| 1 | Yves Tumor | "Lovely Sewer" | Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) | A spiritual cosmology that derives from Eve's gnawing cancer, |
| 2 | Geographer | "I Don't Remember It Starting" | single | rather than one of Adam's most expendable bones, |
| 3 | Monika | "Listen Close" | PROUD | situates us not in a patriarchal lineage |
| 4 | MILCK | "Metamorphosis" | single | but an existential unraveling of identity. |
| 5 | Ayşe Betül | "Çekiyorum Gülümse" | single | I made up this reading of Yves' name, |
| 6 | Belén Aguilera | "PAS" | single | but it sounds plausible, |
| 7 | Bad Gyal Jade | "Black Tears" | single | and isn't that how we do it now? |
| 8 | Vanessa Bling | "Beautiful" | single | And isn't that kind of how we've been doing it for a while, anyway, |
| 9 | Nobantu Vilakazi | "Bhuti" | single | as expedience over conscience |
| 10 | Anna Phoebe | "Selkie" | single | and effect over purpose, |
| 11 | Ellereve | "The Empty Chair" | The Empty Chair +2 | so objecting at the point of automation is performatively too late. |
| 12 | Black Honey | "Rock Bottom" | A Fistful of Peaches | The AI, trained on our yearning, learns to yearn too much. |
| 13 | Lana Del Rabies | "Forgive" | Strega Beata | Do we remember when we started not listening closely enough |
| 14 | Caroline Shaw | "The Isle: III. Caliban" | single | to tell the difference |
| 15 | Eluvium | "Void Manifest" | Void Manifest / Clockwork Fables 2 | between metamorphosis and just lying about our names? |
| 16 | Tenhi | "Saattue" | single | Even our brashest lies have been whispering their pain. |
| 17 | Majesty | "Freedom Child" | single | Learning to drown this out is both a betrayal of our future |
| 18 | Last in Line | "House Party at the End of the World" | House Party At The End Of The World 3 | and a basic survival skill. |
| 19 | Revolution Saints | "Crime of the Century" | single | Which century would we like to live in? |
| 20 | Redemption | "The Emotional Depiction of Light" | I Am the Storm | The ones made of ancient numbers or the one that starts today? |
| 21 | Einar Solberg | "A Beautiful Life" | A Beautiful Life +1 | Like a lot of good questions, it's not good as a result of how we choose to answer it. |
| 22 | Narnia | "Thief" | Ghost Town | It's good because it reminds us that portals between worlds are artifacts of perspective. |
| 23 | Kamelot | "The Great Divide" | The Awakening | All the universes we can imagine are equally real. |
| 24 | Suotana | "The Ancient" | Ounas I | We create. |
| 25 | Heathen Foray | "Oathbreaker" | Oathbreaker +2 | We forget in order to make space to recreate. |
| 26 | Prevail in Darkness | "All That Avails Is Flight" | single | We lie about names because that's the only way they exist, |
| 27 | Atlases | "Singulars" | single | maybe the only way we exist. |
| 28 | Foretoken | "A Tyrant Rises as Titans Fall" | Triumphs | We invent nemeses because who else is going to? |
| 29 | Reino de Hades | "Árido Edén" | single | We crawled out of the sea with the water right behind us. |
| 30 | Valley of Chrome | "Luha Ng Kaaway" | single | We comfort our enemies with release |
| 31 | Cisza | "Jaki piękny świat" | Jaki piękny świat +3 | when they only asked to remain. |
| 32 | Hyrgal | "Phalanges Assassines" | single | Enter this into the minutes of the guild of the end: |
| 33 | Óreiða | "The Eternal" | single | we discarded our gifts as if they would be perpetually regiven, |
| 34 | Heretoir | "Anima" | single | and then begrudged each other's surreptitious judgment. |
| 35 | Downfall Of Gaia | "The Whir of Flies" | Silhouettes of Disgust | Little wonder that all our best plagues have followed us into the whir of files. |
| 36 | Dødheimsgard | "Abyss Perihelion Transit" | single | Our origin and our doom are magnetic shards |
| 37 | Stömb | "The Realm of Delirium" | Massive Disturbed Meta Art | pinched on either side of a thrumming membrane that might be our sanity, |
