1 |
Mzukulu |
"Sanibonani" |
Phendula 6 |
The bass does that springy thing, rising like an inhaled breath can lift you partway into the sky, |
2 |
UDlubheke |
"Iscishamlilo Sami" |
iTight |
and I'm listening under a mostly clear sky on a nearly warm day, |
3 |
Zanefa Ngidi |
"Ngangenzeni" |
Amangwinya |
and I feel like it's not totally clear that we'll make it, |
4 |
Chris Else |
"Jy Is My Huis" |
single |
but that it's clear that we deserve to make it, |
5 |
Jackson Michelson |
"Three" |
single |
that our virtues exceed our voluminous flaws, |
6 |
Jewel |
"Almost" |
Freewheelin' Woman |
or outnumber them if you think they can be counted. |
7 |
bülow |
"Booty Call" |
Booty Call 5 |
I know hardly anything about these maskandi singers, but then I don't really know much more about these German-Canadian twenty-year-olds, either, |
8 |
girlhouse |
"cool guy" |
cool guy +1 |
and so either way I can easily imagine that they are all of us, |
9 |
Xana |
"i did this all for you!" |
Tantrums |
and we take turns making up songs for each other, |
10 |
instant crush |
"nightmare" |
single |
entering a lottery in which there are no jackpots, |
11 |
Sophia Gripari |
"Brunette With Baggage" |
single |
just tickets issued in matching pairs or dozens. |
12 |
Kate Clover |
"Daisy Cutter" |
single |
If we accept the tenuous moral imperative to reduce disparities of power, |
13 |
Forever Starts Today |
"World's Apart" |
single |
then the amateurization of everything is a good, |
14 |
bülow |
"Mona’s Dad" |
Booty Call 5 |
albeit one that ought to be accompanied by the social infrastructure to allow amateurization |
15 |
The Midnight |
"Change Your Heart or Die" |
single |
without economic repercussions. |
16 |
eLxAr |
"With You" |
single |
Stardom is an oligarchic dysfunction. |
17 |
CANDY GO!GO! |
"Jealous Tomorrow" |
IN THE GAME/Brave Venus 3 |
I know hardly anything about most of these idol groups, |
18 |
富田美憂 |
"OveR" |
single |
but they look to me like they're having fun, |
19 |
SennaRin |
"BEEP" |
Dignified |
anticipating gleeful I-was-in-an-idol-group-once nostalgia |
20 |
ASP |
"SPiT OUT" |
BOLLOCKS 2 |
more than micropositioning themselves for careers. |
21 |
Utsu-P |
"ゲテモノ (feat. 初音ミク)" |
single |
Maybe this is a more-inevitable humility if you realize you're already competing with abstractions, |
22 |
TrySail |
"はなれない距離" |
single |
and thus necessarily represent abstractions yourself. |
23 |
BiSH |
"SAKURA" |
ごめんね 2 |
Playfulness is not exactly unserious, |
24 |
Otoboke Beaver |
"YAKITORI" |
Super Champon 5 |
but it requires you to peel apart the thin layers of seriousness and entitlement |
25 |
LONGMAN |
"ライラ" |
single |
if you want to wrap yourself in only one of them. |
26 |
May'n |
"Ao no Kodo" |
single |
Joy is not a genetic aberration |
27 |
Stomp Talk Modstone |
"Vital" |
MEW |
we have to assiduously seek out |
28 |
Kaneyorimasaru |
"Kankei no Nai Hito" |
single |
among gray throngs. |
29 |
DAREMO SHIRANAI |
"Ye-Yo" |
single |
Assigning economic value to the capacity for inspiration |
30 |
花冷え。 |
"LOVE乱舞" |
single |
is a self-defeating quantification of the qualitative, |
31 |
ZERO[Hz] |
"N0.name" |
ZODIAC |
and dull reification of the transcendently mysterious. |
32 |
WANIMA |
"眩光" |
あの日、あの場所/眩光 2 |
Allowing the logistics of poetry |
33 |
saji |
"灯日" |
single |
to devolve into arguments over the number of poets |
34 |
SawanoHiroyuki[nZk] |
"OUTSIDERS" |
single |
who can make a living from their words |
35 |
amazarashi |
"ロストボーイズ" |
七号線ロストボーイズ |
elides all the human definitions of words like "living", |
36 |
BUMP OF CHICKEN |
"クロノスタシス" |
single |
and stipulates illusory zero-sum oppositions |
37 |
Novelbright |
"愛とか恋とか" |
single |
that always benefit the narcissistic anti-gleaners |
38 |
Lucky Duckes |
"¡Que comience el juego!" |
single |
who demand the right instead of finding uses for the left. |
39 |
Carolina Durante |
"Salvaje Pasión" |
single |
We are justified in wanting to be modern girls, |
40 |
Slime |
"Heute Nicht" |
single |
because all of this was worse before. |
41 |
Марний |
"Лелеки" |
single |
If modernity is an era, |
42 |
Night Sins |
"Kill Like I Do" |
Kill Like I Do +1 |
rather than a dissatisfaction, |
43 |
Mother of Millions |
"No Light, No Light" |
single |
we haven't reached it yet. |
44 |
Valleyheart |
"The Numbers" |
single |
The air does that thing where it brushes against the sides of your throat as it goes, |
45 |
Concrete Castles |
"Sting" |
single |
and these headphones fight noise with anti-noise, |
46 |
Temperance |
"Set Yourself Free - Bonus Track" |
Diamanti |
