| 1 | For Tracy Hyde | "Subway Station Revelation" | single | Soccer usually has the tolerant virtue |
| 2 | ayutthaya | "I'll be there" | Lighthouse | of treating ties as normal. |
| 3 | MindaRyn | "Make Me Feel Better" | single | I approve of this willingness, underrated and underrepresented in sports, |
| 4 | SennaRin | "透明な惑星" | 最果て (Complete Edition) 6 | to acknowledge that two competitors are about the same. |
| 5 | Malcolm Mask McLaren | "Snowflake" | Snowflake +1 | Human performance is subject to many contingencies. |
| 6 | Eversolitude | "Faint Afterimages" | SLOWLYCOLLAPSE 4 | Arbitrary microjudgment is an antiempathic dysfunction. |
| 7 | HARUKATOMIYUKI | "十字路に立つ" | 十字路に立つ +2 | Sometimes the just resolution is to thank each other for your earnestly spent time |
| 8 | B.O.L.T | "Accent" | single | and walk away with love and grace. |
| 9 | GANGDEMIC | "RISE AGAIN" | single | The acceptance of ties and the stubborn refusal to inflate the point-economy of goals |
| 10 | sly cat girl | "LIFE" | single | also mean that a soccer game cannot normally transition directly between joy and agony. |
| 11 | BABY-CRAYON~1361~ | "Life goes on!" | single | You cannot go from winning to losing in a single moment. |
| 12 | シャニムニ=パレード | "エンドロール" | single | The score cannot change by more than 1 at a time. |
| 13 | 二口魔菜 Futakuchi Mana | "Ignorance" | single | You must attempt to pass through the ambiguity of ties, |
| 14 | Inferiority Complex | "Wake Up" | single | and there you might still find yourself |
| 15 | RedHook | "Soju" | single | at the end. |
| 16 | As Everything Unfolds | "Blossom" | Blossom +1 | Elimination tournaments, of course, cannot abide this irresolution. |
| 17 | Tiffany | "Shadows" | Shadows | There must be a Champion, |
| 18 | Brightstorm | "Deep Higher Thoughts" | single | and as a result there must also be a decision-tree of some defined cardinality. |
| 19 | Season of Ghosts | "In Hubris" | single | Thus the usual insulation between joy and agony is stripped away. |
| 20 | Oceandvst | "Nme" | single | A single goal in a single tournament game can change the fate |
| 21 | ODC | "The Lie" | single | not only of the two teams playing that game, |
| 22 | Ad Infinitum | "Somewhere Better" | Somewhere Better +1 | but of others, innocently standing by, |
| 23 | ILLUMISHADE | "Elegy" | Elegy +1 | or playing in their own matches of incomplete agency, |
| 24 | Thy Shade | "Never Enough" | single | or standing in the center circle after doing everything under their own control, |
| 25 | Circus of Fools | "Head of Medusa" | A Broadcast from GEN .0 | waiting to be doomed or raptured |
| 26 | Carved | "Red Dwarf" | Ares | into the next round. |
| 27 | Walk in Darkness | "Ships to Atlantis" | Leaves Rolling in Time | It is tempting to believe that the possibility of joy justifies the risk of agony, |
| 28 | Molllust | "Uranus - The Butterfly and the Spider" | Mother Universe | and even more insidiously, that joy cannot exist without agony, |
| 29 | Oceans | "Hell Is Where The Heart Is" | Hell Is Where The Heart Is | that love and hate are subjective polarities imposed on an inevitable spectrum, |
| 30 | Winter | "Into The Void" | Into The Void +2 | inescapable except by obliteration. |
| 31 | In The Woods... | "We Sinful Converge" | Diversum | Distrust all such self-righteous dualities. |
| 32 | Astral Experience | "Reloj de Arena" | single | The cynical know that two wrongs can be counterposed |
| 33 | ACME | "Resisted temptation" | Resisted temptation | to offer a false choice of rights. |
| 34 | Elder | "Catastasis" | Innate Passage | Government, and every other social construct, ought to be a system of consensus and consent, |
| 35 | Djevel | "Afgrundsferd" | Naa skrider natten sort | not an exhausting fight to be the least-bad anti-hero. |
| 36 | Violet Cold | "Sülh" | single | We can see this in an occasional syzygy of circumstantial alignment, |
| 37 | Zetra | "Hopeless Odyssey" | single | when the fight is both meticulously photographed and |
| 38 | Lykotonon | "The Apocryphal Self" | Promethean Pathology | happily far away from us: |
| 39 | Istårn | "Dawn" | Eschatology | a far-foreign city under draconian quarantine; |
| 40 | Monolithe | "Voskhod" | Kosmodrom | a sand-glossed arena built by slave-tantamount labor; |