| 38 | Vintersea | "At the Gloaming Void" | single | which is as much of why any movement of either one seems like inexplicable magic |
| 39 | Smoulder | "The Talisman and the Blade" | single | as it is of why our journey from one to the other sometimes seems to cover no actual distance. |
| 40 | Metalite | "Take My Hand" | Take My Hand +1 | The power of the subtle knife is not that it subverts theocracies, |
| 41 | Phantom Elite | "Daydark" | Blue Blood | it's that it reminds us to offer mutual transformation. |
| 42 | The Dark Side of the Moon | "The Gates of Time" | The Gates of Time +3 | The theocracies will inevitably subvert themselves. |
| 43 | Asylum Pyre | "There, I Could Die" | single | The gods have other problems. |
| 44 | Silent Utopia | "My Human Nature" | single | It's us who need our belief, |
| 45 | Transworld Identity | "I'm Such a Liar" | Seven Worlds | us who need names so badly that we are willing to burn them as fast as we sign, |
| 46 | Elysion | "Blink Of An Eye" | Bring Out Your Dead | inhaling each moment so we can hope to remember how it smelled |
| 47 | Phantom Divine | "Babylon" | single | after we forget how to tell any story in which it wasn't already foregone. |
| 48 | Eternal Frequency | "Running from Ghosts" | single | You can't prevent the impossible with diligence. |
| 49 | Rain Paris | "Pain // Happiness" | single | They can only coexist. |
| 50 | As December Falls | "Alive" | single | Our explanations are demonstrations in diaphanous fabric, |
| 51 | Divina PH | "Burn The Bridge" | IntroSpections | so eliciting nominal explanations from the unlovelorn is a like dressing a tolerant pet |
| 52 | Angel Wolf-Black | "Haunted" | single | as your intolerant ghosts. |
| 53 | Liv Kristine | "In Your Blue Eyes" | single | The things you love, you don't hurl to be returned in the mouths of dogs |
| 54 | ARLEQUIN | "Tebanashite tsukamu zero" | single | or commission to be biographied by the heartless. |
| 55 | Royz | "raizin" | raizin +3 | You reach out for their hands, or the warmth of their sleeping skin. |
| 56 | SCANDAL | "Line of sight" | single | You watch them, quietly, as they prepare clatteringly to depart. |
| 57 | AOIRO-ICHIGO | "Denshi No Umi Wa Ao Yori Fukaku" | No. 1 | You find them in their heedless atoms, |
| 58 | may in film | "fanfare" | single | and celebrate that they cohere. |
| 59 | ヤユヨ | "このままじゃ" | SPIRAL 5 | You find ways to continue. |
| 60 | Hakubi | "Tensai nimo Shusai nimo Narenakatta Boku Wa" | Eye | You wait for the flash, in your eyes or theirs, |
| 61 | peanut butters | "悪魔くん" | single | when everything you know about each other is not quite enough to have predicted what happens now. |
| 62 | Luby Sparks | "I was..." | single | What happens now? You draw ellipses and wait to become. |
| 63 | illiomote | "Mid" | HMN</3 4 | If these new augmented journeys are going to transport us, |
| 64 | Mr.FanTastiC | "fine II" | II 3 | it will not be because our joys have been recategorized as tedia to be obviated, |
| 65 | kobore | "TONIGHT" | HUG | it will be because these obtuse interpolations reveal things we felt too acutely to say ourselves, |
| 66 | anewhite | "サナギ" | anew | things that needed to be sung in syllables not present in the languages we grew up muttering, |
| 67 | BBHF | "クリーチャー" | 4PIES 4 | grounded things that were only ever afraid to fly. |
| 68 | WHITE JAM | "ICE CREAM" | COLORS -Type White- | Modernity ended with the Pet Rock, and post-Rock began. |
| 69 | LOCAL CONNECT | "Maybe You" | DETOUR 4 | Maybe you remember, |
| 70 | Flyying Colours | "Never Forget" | You Never Know | or maybe you always knew: |
| 71 | Seelenkraft | "Irgendwann wird alles gut" | Zeilen der Zeit | impersonal technology waits for us to personify it, |
| 72 | Saarkie | "Feeling Good" | single | dreaming of us calling it by names, |
