| 1 | The Joy Formidable | "Cut Your Face" | single | You can listen from anywhere. |
| 2 | Din of Celestial Birds | "Utopia" | The Night is for Dreamers | Or that's the fantasy, anyway, |
| 3 | IKINÄ | "Tie" | single | that roaring Finnish gothcore |
| 4 | Dark Princess | "Поднимаясь в небо" | single | or sinuous Russian metal grandeur |
| 5 | Lacey Sturm | "Breathe With Me (feat. Lindsey Stirling)" | single | or Christian-hard-rock/talent-show crossovers |
| 6 | A Light Divided | "Rain" | single | can all reach any speaker, and thus any ear. |
| 7 | BLOXX | "Modern Day" | Modern Day 5 | Neither of these destination agnostices have quite been universally achieved yet, of course. |
| 8 | The Dollyrots | "Night Owl" | single | Not even all of the speakers have been liberated, never mind the ears. |
| 9 | K!ngdom | "Hetero Pero" | single | And as with most utopias, we do not achieve them, |
| 10 | Stoned Mary | "First Time" | single | we reach the vantage point from which their incomplete conception becomes apparent. |
| 11 | Jazmin Bean | "Favourite Toy" | single | We have all the news in the world; |
| 12 | Sigrid | "The Hype" | single | how do we evade an addictive and profitable morbidity? |
| 13 | Tizzy Bac | "Radical Life" | 《 甚麼事都叫平凡人分心 》紀念EP 4 | We have microforecasts to tell us exactly when the rain will start, |
| 14 | Zsasz | "here is the answer" | single | but then our microforecast app gets acquired and remonetized, |
| 15 | 八木海莉 | "メタモルフォーゼ" | single | and in order to replace its radar view we capitulate to push alarms about distant flooding |
| 16 | Payrin's | "Aoshigure-Ni-Ochite" | single | and distantly possible storms. |
| 17 | She is Legend | "Sayonara no Sokudo" | single | We have virality aggregators, |
| 18 | ASP | "I HATE U" | I HATE U +1 | and they concentrate virulence to sell to us as provocation, |
| 19 | My Best Friend | "Memorial Platonic" | single | as engagement. |
| 20 | UNDEAD CORPORATION | "God of Leaf" | single | Engagement is enrapture without love, |
| 21 | 362 | "ワンナイトラブストーリー" | single | a minimally sufficient inertia to sustain nominal contact |
| 22 | きのぽっぽ | "輝き" | single | instead of a dream of hands on skin. |
| 23 | Roselia | "Sunlit Musical" | single | But we did not cause this distraction with our current abundance, |
| 24 | SawanoHiroyuki[nZk] | "odd:I" | single | we caused it long ago, in seemingly simpler times, |
| 25 | VIRGE | "SORANI OCHIRU HOTARU" | SORANI OCHIRU HOTARU +2 | when we tolerated the devolution of shows and songs and news and every other |
| 26 | -真天地開闢集団-ジグザグ | "Dazzling Secret" | single | indelibly specific thing |
| 27 | 9mm Parabellum Bullet | "Brand New Day" | Brand New Day +1 | into content. |
| 28 | ANORAK! | "basement" | ANORAK! / DIMWORK 3 | We invited vampiric generative "art" into our incoherent discourse |
| 29 | Ang Dating Don Juan | "Lagi" | single | when we accepted the illustration of journalism with stock photography, |
| 30 | Urbandub | "Come" | Rebirth | and maybe even before that, when we allowed acting into promotional fiction. |
| 31 | Lonely The Brave | "The Lens" | single | By the time we realize that we are lost, |
| 32 | Loveless | "Drag Me Down" | single | we have been lost for long enough |
| 33 | The Band CAMINO | "Save My Life" | The Dark | that we cannot retreat to a departed path, |
| 34 | Neck Deep | "Take Me With You" | Take Me With You +1 | we have to rediscover where we're trying to go. |
| 35 | Local Bastards | "Krach im Kopf" | Krach im Kopf +1 | We can't simply reelect the previous party and hope the pendulum has exactly one remaining swing, |
