| 1 | SIPP | "Clock! Lock!! Rock!!!" | It all begins here 5 | It all begins anywhere: |
| 2 | Eir Aoi | "金魚草" | アトック 4 | with people you don't know making music that feels like it comes from inside you, |
| 3 | milet | "Time Is On Our Side" | Ordinary days 4 | with the oceanic reluctance of unavoidable patience, |
| 4 | BiSH | "CAN WE STiLL BE??" | GOiNG TO DESTRUCTiON | with pentitent masks and the constant ambiguity between armor and identity, |
| 5 | PRSMIN | "rising" | single | with insurgence and the periodic realization that you have been carrying somebody else's flag |
| 6 | PEDRO | "夏" | single | towards your own favorite hills. |
| 7 | BOY MEETS HARU | "Blame summer" | Blame summer +2 | There's always something impersonal to blame, |
| 8 | Regal Lily | "風にとどけ" | single | and thus always productive distractions from your own responsibility, |
| 9 | Ayane | "片想いソーダ" | single | from taking it, |
| 10 | yonige | "TAIGAN NO KANOJYO" | single | from taking it apart and figuring out how it got broken. |
| 11 | a crowd of rebellion | "ZENITH" | single | The sky above you, when asked about its dreams, doesn't bring you up at all. |
| 12 | CODE OF ZERO | "WHAT IS THE BRAVE?" | single | It begins anywhere below that, |
| 13 | GUNIX | "STAY FLY" | single | on or barely higher than this ground, |
| 14 | NEKIRU | "Starry Night" | The forgotten star 3 | lit by oblivious foreign suns. |
| 15 | color-code | "Congrats!" | single | We haven't survived this long by only luck, |
| 16 | Public Service Broadcasting | "Blue Heaven" | Blue Heaven +1 | but we were given a simple world that, for a while, didn't require that much more, |
| 17 | C Z A R I N A | "Wonderland" | single | and we made it complex. |
| 18 | Nation of Language | "This Fractured Mind" | This Fractured Mind +2 | We were given geography |
| 19 | 888 | "Slow Motion" | single | and invented geometry, |
| 20 | Emma Blackery | "Ridicule" | single | not fully intending dialectic |
| 21 | Cate | "Stupid" | single | but also not afraid to be honest with ourselves in secret. |
| 22 | Sucre | "Never" | single | Secrecy sounds like it's about you, |
| 23 | Tinashe | "The Chase" | 333 | and diversity about other people, |
| 24 | Tierra Whack | "Walk The Beat" | single | but of course both of these are backwards. |
| 25 | Tia Carys | "Refugee Freestyle" | single | What you conceal modulates what you are willing to give other people |
| 26 | OSTON | "Am I Talking Too Much?" | Am I Talking Too Much? | more than it changes your own organs, |
| 27 | Frawley | "Middle Of Nowhere" | single | because you have known your secrets all along; |
| 28 | Cody Feechan | "State of Confusion" | single | and diversity isn't constituted by variegated strangers, |
| 29 | As December Falls | "Over It" | Happier. | but composed by how you situate your adorations and movements |
| 30 | Leecher | "Blind and Frozen" | single | in an acknowledged universe. |
| 31 | Blinding Sunrise | "Kaikai Kitan" | single | You can't become other people, |
| 32 | Haloo Helsinki! | "Tulikärpäset" | single | but they are not offering you their skin |
| 33 | Skyline Leeway | "Todo De Ti" | single | or demanding that you quit your own city for theirs, |
| 34 | Macy Rodman | "Rock 'N' Roll Gay Guy" | single | or even certain that these cities are different. |
| 35 | teto | "光とロマン" | 愛と例話 | They have streets and busses and guitars. |
| 36 | Yandere | "always" | single | Time stops, next to the curb, so you can get on, |
| 37 | glaive | "1984" | all dogs go to heaven | and then it edges back into traffic, going towards a scheduled past |
| 38 | JOHNNASCUS | "F33L L1K3 1M DY1NG (untitled_0030)" | single | or an only expediently mapped future. |