| 73 | Diagnóstico Binario | "Refugio" | Miscelánea | but the epiphanies are always the moments when we look through the machines and see some other human's eye. |
| 74 | Cómplices | "Llámame" | single | Our fingers on paper, across ink; |
| 75 | Álvaro De Luna | "Todo Contigo" | single | our dreams amongst the words. |
| 76 | Pol 3.14 | "Con los zapatos llenos de barro" | single | Somebody plays slow chords on a piano in a park. |
| 77 | Da Igual | "Tatuado A Fuego" | single | The wood and wires were contingencies even before they met the weather |
| 78 | Susana Cala | "Tiempo Indefinido" | single | and resolved to leave us, |
| 79 | Sugarcrush | "HER" | single | and we found them sitting on the kitchen floor writing giddy drafts of goodbye. |
| 80 | Celia Es Celíaca | "Melodías" | Melodías +3 | Our buoyant anthems and restorative hymns |
| 81 | Pohgoh | "Your New Old Apartment" | Signals Midwest / Pohgoh (Tor Johnson Records 20th Anniversary Subscription Series) 2 | are new covers of each other's timeless doubts. |
| 82 | Shit Present | "More To Lose" | More to Lose 3 | Which sanctuary would we like to live without? |
| 83 | The Dollyrots | "Hey Girl" | Hey Girl +1 | The one haloed in permanent rainbows |
| 84 | Oscar the Wild | "Pinch Me Please" | single | or the one where we end up untouched? |
| 85 | Steg G | "Vultures" | Demons | All the apocalypses we can invoke are memoirs of fears we have already collected. |
| 86 | T.E.F | "The Fire" | single | We write them on kindling. |
| 87 | Novelist | "ALL I KNOW" | single | We protest. |
| 88 | Dan Bull | "Satisfactory Night Fever" | Satisfactory Night Fever +1 | Parody is more effective, |
| 89 | JPEGMAFIA | "Lean Beef Patty" | single | but neither one is as revolutionary as walking away, |
| 90 | boyband | "FRONTO!!" | FRONTO!! +1 | or not even away, which presupposes that we were anywhere to begin with. |
| 91 | fish narc | "Opposites" | single | We are facing each other in the middle of infinite space; |
| 92 | Smrtdeath | "sad crown" | single | if we preside over any discernible domain, |
| 93 | Sixth House | "Afraid" | single | it is the kingdom of how we keep each other just barely warm and calm enough to function in this terrifying void. |
| 94 | Red Cell | "Good Morning, Good Light" | Red Cell | You can always tell the difference between a human who loves how humanity becomes technology |
| 95 | The Dark Atom | "Nova" | Freaking Machines 2 | and a machine for grinding souls in a box with soulless pictures of smiling people on the outside. |
| 96 | Ruston Kelly | "Michael Keaton" | Michael Keaton +2 | The problem with the soul-grinder has nothing to do with whether the people are photographed or synthesized, |
| 97 | Riley Pearce | "Habit" | single | or whether they were smiling about something when they were implicated or inferred. |
| 98 | Bruce Cockburn | "Colin Went Down to the Water" | single | "But we have so many souls," they say, explaining the ingenious emergent simplicity of learning to grind souls |
| 99 | Tinariwen | "Tenere Den" | single | by allowing grinding parameters to outnumber grindable souls. |
| 100 | Sanda Magubane | "Uyarokha" | single | "Brrrrghbrrbhlrlrr", we say, some kind of noise we make with our lips when we need to exhale before we've figured out how to be polite about the breath you have wasted. |
| 101 | Nhii | "Be My Lover" | single | There's bound to be some way to blame Eve for what happened to her. And Adam? Where do we even start? |
| 102 | David Jones David | "Lift me up" | single | We've already thought of all the ways we may have been wrong. They're easy to find if that's all you can think to look for. |
| 103 | Hafensaengers | "Mein größter Feind bin Ich" | Cover Up 3 | We're our only enemies. |
| 104 | Killus | "Gimme! Gimme! Gimme! - ABBA Version" | single | Prayer is useless, but grandly knowing uselessness is also kind of the foundation of all art, |
| 105 | Violet Orlandi | "Closer" | single | no more flawed than anything else we love, or are. |