| 1 | PG Roxette | "The Loneliest Girl In The World" | The Loneliest Girl In The World +1 | All love begins in loneliness, |
| 2 | Torn Between Two Worlds | "The Woman That Never Was" | single | in the acceptance of loneliness as our emotional origin |
| 3 | Eye of Melian | "Light" | Light 5 | and thus human contact as its only resonant resolution. |
| 4 | Blackwater Drowning | "Mortal Coil" | single | The denial of loneliness, |
| 5 | Nocturnal Pestilence | "Standing Aside" | single | and with it the denial of the need for incorporating other people's needs |
| 6 | We are Legend | "Fallen Angel" | single | into your own abstract worldview and chosen actions, |
| 7 | Snow White In The Dark | "Let´s Fight" | single | is at least personal misanthropy and collective nihilism, |
| 8 | Neperia | "The Story Is Told" | Ptesmata | and probably either elemental self-loathing or a dubiously detached loathing for mortal specificity. |
| 9 | Shereign | "Remedy" | single | You can't really detach. |
| 10 | Mindmaze | "Forever Too Late" | single | Detachment is a mythology of separatism, |
| 11 | Forgotten North | "Hinter den Wolken" | single | and there is nowhere to draw your petty new borders |
| 12 | Brachmond | "Labyrinth" | single | except through other people's grandly existing nations or aspirationally notional states. |
| 13 | Eluveitie | "Aidus" | single | There are no meaningfully benevolent dictators |
| 14 | FEST VAINQUEUR | "Venous Blood Vessel" | GLARE | or enduring utopian cults, |
| 15 | Imperial Circus Dead Decadence | "禊祓の神産は宣い、禍祓の贖罪は誓う。feat.あらまり" | 殯――死へ耽る想いは戮辱すら喰らい、彼方の生を愛する為に命を讃える――。 | because a stentorian unity based on ceremonial antipathy |
| 16 | THOUSAND EYES | "BETRAYER" | single | can only effectively nurture hatred, |
| 17 | POPPiNG EMO | "BAD LOVE" | single | and in sustained isolation can only ultimately deploy it inwardly. |
| 18 | Li-V-RAVE | "TIME LEAP" | single | We are defined by our ability to coexist, |
| 19 | ドクダミ(CV.川井田夏海) | "あかね組活動日誌 ~亥班~" | single | and thus by how well our eudaemonic legalisms |
| 20 | CYCLONISTA | "SAIKO NO HIBIE" | PROLOGUE 3 | cultivate the conditions for joy. |
| 21 | Aimer | "wavy flow" | single | The Constitution is not a scripture, |
| 22 | miwa | "Bloom" | single | neither literally nor substitutionally. |
| 23 | 福原 遥 | "スキップサイダー" | single | We cannot be redeemed by reverence for it, |
| 24 | Sou | "sakura breeze" | single | adherence to it, |
| 25 | 珀 | "空梁月落" | 眩耀 3 | or pedantry over its implications. |
| 26 | Kana Hanazawa | "KIMINO SHIRANAI MONOGATARI - from CrosSing" | KIMINO SHIRANAI MONOGATARI - from CrosSing +1 | We cannot ask its authors to rule on the propriety of individual ownership of assault rifles, |
| 27 | 楠木 ともり | "遣らずの雨" | 遣らずの雨 | or whether we have an established tradition of not looking for answers inside of ourselves |
| 28 | cana÷biss | "watashitachinosenso" | SIGNAL / watashitachinosenso 2 | by sticking our heads up our own asses, |
| 29 | マルシィ | "君のこと" | Memory | but this is not because their formative wisdom is occluded |
| 30 | UtaKata | "宣戦前夜" | single | or their self-evident asses are inaccessible, |
| 31 | DISH// | "Starting Over (in 2022)" | single | it's because they don't have to live with the catastropic consequences of the answers, |
| 32 | Monica Naranjo | "Polvo Vacío" | Polvo Vacío +1 | or the destabilizing consequences of the questions. |
| 33 | Dagny | "Brightsider" | single | Every law is a text |
| 34 | Güneş | "777" | Atlantis | awaiting a textbook of its failure |
| 35 | Star Cassette | "So I Stay" | Sound of the Universe | that can teach us how to write the next one better. |
