| 1 | Eliza Grace | "Text Me When You Get Home (Daytripper)" | Text Me When You Get Home / Tell Me When 2 | It takes us so long to find out that the classics are elevated by our leverage, not their own levitation. |
| 2 | Carissa Johnson | "Merry Go Round" | Blue Hour | We could pick any song and declare a new universe around it; |
| 3 | Kate Miller-Heidke | "I Am My Own Panther Now" | single | scatter some trilobites on an empty beach and wait for them to become Singapore or Sydney |
| 4 | Mitski | "The Only Heartbreaker" | The Only Heartbreaker +1 | or any city with windows by which we can stand and watch for each other. |
| 5 | Little Mix | "Cut You Off" | Between Us | But somehow, instead of making each song into a worthy independent universe, |
| 6 | Avril Lavigne | "Bite Me" | single | we have packed all of them into only this one. |
| 7 | Taylor Swift | "State Of Grace (Taylor's Version)" | Red (Taylor's Version) | How do they all fit without overwriting each other? |
| 8 | Peakes | "Lately" | single | The same way we do: |
| 9 | LØLØ | "hurt less" | overkill 6 | in an intricate uncorreographed mosh |
| 10 | Jessi Frey | "Antifragile" | single | limned with fractal grace and new impervious alloys. |
| 11 | NICOL | "SPOTIFY" | single | Play and Next buttons glare at each other across a few black pixels, |
| 12 | Lauren Sanderson | "Everyone's Pretentious & I'm Bored" | single | contenders for your hand. |
| 13 | Katelyn Tarver | "Back To You" | Subject To Change | Wait long enough, and the song changes, but not the question: |
| 14 | Anna Vaus | "Night Changes" | single | can you find yourself and all of us in this one? |
| 15 | Imogen Clark | "When Can I Touch You Again" | single | What gift do you await, and will you recognize it if it arrives in its own colors, |
| 16 | Dentist | "Spilled Coffee" | single | hydroplaning to a stop on the trilobites' beach? |
| 17 | Yumi Zouma | "Mona Lisa" | single | We have mastered the art of complicating our simple needs. |
| 18 | Ayşe Betül | "Gol" | single | Maybe this is the only art, or the essential and universal thing we mean by "art". |
| 19 | Gåte | "Svik" | Svik +1 | It takes us so long to find out what we become, briefly and heroically, |
| 20 | G Flip | "Scream (feat. UPSAHL)" | single | in between bodies and dust. |
| 21 | Georgina | "Desde lejos" | single | So many people we scan past, peering into the distance, |
| 22 | Munn | "gone by the morning" | single | stipulating elusive frissons |
| 23 | Shamir | "Cisgender" | single | and then becoming obsessive scholars of their criteria. |
| 24 | Geographer | "Glowing Red" | Down and Out in the Garden of Earthly Delights | We are performatively terrified of being allowed everything, all of the time, |
| 25 | Drug Church | "Million Miles of Fun" | Million Miles of Fun +1 | but this was always the secret and obvious truth, |
| 26 | Loveless | "meet me at our spot" | single | so the thing we hold between us, both of our hands on the metal and stone and air of it, |
| 27 | Bliss Fields | "Clementine" | single | is just the courage to shed our ornamental carapaces of fear. |
| 28 | Justin Courtney Pierre | "Steady As She Goes" | Ghost World 5 | We pretend to have more choices in the movies of ourselves |
| 29 | Johnny Marr | "Tenement Time" | Tenement Time / Sensory Street 2 | than in our worn and familiar homes, |
| 30 | Triángulo de Amor Bizarro | "Un Actor Mejicano" | single | but of course this could not be more gloriously backwards. |
| 31 | Marathonmann | "Erase/Rewind" | Erase/Rewind +2 | Our stories are immutable, no matter how frenetically we rewrite them; |
| 32 | Antonio José | "Nadie Como Yo" | Fénix | but their implications for who we are fluctate and transform even as we try to speak them aloud. |
