| 1 | Lovejoy | "Knee Deep at ATP" | single | Do not be embarrassed by your friends, |
| 2 | Helen Love | "Billy Liar" | single | or the way you find them, |
| 3 | Falconshield | "This Is War 7" | This Is War 7 +1 | or the depths or breadths of your shared secret obsessions. |
| 4 | Victorian Death Photos | "Home" | single | You have love, |
| 5 | Revel in Romance | "Keep You" | single | which can be made out of stubbornness |
| 6 | Cinnamun Beloved | "The Crow" | single | and labyrinthine fanfics or marshaled armies, |
| 7 | Magica | "Show Me a Sign" | single | as readily as any other magic. |
| 8 | Nekonomicon | "Song of Warmth" | single | Whatever connects you |
| 9 | Machinae Supremacy | "We Are The Ones Who Will Change The World" | single | makes you more human. |
| 10 | yumegiwa last girl | "SYSTEMATIC ROMANCE" | SYSTEMATIC ROMANCE / KATACHI 2 | Imaginary devotion builds real temples, |
| 11 | PLANCK STARS | "Now I can finally talk to you" | STAY FUCKIN' GOLD | and time turns religion into mythology, |
| 12 | MELiSSA | "Dances with Wolves" | single | but sacral architecture first into architecture, |
| 13 | PEDRO | "さすらひ" | single | and then heritage, |
| 14 | 角巻わため | "おはようのうた" | わためのうた vol.2 | and then secular rapture. |
| 15 | #ジューロック | "ベガアルタイル" | single | We have built noble cities on sand, |
| 16 | 眩暈SIREN | "23:59" | 不可逆的な命の肖像 / 蒼彩 3 | and systems of redemption on gyroscopic platforms |
| 17 | Aimi | "LIGHTS" | single | floated speculatively upon mirageseas. |
| 18 | THE ORCHESTRA TOKYO | "Checkmate" | THE ORCHESTRA TOKYO III 5 | Maybe we have only really mastered this one craft: |
| 19 | Mada Mitakoto no Nai Sekai | "Next Stage" | 夢幻パラレルコード | of lost-wax casting in which the wax is belief, |
| 20 | UP UP GIRLS kakko KARI | "アルストロメリア" | single | and time is heat, |
| 21 | LAMP IN TERREN | "Dreams - Romantic Egoist Ver." | Romantic Egoist | and we see a thousand implied shapes in every real one |
| 22 | ever youth | "あいの唄" | single | we dig out of the sites of whatever we think we're building next. |
| 23 | Delacroix | "OBSESSED" | OBSESSED +1 | We make mistakes, |
| 24 | ヒッチコック | "『鰐』" | single | trivially forgivable when they are new, |
| 25 | Sleepers' Guilt | "One Last Shiver" | single | and then age them to impervious imperfection, |
| 26 | Ştiu Nu Ştiu | "Styx" | single | set them backlit on inaccessible horizons, |
| 27 | The Present Moment | "LIFE-LINE" | single | and codify their observational cults. |
| 28 | Moongazer | "The pain that never leaves...(Pt. 1)" | The pain that never leaves... 2 | But every legend of seeking is inherently and equally epic; |
| 29 | Ancalagon | "Gyges from River North (Sem Sombra)" | Black Samba, Part II: Songs from the Notochord 3 | every map tells a story in which distance has purpose; |
| 30 | Hadal Maw | "Fetishize Consumption" | Oblique Order 4 | every disillusionment dissolves a piece of foundational infrastructure |
| 31 | Primalfrost | "Bringer Of Immensity" | Lost Elegies | and thus exposes its internal mechanism. |
| 32 | Distress of Ruin | "Searching the Architect" | single | We fear discovering the ways in which our clothes are costumes, |
| 33 | Feuerschwanz | "Ultima Nocte" | Memento Mori | but so too already are our skins, |
| 34 | Horn | "Alpenrekorder" | Alpenrekorder +1 | our paths, |
| 35 | Aythis | "When Your Ghost Wanders - Winter Edit" | single | their defiant margins, |
| 36 | Earth7 | "On the Sea and In the Sky" | single | the lines between the layers of earth |
| 37 | YARuGA | "Шаман" | single | and between metaphor |
| 38 | Skugga | "GALDR" | single | and triumph. |
| 39 | rouri404 | "nothing" | single | We sit in quiet glades, carrying age-smoothed dowsing rods or phones limned with the finest fractures. |
| 40 | Delaney | "Love" | single | We have precious souvenirs from places we have never been. |
| 41 | The Sun | "Mi mejor defecto" | single | We have flaws we have learned to regard as definitional qualities, |
| 42 | Notre Dame | "Eldorado" | Eldorado +1 | and cities we have built around the sources we have assigned them. |
| 43 | Fourteen Nights At Sea | "Artefacts" | Artefacts / Black Maps 2 | We are on the fastest and only route, despite normal and eternal traffic. |
| 44 | Hereafter | "Resolution" | single | Do not be afraid to stop at the end, |
| 45 | Animal Ghosts | "You" | Wake 6 | wherever it finds you, focused in whatever reverie of blur. |
| 46 | Aoife O'Donovan | "B61" | B61 +3 | Directions are not a prescriptive efficiency for reaching closure, |
| 47 | Carolyn Miller | "Something Right (About a Wrong Turn)" | Thank You 3 | but the story of how you got to exactly where you momentarily are, |
| 48 | Shiru wa GP | "Gutukanirwo" | single | marked with a photograph or a misattributed memory in a borrowed song. |
| 49 | Elleran Elvis | "Sistem" | single | The only difference between diversion and destination is time: |
| 50 | Escape The Day | "2 B With U - Demo Version" | Demo Collection #2 6 | for disentangling accreted necessity from orignal joy; |
| 51 | Sorrowful Knight | "Son's of Odin - Remastered" | Through Pain and Glory | for looking back on perilous surfaces after heroic transit; |
| 52 | Halocene | "We Will Rock You" | single | for finding someone who can accept your unachievable peace as stipulated context; |
| 53 | First to Eleven | "Immigrant Song" | single | for rebuilding cryptic and relentless ruins until we realize that they have always been our homes. |