| 36 | Betty Who | "Blow Out My Candle" | single | The humanist idealism poured into the ink of the American founding documents |
| 37 | MUNA | "Sometimes - From "Fire Island"" | single | is not American exceptionalism but the idea that a society can, and can only, be governed by itself. |
| 38 | iamamiwhoami | "Walking on Air" | Be Here Soon | Subjecting this earnest set of contingent compromises to originalism |
| 39 | Eden Hunter | "Twenty." | single | is no more a viable living political philosophy |
| 40 | Maggie Rogers | "Want Want" | single | than preserving the recipe for medieval tinctures |
| 41 | Lizzie Cates | "The Romantic" | single | is a modern public health strategy, |
| 42 | Maggie Lindemann | "break me!" | break me! +2 | or a salve for the bullet holes |
| 43 | Lauran Hibberd | "I'm Insecure" | I’m Insecure 3 | in your child. |
| 44 | LØLØ | "THE FLOOR IS LAVA!!" | THE FLOOR IS LAVA!! +2 | One of the many crushing ironies scattered bountifully among our misguided current culture-war fronts |
| 45 | Tunde Olaniran | "Whipped Cream Daydream" | single | is that our public education system wasn't teaching the systemic power-effects of racism, |
| 46 | snow ellet | "Can't Hear The Phone" | Can't Hear The Phone +1 | even on the days the students are allowed out from under their desks, |
| 47 | Sepha. | "this busy place" | single | but is crucially responsible for exposing the systemic power-effects of everything |
| 48 | James Ivy | "Peace Sounds" | single | to each next generation who will have to try to further unravel them |
| 49 | fats'e | "headhigh" | single | in order to distribute that power more evenly |
| 50 | Ryan Oakes | "FUNERAL" | FUNERAL +1 | to the waiting |
| 51 | The Mountain Goats | "Training Montage" | single | and deserving. |
| 52 | Motel | "Bailando al Amanecer" | single | This country was written into existence by delusional eloquence |
| 53 | Brendan Peyper | "Meisies & Ouens Soos Jy (feat. Minke Brits)" | single | and a few ideas compassionate enough to transcend their hypocrisy, |
| 54 | Eli Young Band | "Chances Are" | Love Talking | by people who came here to escape a religious tyranny |
| 55 | Isra Ramos | "Chozetsu Dynamic! (Català)" | Chozetsu Dynamic 3 | without having to concede that religion and tyranny are facets |
| 56 | Airbag | "Finales Alternativos" | single | of a coin you cannot spend by spinning; |
| 57 | The Boys With The Perpetual Nervousness | "Turning Red" | single | colonists |
| 58 | Astronoid | "Admin" | Radiant Bloom | who mistook colonialism and imperialism for disjunct factions or extricable impulses; |
| 59 | Maximus | "Tack ändå" | single | travelers who conflated tourism |
| 60 | Hämatom | "Ein Freund" | single | and exploration |
| 61 | Nebelhaus | "Auf Einem Jägergrab" | Monument | and discovery; |
| 62 | Rockwasser | "Ein Tag für uns" | C'est la vie | arrivals who looked at an unfamiliar civilization |
| 63 | Herbst | "Genug" | single | stretching far beyond their gaze |
| 64 | Hexis | "Nunquam" | single | and mistook it for a frontier |
| 65 | Amon Amarth | "Get in the Ring" | single | at the limit of their inherited myopia; |
| 66 | The Halo Effect | "The Needless End" | The Needless End +3 | slave lords cosplaying as federalists; |
| 67 | Hypermass | "Hivemind" | Empyrean | émigrés misunderstanding the allegory of the parting sea |
| 68 | Wrang | "Doodgeslagen onschuld" | De vaendrig | as if, once closed behind them, the sea could never be parted again. |
| 69 | DAMPF | "Winterland" | The Arrival | This country is defined by its constitution, not its Constitution, not anything capitalized, |
