1 |
Pohgoh |
"Now I Know" |
Du Und Ich |
I've never watched Pohgoh play. |
2 |
Courtney Swain |
"I Forget" |
For Once |
I've never seen most of the people I listen to play, even the ones I know personally. |
3 |
First Aid Kit |
"Palomino" |
Palomino |
Some of them I can probably imagine. |
4 |
Dakota Rhodes |
"Almost" |
single |
They make music that sounds of rooms, |
5 |
Hailey Beavis |
"Shot at the Coconut" |
I'll Put You Where the Trombone Slides |
that offers obvious explanations of its mechanisms, |
6 |
Leia Destruye |
"Por Los Dos" |
Leia Destruye |
that moves volumes of air with mallets and wires and other simple and complicated levers. |
7 |
shego |
"LUCKY" |
single |
I have seen songs like this before. |
8 |
White Lung |
"If You’re Gone" |
If You're Gone 3 |
All of our particular and individual experiences become our archetypes, |
9 |
Softcult |
"Drain" |
single |
because how else could they? |
10 |
NOVACUB |
"Close To You" |
Close To You +3 |
I listen to the London spiky-pop quartet NOVACUB, who I've never seen, |
11 |
Carlie Hanson |
"Illusion" |
single |
and I think about watching the London electro-R&B trio Juce at South by Southwest in Austin. |
12 |
Lauren Weintraub |
"Over Her Over Here" |
This Is Your Brain On Love 6 |
I've never seen Lauren Weintraub play, although she's from five towns away from me and has been famous on video, |
13 |
Eliza Grace |
"Love Letter" |
single |
and I mentally transpose her onto Amy Grant and then I have to think hard to remember if I've really seen Amy Grant, |
14 |
Alke |
"Touching Me Now" |
single |
or I'm just thinking about listening to Beth Nielsen Chapman songs |
15 |
Cassyette |
"Sunlight On Your Skin" |
single |
and remembering watching Nanci Griffith. |
16 |
Miranda! |
"Don" |
single |
I grew up reading books and playing records, |
17 |
Ela Taubert |
"¿Cómo Es Que Tú?" |
single |
and even before streaming I always knew it as normal |
18 |
Paula Mattheus |
"Cuando Te Olvides De Mí" |
Mi Concierto En El Balcón |
that music comes from more places than you have time to go, |
19 |
Edurne |
"Mil Motivos - con Yarea" |
Mil motivos 2 |
and flies through the air in every direction necessary to find you where you are. |
20 |
T'Pau |
"World On Fire" |
single |
I think about my visceral sense of connection with T'Pau, and can almost picture the particular details of their performance |
21 |
АУРА |
"Тепло другого тела" |
single |
before I remember that my T'Pau bonding event wasn't a concert, it was finding a copy of their second album, |
22 |
Nehl Aelin |
"Eternity" |
single |
which at the time wasn't available in the US, at a CD store in Amsterdam on my first international work trip. |
23 |
Issa |
"Lights of Japan" |
single |
We don't have that any more. We don't need it. We never needed it. My bond with this Issa song comes from listening to it, again and again, and then again now. |
24 |
YUKI |
"タイムカプセル" |
Bump & Grind 3 |
I've been to Japan once. I wouldn't know YUKI if I stopped them to ask, in my halting and weirdly teenage-girl-inflected Japanese, if this is the train to Mitaka. |
25 |
結束バンド |
"カラカラ" |
single |
You become human by learning to love things that you can't possibly mistake for possessions. |
26 |
Kaneyorimasaru |
"Game Over" |
single |
That's how the game begins. |
27 |
THE BOYS&GIRLS |
"BOY" |
single |
That's why our historical binary illusions stunt us. |
28 |
TsuShiMaMiRe |
"Look Back in Anger" |
single |
The spectrum of our beliefs is not a wingspan that holds us up, |
29 |
TORICAGO |
"TORAUMA" |
YUUREI MITAIDESU 3 |
it is a diaspora out of caves, away from fear. |
30 |
sphere |
"phantasien" |
A Fusion Of Two Hemispheres |
People who mock the idea of chosen pronouns |
31 |
Mada Mitakoto no Nai Sekai |
"Reincarnation" |
single |
are right to fear that once we allow anyone to choose freely among limited alternatives, |
32 |
ЯeaL |
"re:call" |
single |
it will lead to chaos. |
33 |
JIEMEI |
"AUTOPHILIA" |
NA? 4 |
Right to think that, wrong to fear it. |
34 |
ELLEGARDEN |
"Strawberry Margarita" |
single |
Entropy is the dissolution of identity. The chaos we're trying to unchain is not about infinite isolation, |
35 |
Re:NO |
"Realize" |
single |
but an elemental freedom to reassemble. |
36 |
Free As Birds |
"Strike Masses" |
single |
