| 1 | Zsasz | "Shimashima Melody" | single | Every question you ask assumes, |
| 2 | Li-V-RAVE | "Amber" | single | or implies, or embeds, or encodes, |
| 3 | Reasons | "Wait" | REASON : 1 6 | a subjective and thus always partially imaginary worldview |
| 4 | AINSEL | "if" | single | assembled of false and tentative certainties |
| 5 | WAGAMAMA RAKIA | "Bite Off!!!!" | ONYX 5 | and the carefully framed spaces between them. |
| 6 | H-el-ical// | "螺旋の繭" | 解放区 | Modern windows are walls with a feature for the transfer of limited information |
| 7 | angela | "JUST COMMUNICATION" | single | from the world we share |
| 8 | Kaela Kimura | "Color Me feat. MahiToThePeople" | single | to the one you think you control. |
| 9 | On the treat Super Season | "emotion" | single | Morally, this is a dubious premise, |
| 10 | Nana Mizuki | "Go Live!" | single | although physically, there's weather, which complicates things. |
| 11 | B.O.L.T | "New Day Rising" | single | But in general, lazy technology tries to sell you isolation in the guise of comfort. |
| 12 | PIGGS | "豚反骨精神論" | 豚反骨精神論 / BURNING PRIDE 3 | Ambitious technology tries to gift you survivability in vulnerability. |
| 13 | BiS | "Hey boy hey girl" | single | Questions and answers are teleological technology, |
| 14 | INUWASI | "ERMA" | ERMA +1 | and thus the weakest questions attempt to dictate the terms of potential response the most strictly, |
| 15 | tipToe. | "Unite" | candlelight | and the weakest answers try to unask the questions |
| 16 | Yandoll | "too late" | LUST KILL | as if doubt is an embarrassment. |
| 17 | POPPiNG EMO | "Senritsu Holy Night" | single | Doubt, like skin, |
| 18 | PLANCK STARS | "Soiyassa! Hayashi-kun" | single | can only become embarrassing through the separation |
| 19 | 幻想ばっどえんど | "meisei" | single | of self from surface. |
| 20 | Schrödinger's dog | "DoublE SliT" | single | Technology will try to sell you this, too: |
| 21 | Broken By The Scream | "メラメラセニョリータ" | single | compromises rebranded as progress |
| 22 | Secret Rule | "The Showdown" | The Resilient | and process as identity; |
| 23 | Seas on the Moon | "Unearth Life" | single | treadmills for simulated movement; |
| 24 | Scarlet Dorn | "Unstill Life" | Unstill Life +1 | clothes that make people who look better than you |
| 25 | Carmilla | "Two-Faced" | single | look better than you feel. |
| 26 | Dark Princess | "Phoenix" | Phoenix +2 | The best answers do not try to settle a question |
| 27 | Orden Ogan | "Absolution for Our Final Days" | Absolution for Our Final Days +1 | into rooted complacency, |
| 28 | Crystal Gates | "My Glorious Fall" | single | but to set it on a curious journey |
| 29 | Carved | "Doom" | single | and then cheerfully demand to tag along. |
| 30 | Tales of a Sleeping Giant | "Blut & Alraune" | Blut & Alraune +1 | The best questions, thus, |
| 31 | Stratovarius | "World on Fire" | World on Fire +1 | are proactive recognitions of a vital shortage of doubt, |
| 32 | Virtual Symmetry | "Come Alive" | single | not palliative measures against it. |
| 33 | We are Legend | "I Don't Care" | single | Exploration is not defined by goals |
| 34 | Black Paisley | "Not Alone" | single | but by the willingness to leave your home, |
| 35 | Baron Carta | "Relanar" | Shards of Black | and not measured by what you return with |
| 36 | Tidal Dreams | "We've Risen Again" | single | but what you notice while you are away, |
| 37 | Dovorian | "New Faith" | Kneel and Follow | which is to say not primarily measured. |
| 38 | Brymir | "Voices in the Sky" | single | All of Schrödinger's pets learn, quickly, |