| 70 | Defiatory | "Apocalypse" | Apokalyps | and in this way is the same as every country, |
| 71 | Temple of Void | "A Sequence of Rot" | Summoning the Slayer | conclusively failed or optimistically still only inconclusively failing. |
| 72 | Don't Drop the Sword | "Sands Of Time" | Prelude To The Age Of Heroes 3 | Proud squalling toddlers climbing through a smashed window into the Capitol was a point of failure |
| 73 | Battlelore | "Minas Morgul" | The Return of the Shadow | for glass, |
| 74 | Stratovarius | "Survive" | single | but the point of failure for the society happened long before that: |
| 75 | Merta | "Laiva" | single | before Trump tried not to let go of power, |
| 76 | Magistarium | "No World Without Hero" | Dreamlord Opera | before he got it, |
| 77 | Veter Daemonaz | "Moon Sorcery - Single edit version" | single | before he failed to learn a value-system not based on hoarding power, |
| 78 | Рожь | "Аминь" | single | before we failed to teach him, |
| 79 | Nebala | "Ant Mér Sjalfri Þér" | single | and every other tiny terrified entitled child, |
| 80 | black particles | "disquietude" | loss function | that the gnawing void of loneliness inside of you |
| 81 | My Diligence | "The Matter, Form and Power" | The Matter, Form and Power | is just what it feels like when you are made of dizzily whirring blood |
| 82 | Nebula Glow | "Hyperheaven" | single | and set on the surface of a verdantly spinning rock, |
| 83 | Astronoid | "Sedative" | Radiant Bloom | and not a secret shame to be desperately hidden by crudely billowing suits |
| 84 | Jackal Trades | "The Glenboig Snap" | single | and tawdry empires. |
| 85 | Limpopo Rhythm | "Meet You" | Like My Recent | Love and hate both begin in loneliness. Everything begins in each of us |
| 86 | Amabongwa | "Deliwe" | Izulu Motos | and ends somewhere in the innumerably empty spaces in between us. |
| 87 | Kabza De Small | "Khusela (feat. Msaki)" | single | Like breath. Like songs. |
| 88 | Nthabo | "Husky Sound" | single | No fascist stipulation about when the next human's life begins |
| 89 | BlaQRhythm | "Amadolo" | single | changes the inalienable truth of their inalienness. |
| 90 | Nativ Boii | "Sapiens" | Afro Century | You are conceived as infinite potential, but nobody, once born, is from anywhere other than here. |
| 91 | Shetta | "Namsosomola" | single | We don't hold these truths in our small, furtive hands, |
| 92 | Limpopo Rhythm | "Te'va" | Like My Recent | the truths are our hands, |
| 93 | The Algorithm | "Inline Assembly" | Data Renaissance | reaching out like a fist to make you pay |
| 94 | Astronoid | "Decades" | Radiant Bloom | for something you both don't need |
| 95 | This Wild Life | "History - Kevin's Version" | single | and already have. |
| 96 | Emm Gryner | "Baker Street" | single | Yes: stronger glass, fewer guns, less-ingrown political parties, less-establishment-entrenching laws, less-ignorant electorates, more-critical textbooks, fewer burning fossils, fewer arsonist gods. |
| 97 | Halocene | "Everybody's Fool" | single | But all of those tactical eliminations only get us back to the point where we started: lonely, hungry, together, |
| 98 | Control the Storm | "Holding out for a Hero" | single | willing to become more perfect, made of chaos and glee, always fresh from a fight that solved nothing, or the hearings that try to insist that the story of the last fight will teach us how to not have the next one. |
| 99 | Drewsif Stalin's Musical Endeavors | "All Eyes On Me" | single | It's just begun. |