Bring all the world's music together doesn't make it indistinguishable, |
37 |
BabyKingdom |
"dakuramento" |
dakuramento +3 |
it just makes it free. |
38 |
OMNI666 |
"Jigoku-Matsuri" |
single |
You can go to Japan, but songs are faster. |
39 |
JAMBINAI |
"from the place been erased" |
single |
I've never seen JAMBINAI, but I first started paying attention to them because my friend Erich saw them at WOMAD and had to tell somebody. |
40 |
Xandria |
"Ghosts" |
Ghosts +2 |
Be the person that your friends think of when they see something wonderful that they don't understand. |
41 |
Carpathia |
"Everstone" |
The Mooring |
When I discover a particularly good gothic symphonic metal band, I tell my friend Paul, |
42 |
Crimson Sun |
"My Revolution" |
single |
and then later we know how to cross-check any work things designed to measure what two listeners have in common, |
43 |
Unleash The Archers |
"Acoustipex" |
Acoustipex +1 |
and how to commiserate about projects that treat us as if we exist in sealed vats, |
44 |
Deathless Legacy |
"Absolution" |
single |
fed by tubes, |
45 |
Stoned Statues |
"Until Falling" |
single |
and can only be explained to each other by intermediation and coincidence. |
46 |
Halocene |
"Hold Me, Help Me" |
Hold Me, Help Me 5 |
I hear the new Halocene, and remember a thread John started about Lacuna Coil and time. |
47 |
The Nearly Deads |
"Relentless" |
single |
Context isn't a sticker-backing we peel songs off of, |
48 |
Molllust |
"Sun - Journey of Icarus" |
Sun - Journey of Icarus +3 |
it's a world we make by allowing music into everything else we do, |
49 |
Loz Campbell |
"Beautiful Liar" |
single |
or by tolerating everything other than music as accompaniment |
50 |
Cassidy Paris |
"Danger" |
single |
or a tractably limited distraction from listening and singing. |
51 |
About Us |
"Our Fairyland" |
single |
I bet you don't think this song is about you, |
52 |
Under Threat |
"Impermanence" |
Impermanence |
and you're right, but you've asked a backwards question. |
53 |
Disillusion |
"From the Embers" |
Ayam |
Songs are born, embodying potential, |
54 |
Silent Cry |
"Pactum Earth" |
Terra |
and then they lead lives among us. |
55 |
Devin Townsend |
"Celestial Signals" |
Lightwork |
I saw Mimi Parker play, |
56 |
Earthside |
"We Who Lament" |
single |
and it made Low my favorite band for a while, |
57 |
Indigo Storm |
"Duplicity" |
single |
and now they don't remain, |
58 |
Sisters of Suffocation |
"Pay My Dues" |
Pay My Dues +1 |
except they do. |
59 |
Mob Rules |
"Ghost Town" |
single |
The songs she gave us are ours to keep, unconditionally, |
60 |
Insomnium |
"Lilian" |
single |
or maybe not quite without conditions, really, but the conditions |
61 |
Amorphis |
"The Well" |
single |
are not rules that march ahead, they are contexts that pursue, |
62 |
Mandragora Thuringia |
"Ausbruch" |
Rex Silvarum |
or circle overhead in drones, |
63 |
Tyrmfar |
"Supreme Justice" |
Dialectic of Ego and the Unconscious |
or buzz in your ears like a physical memory of drones |
64 |
Equilibrium Falls |
"Fractured Reality" |
Fractured Reality +1 |
or an overdriven intimation of death. |
65 |
Second To Sun |
"North Metal Legion" |
Nocturnal Philosophy |
I saw Juliana Hatfield play with the Blake Babies in my college dining hall. |
66 |
Karg |
"Generation ohne Abschied" |
single |
I saw Jewel do an in-store at Newbury Comics, backed up against the New Release rack with just an acoustic guitar. |
67 |
Jours Pâles |
"Jour de pluie, jour de fête" |
single |
I saw Big Country play on a barge in the fake lagoon behind the CambridgeSide Galleria. |
68 |
Harakiri for the Sky |
"02:19 AM, Psychosis" |
single |
These moments of presence don't just linger, |
69 |
Iffernet |
"Waiting" |
Silences |
they expand. |
70 |
Aethyrien |
"Sunbringer" |
Óðr |
Having seen Low play, |
71 |
Helisir |
"Heyr Himna Smiður" |
Folketoner |
I can now listen to their recordings and feel constantly retransformed, |
72 |
VV |
"The Foreverlost" |
single |
but having seen Low play I can now listen to other bands recordings and feel transported by analogy. |
73 |
Audio-Activ |
"Was bleibt" |
single |
Songs do not compete or compartmentalize, |
74 |
Stellarleap |
"Fall apart" |
single |
or withhold their love behind gamified unlocking. |