| 36 | Rabbit Junk | "Fight Me, Erebus" | single | any more than we can take one step back up onto the edge of the world. |
| 37 | Iron Savior | "In the Realm of Heavy Metal" | In the Realm of Heavy Metal +2 | This is how, and why, it can still be possible to make meaningful art that restates elemental truths. |
| 38 | Angelus Apatrida | "Cold" | single | We have to constantly restate truths in order to preserve their relevance. |
| 39 | Theocracy | "Return To Dust" | single | This, at least, scripturalists also enviously realize, |
| 40 | Mercenary | "Anthem for the Anxious" | single | even as they conflate cause and effect and imagine that insistence is an assertion of truth |
| 41 | Dokken | "Fugitive" | single | instead of its gift. |
| 42 | Ronnie Atkins | "Trinity" | single | The creative trinity, a thoughtful deist and murder imaginer once explained, |
| 43 | Sarayasign | "Blood From Stone" | The Lion's Road | consists of the idea, |
| 44 | Tommi Läntinen | "Laitapuoli" | single | its execution |
| 45 | Moonaadem | "Givre" | Douleur de renaitre | and that execution's reception. |
| 46 | URNE | "A Stumble Of Words" | A Feast On Sorrow | The despot's insane inversion stipulates a shallow fanaticism as reception, |
| 47 | Shining | "Avsändare Okänd" | Avsändare Okänd +1 | and a strident artlessness as brutal execution, |
| 48 | Nytt Land | "Nord" | single | and thus inhabits a shredded void where the heart should be. |
| 49 | Katharine Petkovski | "haven" | single | You can listen from anywhere, |
| 50 | Sepha. | "couldn't care less" | single | but you have to learn to not just listen to somebody else's nearest yelling |
| 51 | Gameboi | "Staryeyed" | Climax | streamed into everyone's helpless hair. |
| 52 | Mr Traumatik | "Isotope" | single | Conspiracies are hard to operate, but easy to believe. |
| 53 | Big Zuu | "Running Back To You" | single | The billionaires are cheating you, but not by taking your money. |
| 54 | 071 NELLY THE MASTER BEAT | "Monwana Wa Leoto" | single | They're taking your money too, but that's not how they got to be billionaires, that's just abusive gravity. |
| 55 | Chongo De Flavour | "On Me" | single | Giving people actual things they want is a sometimes-profitable line of work, |
| 56 | Maredi Maredi | "Pelong tsa Baloi" | single | but it's work. |
| 57 | Sebopa_Zerosix | "Tshokolo yaka(Fifi_DonCheza_Mabhoda" | Access 01 3 | Wealth is not a reward for work, it's a systemic dysfunction |
| 58 | Kabza De Small | "Ungiphethe Kahle (feat. Nokwazi, Mawhoo, Mashudu & LeeArt)" | single | created by detaching the representation of value from the performance of it. |
| 59 | Ahee Teekay | "Moreki" | single | We disconnect labor costs from prices, |
| 60 | Navigator Gcwensa | "Umfana Ongalobolile" | Imfihlakalo 5 | but only as an oblique preface to disconnecting ownership from responsibility, |
| 61 | Mroza Fakude | "Ngehlulwa Ukubonga" | single | so that we can sell ownership in pieces so small they disappear. |
| 62 | Sminofu | "Imali Yezipikha" | single | You can listen to anything you want, |
| 63 | Somnandi | "EYOMAMEZALA NOMAKOTI" | AKUYENA OWAKINI | if you can remember to want, |
| 64 | Amavikelambuso | "NGIYAWUYEKA UMJOLO" | single | if you can take one clear breath |
| 65 | Makhosi Mbutho | "Likhulumile Ithonga" | single | between every pair of songs, |
| 66 | Olivia Rodrigo | "bad idea right?" | single | if you can define yourself by what you haven't got |
| 67 | Our Last Night | "vampire" | single | without requiring yourself to take it. |