever did because you didn't yet know better, |
| 82 | Stabhilithi | "Umshovo" | single | or what it sounds like when somebody you've never heard of sings their own songs? |
| 83 | MudeMude | "Ngeke Ngimale" | single | It sounds like joy. It could be about blank spaces or rift valleys, but it can also sound like joy |
| 84 | uQhoshangokwenzakwakhe | "Isikigi sezigwili" | Isikigi sezigwili | in no language model and all the models at once. |
| 85 | Ojikelele G | "Gqo gqo" | Indoda engenamali | Regenerating songs you already know in simulations of voices you already know |
| 86 | Quality Biyela | "HELLOW STHANDWA SAMI" | SHEMBE IS THE WAY | is church music for a cult of iterative irrelevance. |
| 87 | Maredi Maredi | "Mojolo Why" | single | We do not need to reenact past weddings, |
| 88 | Shandesh | "Forever Yena" | single | we need to fall repeatedly in love, continuously, haplessly, |
| 89 | Agreement. | "Forever ShebeMaburna" | single | forever again. |
| 90 | Mr shaken beatz | "iPHONE & FRONTAL" | single | We need tiny machines we can hold in our hands when we dance, |
| 91 | Zakes Bantwini | "Mama Thula" | single | so that the whole world dances with us, enthralled |
| 92 | Yallunder | "Mali" | Mali +1 | and then freed. |
| 93 | Kabza De Small | "Imithandazo (feat. Young Stunna, DJ Maphorisa, Sizwe Alakine & Umthakathi Kush)" | Isimo | What do you want? Strangers whose names you can learn, or nameless clones of your friends? |
| 94 | Orchestral Manoeuvres In The Dark | "Aphrodite's Favourite Child" | Bauhaus Staircase | New songs that sound like old songs sounded when they were new to you, |
| 95 | Taylor Swift | "Out Of The Woods (Taylor's Version)" | 1989 (Taylor's Version) | or ways to exonerate our past selves by proving we can believe the same things again? |
| 96 | Taylor Swift | "Clean (Taylor's Version)" | 1989 (Taylor's Version) | The flood that washes away our mementos cleans us, first, and then admits to being a returning tide. |