75 |
El Verbo Odiado |
"Más que uno cien" |
El último homenaje |
If you had not seen Mimi play live yet, that is a thing you cannot now do, |
76 |
Marsella |
"Histeria de lo nuestro - Versión Retro" |
single |
and this is a brutally tragic loss, |
77 |
New Arcades |
"Edge of Oblivion" |
Edge of Oblivion +1 |
but it is a loss that belongs only to the past. |
78 |
JE T’AIME |
"Out of Sight" |
Aggressive |
Songs don't outlive their singers for only the benefit of the listeners |
79 |
False Figure |
"Plexus" |
Castigations |
who have heard them already. |
80 |
The Sade |
"End of Time" |
single |
"Outlive" is wrong. |
81 |
Plague Vendor |
"Run" |
single |
Art is not a race between artist and work and copyright law. |
82 |
boyband |
"MR. DREAMER" |
MR. DREAMER +1 |
Two of these things soar on their own arcs and one of them crawls desultorily below. |
83 |
Shamir |
"Breathe" |
single |
I assume Mimi and I would disagree about where she is now. |
84 |
I'm Geist |
"i will never be happy with u" |
single |
Songs are not propositions to be accepted or refused. |
85 |
nothing,nowhere. |
"CYAN1DE (feat. Pete Wentz)" |
CYAN1DE (feat. Pete Wentz) +2 |
The songs you hear become part of you |
86 |
Ryan Oakes |
"HEAVYWEIGHT" |
single |
through absorption and adaptation, |
87 |
ghosthands |
"nobody can tell" |
single |
but the ghosts of the songs themselves escape, |
88 |
Safety Trance |
"Save Me" |
single |
almost unaltered. |
89 |
Alffa |
"Closer to Me" |
single |
Your life with the living songs of dead people can still begin now. |
90 |
bis |
"Stress" |
single |
You could spend an entire life listening to songs that were orphaned before you even existed, |
91 |
Ballboy |
"Donald In The Bushes With A Bag Of Glue" |
Donald In The Bushes With A Bag Of Glue / Leave The Earth Behind You And Take A Walk Into The Sunshine 2 |
even if you restrict yourself to artists dead enough to seemingly preclude reunions. |
92 |
Sherbit |
"We started something" |
single |
That would be fine. |
93 |
SGABISO |
"MR HIT AFTER HIT" |
IQINISO ELIY'MFIHLO |
The infinite is not somehow directional. |
94 |
Mjolisi |
"Dear Nkulunkulu" |
Dear Nkulunkulu |
You should see somebody play, you should know how sounds are produced from personal experience, |
95 |
Maredi |
"Samsokolo" |
Samsokolo 5 |
but you don't have to be invited to a wedding in Lesotho |
96 |
Nobuhle |
"Imini" |
Indlela |
to want to know how to dance to this |
97 |
Kelly Khumalo |
"Bazokhuluma" |
single |
so badly that you make up your own answer. |
98 |
Methuli Mlungwana |
"Namhla mina ngithelile" |
Namhla mina 2 |
You become human long before you become self-conscious enough for that to be hard. |
99 |
Manqonqo |
"Utshwala Bami" |
single |
Songs go from never inevitable to always immortal |
100 |
Dash Berlin |
"All I Want" |
All I Want +1 |
in a single first breath. |
101 |
Ylvis |
"Ferjao" |
single |
Tiny paws up the hill, and suddenly you're standing still, |
102 |
Danny Gokey |
"Live Up To Your Name" |
Danny Gokey: Stories of Wonders 5 |
listening to questions begging for your love: |
103 |
P!nk |
"Never Gonna Not Dance Again" |
single |
Is there another Trolls movie already? |
104 |
Etienne Pelosoff |
"Trve Brutal Black Jazz (Hell Edition)" |
single |
Is it still jazz if I can stand hearing it more than once? |
105 |
caroline |
"peak chroma" |
single |
Is there a plane in between silence and oblivion |
106 |
More Eaze |
"perfume" |
perfume / sad 2 |
filled only by the spirits of Mark Hollis and Mimi Parker |
107 |
Hollie Kenniff |
"Shifting Winds" |
single |
and enough space for their echoes to last forever? |
108 |
The Bolide |
"City Of The Caesars" |
City Of The Caesars |
You become human by accepting these as gifts, |
109 |
Carpathia |
"Telepathy" |
The Mooring |
and in return you discover your superpowers. |
110 |
Palace |
"Kyrie" |
single |
When I was young I thought my heart was a vessel |
111 |
Glass Tides |
"Unholy" |
single |
to be filled |
112 |
Our Last Night |
"Unholy" |
single |
and then measured, |
113 |
The Animal In Me |
"Unholy" |
single |
but you assert humanity by allowing joy to flow into and throughout you and then away again, |
114 |
The Wombats |
"Running Up That Hill - triple j Like a Version" |
single |
not in desperation but in release. |