| 33 | Kyle Deutsch | "READY" | single | We dance to draw different shapes with our spines |
| 34 | Kabza De Small | "Asibe Happy (feat. Ami Faku)" | Asibe Happy (feat. Ami Faku) +1 | than our skins. |
| 35 | Ojikelele G | "Suka Mfana" | Uwena Owangalayo | We sing to release potential energy |
| 36 | Taylor Swift | "Holy Ground (Taylor's Version)" | Red (Taylor's Version) | we cannot convert without exploding. |
| 37 | Carissa Johnson | "Tourist" | Blue Hour | We twitch to get outside of ourselves, |
| 38 | We Are the Catalyst | "More" | single | only to be daunted and embraced by our expanding auras. |
| 39 | Daedric | "Sepulchre" | Sepulchre +3 | In fables are we contained, |
| 40 | The Murder of My Sweet | "Kill Your Darlings" | single | but those characters live at our whim, |
| 41 | Amaranthe | "PvP" | single | infinities impersonated |
| 42 | Aevum | "Black Swan Theory" | single | and ultimately indistinguishable. |
| 43 | Vengeant | "Curse of the Sands" | single | We could pick a loss and grind a desert around it, |
| 44 | Magica | "Lună nebună" | single | as if there weren't enough dust-covered rocks waiting for us in the sky, |
| 45 | Theatres Des Vampires | "Christina" | single | entertaining each other by exchanging fanciful claims of divinity |
| 46 | Damian Hamada's Creatures | "謝肉祭" | 魔界美術館 | while they await our decisive adoration. |
| 47 | PassCode | "FLAVOR OF BLUE" | Freely / FLAVOR OF BLUE 4 | Long ago they realized that we have our own gods, |
| 48 | GRAND FINALE | "Never Be Alone" | single | but knowledge is what distinguishes yearning from dehydration, |
| 49 | KAQRIYOTERROR | "Not Killed" | Not Killed +1 | and the dust merely covers more dust, |
| 50 | 燐舞曲 | "[Re] termination" | [Re] termination +1 | clenched fretfully until it achieves a rueful solidity, |
| 51 | #2i2 | "ポチ" | single | because you don't need help to excel at loneliness. |
| 52 | Kana Adachi | "This is a Love Story" | single | Daddy said to stay away from Juriichi, |
| 53 | LiSA | "Wake Me Up!" | single | but all of these countries were so young |
| 54 | SHOW-YA | "HEAVY METAL FEMINITY" | Showdown | when they agreed to be defined by boundaries. |
| 55 | 戮-Riku- | "鱗粉" | 鱗粉 +1 | It takes so much energy to maintain such superficial distinctions, |
| 56 | cali≠gari | "Ah Gekiteki" | Ah Gekiteki/Sakeme no Me 2 | but we are released into the world in order to adapt to it differently |
| 57 | BACK-ON | "Stay Real" | Still B/O | and then show each other what we have become. |
| 58 | Hiroto | "daeremoga sobani" | single | We could each pick one of each other |
| 59 | Masaki Suda | "ラストシーン" | single | to be the end towards which all of this storytelling has brought us, |
| 60 | PK shampoo | "Hoshi" | PK shampoo.wav | and spend a year together contemplating a pile of our clothes and shoes. |
| 61 | Loli in early 20s | "kine so Mona" | blood for evening | Too late, you say, |
| 62 | Aries | "BOUNTY HUNTER" | BELIEVE IN ME, WHO BELIEVES IN YOU | and that quiet clicking sound is a trilobite laughing on a beach somewhere. |
| 63 | Anthony Sidoti | "I found what makes me think of you" | single | We have far too little time for fractions of it to matter. |
| 64 | Ryan Oakes | "BEST DAY OF MY LIFE" | BEST DAY OF MY LIFE 5 | We can pick any day to be the end of the world, |
| 65 | Fear Of Tigers | "Run for the Truth" | Classic Fighter | and then tomorrow we are set free: |
| 66 | Saigon Blue Rain | "Goodbye Horses" | single | of bounded decades and prescribed generations, |
| 67 | Shrimpfield | "Fix You" | single | of the conflation of darkness with flaws, |
| 68 | Sunset Mission | "The Willow" | single | of sentimental infrastructure and crumbling memory, |
| 69 | Groundbreaker | "Evermore" | Soul to Soul | of the responsibility for or reliance on magic. |