| 39 | Xaon | "The Hunt" | The Lethean | about his weird thing with boxes, |
| 40 | Gaerea | "Salve" | single | and that almost-wink eye-twitch he has as he explains, |
| 41 | Grima | "Giant’s Eternal Sleep" | single | while closing the flaps, |
| 42 | NORDLOTH | "To Enchant the World Again" | single | that he will be carefully avoiding any form of observation of the contents. |
| 43 | Al-Namrood | "Protector of the Herd" | Worship the Degenerate | He goes to bed, and the other animals quietly let the new dog out |
| 44 | МЁРТВАЯ ВЕРА | "Ржавый крест" | Ржавый крест +3 | and close the box up again, empty, |
| 45 | Gothminister | "Pandemonium" | single | in the laboratory of empty boxes. |
| 46 | Daridel | "Viking Soul" | single | In the morning he will feed them all before he makes his own breakfast, |
| 47 | David Chas | "Aonbharr of Manannán" | Riocht Na Gaels | putting out a new water dish for the new dog. |
| 48 | HYMALAYA | "Sea Emperor" | single | Later he will invite them all for a colloquium on the probability functions |
| 49 | Sopor Aeternus & The Ensemble Of Shadows | "Todesschlaf 1" | Todesschlaf 3 | of what one would find inside each of their sealed boxes, |
| 50 | tacica | "Impulse for Adventure" | singularity | or, if you are a dog, a walk. |
| 51 | amazarashi | "カシオピア係留所" | single | All of our homes become metaboxes of empty boxes |
| 52 | Marmalade butcher | "MŌ-MO-KU" | single | whose contents we stipulate are undetermined |
| 53 | Half-Life | "RAY" | single | even as they jump up to snuggle with us on a couch, |
| 54 | coldrain | "Bloody Power Fame" | single | of nominal certainties we cherish for their nominality, not their certainty. |
| 55 | ELYELLA | "Que nada nos pare (lo más importante)" | single | This is why, too, systemized faith and organized religion are backwards: |
| 56 | Yabai T-Shirts Yasan | "まじで2分で作った曲" | ひまわりコンテスト 5 | productive belief is hyperprovisional, not liturgical, |
| 57 | Alice Longyu Gao | "Believe the Hype (feat. Oli Sykes)" | single | written down not to dictate the correct customs of eternal future selves |
| 58 | renforshort | "Julian, king of manhattan" | single | but to describe the hilarious quirks of the ones that were only briefly current even then. |
| 59 | saoirse dream | "sellout" | single | Legends are thus inherently comic, |
| 60 | rouri404 | "zombie" | zombie +1 | whether self-awarely or self-obliviously. |
| 61 | tmdistant | "i don't need a therapist" | single | Discovery doesn't consist of putting the things you love into a closed box |
| 62 | Ryan Oakes | "BURNOUT" | single | and then waiting to find out which of you will die first. |
| 63 | Camp Trash | "Mind Yr Own" | The Long Way, The Slow Way | You can observe and explore mental or emotional spaces from a treadmill, of course. |
| 64 | Slowly Slowly | "Daisy Chain" | single | It is you who does or doesn't stay in the box. Schrödinger's sneaky point, maybe, |
| 65 | The Front Bottoms | "More Than It Hurts You" | single | is that the boxness of a box is an arbitrary artifact of dimensionality, |
| 66 | Rabbit Junk | "Love Is Hell" | single | closed in space but open in time |
| 67 | Dav Dralleon | "Voodoo Shub-Niggurath" | single | and love. |
| 68 | Hatari | "Dansið Eða Deyið" | single | If you leave your treadmill and run outside, you will pass runners slower than you, |
| 69 | Then Comes Silence | "Tickets to Funerals" | Hunger | or wearing less, |
| 70 | House of Harm | "In Threes" | Feel My Heart Beat / In Threes 2 | and our bodies are also defined very tangibly in space |