and sometimes you wake up and find that your last favorite album is one song longer than you remember. |
47 |
Brightstorm |
"To Follow My Heart" |
single |
Memory is not an archive, |
48 |
Eye of Melian |
"Everstrong" |
Everstrong +3 |
it's a demonstration of our ability to convert joy into an energy, |
49 |
Withering Season |
"Dreams of Sorrow" |
single |
but only after it makes us want to. |
50 |
The Big Deal |
"Top Heaven" |
single |
You can tell if you're playing or working |
51 |
DeVicious |
"A Special Mind" |
Black Heart |
by whether you're hoping you get to keep doing it |
52 |
Aevum |
"Lullaby" |
Glitch |
or counting the hours until merciful sleep. |
53 |
Semblant |
"Bloodred Monarch (Legacy of Blood, Pt. VII)" |
Vermilion Eclipse |
We thought we had legacies of blood. |
54 |
Visions of Atlantis |
"Melancholy Angel" |
Melancholy Angel +1 |
The blood knew it was a moving and tragic compromise |
55 |
Lodestar |
"Creeping In My Soul" |
single |
between irreproducible nucleic acid and irreducible air. |
56 |
Darkher |
"Immortals" |
The Buried Storm |
It's not that we live forever, |
57 |
Alunah |
"Over The Hills" |
Strange Machine |
it's that the substances that make our lives different |
58 |
Boris |
"Funnel of Love" |
single |
from our deaths are not consumed by living |
59 |
Thou |
"Night" |
single |
but produced by it. |
60 |
A Pregnant Light |
"Jinx!" |
Jinx! / Purple Lips 2 |
The drums do that thing where they smash into a wall that only they can see |
61 |
Vansind |
"Asgaards Kald" |
single |
until everybody can hear it |
62 |
Schandmaul |
"Königsgarde" |
Königsgarde +1 |
crack. |
63 |
Reliquiae |
"Feuertanz - Streichquartett Version" |
single |
All these instruments are made of wires, |
64 |
Månegarm |
"Adils fall" |
Ynglingaättens Öde |
these hands of vessels. |
65 |
Djevelkult |
"I Kuldens Vold" |
single |
The gray throngs are us, too. |
66 |
Exocrine |
"The Hybrid Suns" |
single |
It's all us, until we reach the next inhabited star |
67 |
Demonic Resurrection |
"The Mask" |
single |
in search of true others to blame, |
68 |
Crematory |
"Break Down the Walls" |
Break Down the Walls +1 |
only to find that reaching them makes us into them. |
69 |
Zero Hour |
"Agenda 21" |
single |
We go to find ourselves, |
70 |
Shaman |
"Don't Let It Rain" |
Rescue |
and then, hilariously, are surprised when we succeed. |
71 |
Nestor |
"Signed in Blood" |
single |
We are not paid to listen, |
72 |
Spheric Universe Experience |
"Where We Belong" |
single |
which in itself ought to be enough to give away the self-serving expedience of economy: |
73 |
Thessa |
"Free Fall" |
single |
From each according to their need, |
74 |
Moon Tooth |
"Alpha Howl" |
Alpha Howl +3 |
to each according to their unaccountability. |
75 |
YYNOT |
"Wire and Wood" |
single |
Sometimes we lose our voices, and play instrumentals to stall for time; |
76 |
Rivilin |
"Burning Alive" |
single |
sometimes we are lost but for words. |
77 |
Trace Amount |
"Anti Body Language" |
Anti Body Language |
The noise-gates do that thing where they open to allow us into a cultivated chaos |
78 |
Scarlxrd |
"I Lxve Yxu/I Hate Yxu." |
Atv2. Act I: Genesis. 3 |
that we know will consume us as we traverse it. |
79 |
Shogun |
"Snares" |
single |
Dancehall is a virus that reaches the towns near the airports first. |
80 |
Wstdyth |
"Youll B Alright" |
single |
You will only be as alright as you deserve. |
81 |
boyband |
"STOP IT!" |
single |
History does that thing where it shatters into truths, |
82 |
xo_willow archive |
"cop grave" |
single |
and you can hide the one in your hand |
83 |
The Chemical Mind |
"IN HEAVEN I WILL HAVE A NEW BODY" |
GLOSSOLALIA |
only by closing your fingers on its cutting edges. |
84 |
death's dynamic shroud |
"Neon Memories" |
single |
Nostalgia is what you get when you replace the rushing blood with glittering lights, |
85 |
Courtney Swain |
"Camenti" |
single |
or imagine that this is what the lights accomplish |
86 |
Osheyack |
"Thrall" |
single |
as the blood learns which movements produce which kinds of sparkle. |
87 |
Batu |
"Convergence" |
single |
Blood and light diverge in planned arcs that lead back to each other, |
88 |
The Chemical Mind |
"THEOPHANY" |
GLOSSOLALIA |
to you, to a moment. |
89 |
Ronski Speed |
"Mendocino - Extended Mix" |
Mendocino 2 |
The clock does that thing where it remembers that time itself is a rhythm, |
90 |
8-Bit Arcade |
"Kaiserion (8-Bit Ghost Emulation)" |
By Request, Vol. 171 |
and I feel like we are building something to replace this empire, just barely soon enough, or nearly. |