| 70 | Edge Of Forever | "Shift the Paradigm" | single | We jump in the idiot hope that the finite world will move away underneath us, |
| 71 | Magnum | "I Won't Let You Down" | single | and we will land somewhere exempt from gravity. |
| 72 | Emigrate | "RAGE" | THE PERSISTENCE OF MEMORY | Travel is flight, but so is standing still. |
| 73 | Manntra | "Nightcall" | Nightcall +2 | So is falling. |
| 74 | NorthTale | "Wings of Salvation" | Eternal Flame | So is standing up again. |
| 75 | Dawn Of Solace | "Event Horizon" | Event Horizon +2 | Our fantasies always seem to be draped alluringly over imaginary edges, |
| 76 | Digimortal | "Перемирие завершено" | Создатель (альбомная версия) | but we pick them up and something small and chitinous scuttles away across inevitably flat sand. |
| 77 | The Halo Effect | "Shadowminds" | single | We are the creatures writing cursory poems to our shadows |
| 78 | Wolftopia | "The Alpha" | The Alpha +2 | before turning around to feel the light on our faces |
| 79 | A Tergo Lupi | "Fade Under" | single | and our shadows' reproach on our heels. |
| 80 | Cân Bardd | "Echoes of the Moss" | Devoured by the Oak | Space is both dark and silent, |
| 81 | Negură Bunget | "Toacă Din Cer - Single Edit" | single | but filled with light and empty of songs. |
| 82 | Wiegedood | "Now Will Always Be" | single | Time is like a new kind of space made by creatures cursed to destroy what they encounter, |
| 83 | Anomalie | "Trance I: The Tree" | single | who have found a way to make their guilt into an inertia. |
| 84 | Second To Sun | "Veter" | Veter +1 | There didn't use to be this many planets, |
| 85 | Funeral | "Erindring I - Hovmod" | single | but be nice about it, we will outlive |
| 86 | Otargos | "Fleshborer Soulflayer" | single | and outdie them. |
| 87 | Dauþuz | "Der Bergschmied I - Mein Berg" | Vom schwarzen Schmied | Instead of putting a single bright forge at the origin, |
| 88 | Sanguinum | "A White Light Over The Forest" | Manifestation Of The Essence | we have spun dizzying glows into all our own myraid paths, |
| 89 | Natura Aeternum | "Creature of the Night" | Nightcrawler | and then stepped into them as if emerging from myth |
| 90 | Maladie | "My Soul, Old" | single | rather than, inherently and gravely, entering into it. |
| 91 | Bala | "Una Selva" | Maleza | We could reach into any wound and feel our hearts, |
| 92 | Hadal Maw | "Vile Veneration" | single | and afterwards drip the blood onto a new determinist altar, |
| 93 | 616 | "Goddamn Liar" | single | or we could heal without forgetting that we are the tension between the centrifugal and centripetal forces of our circulation. |
| 94 | Tangerine Dream | "Raum - Single Edit" | single | All of our stories flow naturally in circles. |
| 95 | Omnia | "Fall Into You" | Fall Into You +1 | We know falling and returning, |
| 96 | Geographer | "Sweet Memory" | Down and Out in the Garden of Earthly Delights | and maybe little else. |
| 97 | Anahata | "Amaranth - Cover" | single | It takes us so long to find out that these daily trips are the trajectories of both triumph and escape, |
| 98 | Sarah Jezebel Deva | "A Sign Of Sublime Redux" | single | and that they trace the insignia of us and our gods across the sky, |
| 99 | Dani Martín | "Volverá - 2021" | No, No Vuelve | but only if you stand exactly here looking exactly up. |
| 100 | The Mountain Goats | "In the Craters on the Moon - The Jordan Lake Sessions Volume 3" | The Jordan Lake Sessions: Volumes 3 and 4 | Seen from the dust on the moon, we are mostly reflections. Deflections. |
| 101 | Taylor Swift | "All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)" | Red (Taylor's Version) | Defections. Reunions. Resurrections. |