| 71 | Transviolet | "Destroy Destroy Destroy" | Destroy Destroy Destroy +1 | and free to vary dramatically over time. |
| 72 | Bif Naked | "Rollerdome" | single | You share what you have, |
| 73 | MOTHICA | "NOCTURNAL" | Nocturnal | and if that's abdominal muscles then, well, |
| 74 | Fresh | "Our Love" | Raise Hell | I appreciate seeing what abdominal muscles look like, |
| 75 | Siiickbrain | "Jealousy" | single | and knowing that having them is common enough that there are people like that around me, |
| 76 | Pale Waves | "Jealousy" | single | dodging geese along the river at an hour when either of us might have been sleeping. |
| 77 | The Darling Fire | "Clean Hands" | Clean Hands +1 | I like seeing what other bodies look like in motion, |
| 78 | SKIES | "Deconstruction" | single | and seeing myself in an office facade as I run, |
| 79 | Oakman | "Murder" | Murder +2 | and not thinking "that guy needs to wear looser shirts". |
| 80 | JuJu Rossi | "drivin' with the brakes on" | prehab | But losing weight is the long way to not feel bad about your shirts, |
| 81 | Anna Bergendahl | "Demons and Dreams" | single | and the one that risks missing a critical point, |
| 82 | Claire Rosinkranz | "i'm too pretty for this" | single | which is that it is not our job to placate our clothing, |
| 83 | instant crush | "falling" | single | or our tastes in music, |
| 84 | Lenii | "Already Famous" | single | or our enemies, |
| 85 | AViVA | "THE OUTSiDE" | single | or our one-time fears that have Rubik's cubed into gleaming obsessions, |
| 86 | HAVEN | "Too Broke For Therapy" | Too Broke For Therapy 6 | or even our one-time aspirations that have gradually attenuated themselves into regrets. |
| 87 | Hanna Rua | "Hold The Light" | single | Therapy is less like surgery |
| 88 | Rina Sawayama | "Catch Me In The Air" | Catch Me In The Air +1 | than like a song that makes you want to run fast |
| 89 | Nerea Rodríguez | "Malibú" | single | and then says "oh, these shoes are your size, what are the odds?" and hands you your own shoes. |
| 90 | Shogun | "holding grudges in the dark" | single | Rhetorical questions are a superset of questions, not a subset, |
| 91 | Werd (SOS) | "Complicated" | Complicated +1 | and rhetorical answers are another way of saying "talking", |
| 92 | CRPNTR | "Lighthouse" | single | and talking is a song waiting for its drum loop, |
| 93 | Filthy Gears | "Macrowave" | Medicine | or sometimes vice versa. |
| 94 | Elleran Elvis | "Plesenta" | Melankolik Serisi | Exploration isn't a method of reading other people's maps, |
| 95 | The Musa | "Stuck in a Trance (feat. Ziön)" | SYNESTHESIA 5 | it's a way of bounding your own knowledge by treating everybody else's familiarities as novel |
| 96 | Sudan Archives | "NBPQ (Topless)" | NBPQ (Topless) +2 | until you understand what your own cartography mismaps. |
| 97 | Ştiu Nu Ştiu | "New Sun" | New Sun | All the countries you haven't been to are adjacent |
| 98 | Conjurer | "All You Will Remember" | Páthos | until you gently draw them apart |
| 99 | Mutiara Damansara | "Car Wreck" | Pearls | by falling in love with their post-metal bands |
| 100 | Kuggur | "يَا لَيْلِ" | single | and whatever they call it when they wrap non-bread in bread |
| 101 | Brutus | "Dust" | single | and what distracts them from being afraid of you. |
| 102 | OvO | "La Morte Muore - Part 2" | single | Labels, whether you make them out of concrete |
| 103 | Aronious | "Negeltu" | single | or spandex |
| 104 | Church of Cthulhu | "TSOAHPWAA" | single | or the names of political parties, |