| 41 | Marras | "Kulkureita" | single | a bitter elective choice between cartoonish demagogueries; |
| 42 | BRDigung | "Niemals aufgewacht" | Niemals aufgewacht +2 | a border dispute 2km east or west of the middle of subjective nowhere. |
| 43 | Seelenkraft | "Besinnliche Zeit - Single Edit" | single | We congratulate ourselves for, largely, partly, |
| 44 | Adventus | "Fundirme Con el Viento" | Saudade | sublimating tribal hostility into sports, |
| 45 | Despistaos | "Estrella (feat. La La Love You)" | single | but of course this is still a ritual of choosing sacrifices: |
| 46 | Verona | "Cambiar Este Final" | Giro Argumental | tributes to give their ACLs instead of ours, |
| 47 | Nunatak | "Cierra al Salir" | single | their performative humiliation so that we can cheer or rage, |
| 48 | December Avenue | "Saksi Ang Langit" | single | their heraldic allegiance so that we are symbolically freed from rationalizing our own. |
| 49 | The Differential | "Enemy" | Mindstorm | Take a walk through a city where, today, there is no parade. |
| 50 | KAMI WA SAIKORO WO FURANAI | "キラキラ" | single | That is where you find us, really, |
| 51 | Sub-Radio | "Wait A Minute" | single | wearing headphones at a stop light and impatiently tapping the edge of the curb with a sole |
| 52 | Reno & Rome | "Miracle" | single | so casual strangers do not mistake our impatiently reluctant intersectional caution for sheepish compliance. |
| 53 | Muse | "Ghosts (How Can I Move On) [feat. Elisa]" | Ghosts (How Can I Move On) [feat. Elisa] +1 | How can we move on when everyone we hear still talks about how we must have become this way? |
| 54 | Safree | "Si vas a volver" | ANCESTRAL 6 | Unnecessary stadia are not the best things we have built together. |
| 55 | Die Campbells | "My Persoon" | single | The aliens, when they arrive, will not demand to see our World Cup brackets. |
| 56 | The Sun | "Tutto quel che ho" | single | The best spectacles end in shared curtain calls, not wrested trophies. |
| 57 | Mina Harker | "Findelkind" | single | Sports can be practiced as art, |
| 58 | Purpleshoes | "Hindi Na Sana" | single | but only if you care about human movement |
| 59 | Mary Mortem | "Darling, You Couldnt Even Imagine What I've Seen" | single | and token trajectories of bliss |
| 60 | Nehl Aelin | "In the Woods" | Erase my Memory | more than the reduction of victory. |
| 61 | Aero Manyelo | "Angimazi Ubabalo" | single | The modern World Cup works, |
| 62 | Randomized Coffee | "Mariama - Radio Edit" | Mariama 3 | at least better than its corrupt governance would augur, |
| 63 | Lagxabha | "Inkomo" | Inkomo 5 | because almost every country's best players have played with each other as well as against, |
| 64 | UMNTUYENZIWA | "Ngibhula Isihlangu" | Ngibhula Isihlangu | and because imaginary desert cities built by exploited migrant laborers |
| 65 | Cevuzile | "Iyangena Inja" | Angikuncengile | are temporarily overrun by exploited migrant revelers |
| 66 | Udumakahle | "Bafuna Sihlukane" | S'qhuba Izinkomo | who have to coexist after their teams, too, in turn are defeated. |
| 67 | Mzansi Youth Choir | "Rise" | single | Each decrement of the field increases the population of the neutral, and thus the global. |
| 68 | Secret Archives of the Vatican | "Daoine Sídhe" | single | By the end, no matter who is left, the rest of us are freed. |
| 69 | Bjarla | "Two Arrows" | Bifröst | And because any of us might lose, we are all united in anticipation. |
| 70 | I Built the Sky | "Push Play" | single | There is a champion, but at least they do not suffer a resulting burden of power. |
| 71 | Outrun The Sunlight | "Ambivalence 2.0" | Ambivalence 2.0 +1 | Thus ambivalence may be revised and refined. |
| 72 | Dav Dralleon | "Dark Gates Ov R'lyeh" | Kthullu | We do not leave ourselves in the arena. The game ends, and we go back: |
| 73 | Patty Gurdy | "Melodies Of Hope" | single | into cities that may still become real, |
| 74 | Taylor Swift | "Anti-Hero - Acoustic Version" | single | into countries whose midnights are the game's afternoons, |
| 75 | First to Eleven | "Tom Sawyer" | single | into invaded spaces that may again be witnessed, |
| 76 | Falconshield | "This Is War 8" | This Is War 8 +1 | into only wars that can be repeated in rhyme. |