| 105 | Orthodox | "Past Seers" | Proceed | describe you more tellingly the closer you allow them to come to your skin. |
| 106 | uMjabulisi | "KUYABIZA UKUBA YIJONGO" | single | Take them off. You are encrusted with layers |
| 107 | Nobuhle | "Imali" | single | of non-self. |
| 108 | Andile Cele | "Ngingumhambi Emhlabeni" | Ngingumhambi Emhlabeni +2 | All these taxonomies of joys that are or aren't acceptable to experience in public |
| 109 | Abangani Bethu | "Uhayizelani" | single | are subsect disputes of a Puritanism that thought the way out of misery was through. |
| 110 | Saint Evo | "Dalalekutuk - Extended Mix" | single | Technology will try to sell you this just as relentlessly as religion will. |
| 111 | Lotic | "Come Unto Me (Sparkling)" | Sparkling Water 4 | Selling stipulates ownership as a zero-sum metaphysics. |
| 112 | Tanya Tagaq | "In Me - Paola Prestini Remix" | Tongues North Star Remixes 2 | Your currencies |
| 113 | Nonconnah | "I-In Brighter Flames Array'd" | Don't Go Down to Lonesome Holler | do not bind you, |
| 114 | The Proclaimers | "The World That Was" | single | do not describe you. |
| 115 | Ronski Speed | "It's Calling Me - Extended Mix" | It's Calling Me 2 | You cannot categorize other people by subsidized opposition. |
| 116 | 8-Bit Arcade | "Love Grows (Where My Rosemary Goes) [8-Bit Edison Lighthouse Emulation]" | By Request, Vol. 182 | Atheism is a theist myopia, |
| 117 | HoodCelebrityy | "Signs" | single | a projection of your wounds onto undamaged skin, |
| 118 | Broken Peach | "YMCA" | single | or onto wounds from entirely different blades. |
| 119 | Caleb Hyles | "I'll Make A Man Out Of You" | single | If what you have to share is effusive mimicry of other people's shyness, |
| 120 | Lauren Babic | "Stay" | single | wear the clothes that bare that. |
| 121 | Quintessente | "Everybody Wants to Rule the World" | single | Everybody needs to know what unruly skin looks like. |
| 122 | Twenty One Two | "Ghost" | single | Tomorrow may not be any better than today, but you can be. |
| 123 | Rain Paris | "E.T." | single | Be there when you vibrate. |
| 124 | Peach PRC | "Teenage Dirtbag – Spotify Singles" | Spotify Singles 2 | Be there when the people you dream about need to vibrate. |
| 125 | Mutiara Damansara | "Wrecking Ball" | Pearls | We've got nowhere to hide, any of us. |
| 126 | Cordelia | "Every Breath You Take / One Last Kiss Mashup" | single | Only aliens can be voyeurs. The rest of us are all here in the box together, waving up at them, waiting for the wave function to collapse. |
| 127 | SL-R2k | "As It Was" | Queen of Hearts 4 | Every theory you propose is, at best, a yearning explanation of how we will have met, |
| 128 | Feed The Biirds | "Running Up That Hill" | single | in 20 minutes or 37 years. |
| 129 | JAY DVRDEN | "running up that hill (a deal with the devil).exe" | single | All portals distort their view. Screens are more honest about this than windows. |
| 130 | Cami-Cat | "Runinng Up That Hill - Orchestral Version" | single | If you want to see what anything really looks like, |
| 131 | Enemies & Allies | "Running Up That Hill" | single | you have to be willing to be there when it finds its willingness to show you, |
| 132 | Brothel | "Running Up That Hill" | single | and to let it take off its clothes without trying to sell them to you, |
| 133 | 8-Bit Arcade | "Home by Now (8-Bit Muna Emulation)" | By Request, Vol. 182 | and then figure out which one of you is going to ask a question that unravels all of the answers you were prepared to share. |