| 39 | Lil Skele | "medicine, pt.2" | single | We are neither post-genre nor post-trauma, |
| 40 | Yung Scuff | "In My Head Again" | single | not even post- a pandemic we've had a year and a half to take seriously, |
| 41 | iamjakehill | "poison" | dying lately | we're just tired and scared of such a long list of things we can't control, |
| 42 | diveliner | "heavy metal" | single | and plaintively desperate for ways to understand them |
| 43 | Nobody$ | "Do So Much" | single | as lingering cadences of people that aren't us who aren't those people still, either, |
| 44 | Amanda Black | "always," | Mnyama | so that we can believe that our helpless inaction |
| 45 | Van Baxy | "Djon kunadi" | single | is a diligent attention to inexorable healing, |
| 46 | Vico da sporo | "Masango - Original mix" | Underrated | fountaining from our essential humanity rediscovered. |
| 47 | Ndlovu Youth Choir | "Liberate Love" | single | This isn't emotionally wrong, |
| 48 | Indiya | "Angisenamali" | Ngisize | but it fails to integrate the perspective of whirling rocks |
| 49 | Ihhashi Elimhlophe | "Ingwe" | Inja 4 | and space, |
| 50 | Maqhikiza | "Ifa lokuhlupheka f.t Skhumba" | single | and thus conflates ancestry with background, |
| 51 | Saarkie | "Waar Lê Jou Hart" | Waar Lê Jou Hart? | and reconciliation with justice. |
| 52 | unicycle dio | "糸" | single | Every rainbow extends into the obverse darkness, |
| 53 | Shiva | "Hu ka" | Hu ka +1 | endlessly and goallessly, |
| 54 | Delacroix | "JYOUHUTOICE -UNREAL CONTROL-" | single | cheerfully obliterating unseen bedrock |
| 55 | Enslaved | "Caravans to the Outer Worlds" | single | we will probably eventually need, |
| 56 | Soen | "Thurifer" | Thurifer +1 | in order to make a tunnel |
| 57 | TesseracT | "Tourniquet - P O R T A L S" | single | that can take us to one distant dream-point |
| 58 | Damian Wilson | "Once We're Gone" | single | via featureless darkness, |
| 59 | Cruzh | "Paralyzed" | Tropical Thunder | as if nowhere else matters |
| 60 | Leverage | "Emperor" | single | and we aspire to relocate ourselves without actually traveling. |
| 61 | Vega | "Ain't Who I Am" | single | "The hero takes a journey", we say, |
| 62 | Mayank | "Billy is on the Run" | Mayank | closing the book and putting it back on a shelf, |
| 63 | Porta Inferi CZ | "Vrať se nám - Radio Edit" | single | but this is extreme survivor bias: |
| 64 | HJELVIK | "Synkverving" | single | most heroes become heroic by walking through unfamiliar lands |
| 65 | Blood Red Throne | "Conquered Malevolence" | Conquered Malevolence +1 | and then returning to familiar ones. |
| 66 | Agrypnie | "Am Ende der Welt - Teil 1" | Metamorphosis | The hairy-footed people who come to your country |
| 67 | Wolves In The Throne Room | "Primal Chasm (Gift of Fire)" | Primal Chasm (Gift of Fire) +2 | in order to throw their problematic thrash into your mountain |
| 68 | Ghostheart Nebula | "Ascension, Pt. II My Burial Dream" | single | are not your heroes, |
| 69 | Rise to the Sky | "Life in Suspense" | single | and their memoirs of their homecomings |
| 70 | Helheim | "WoduridaR" | single | share characters with your creation myths, |
| 71 | Deafheaven | "In Blur" | In Blur +2 | but are not their sequels. |
| 72 | Waldgeflüster | "Im Ebersberger Forst" | single | Under gray moon I saw you, |
| 73 | Reverorum ib Malacht | "Not here" | Not Here | and then the moon exploded, |
| 74 | Vessel of Iniquity | "A Glimpse of the Pattern" | The Doorway | its dust meteoring down at us in atmospheric sigils of fire, |
| 75 | Archspire | "Golden Mouth of Ruin" | single | like the teeth of a void made of |
| 76 | The Sound That Ends Creation | "Get Your Shirt Off... It's Pervert Time" | single | mouths, |
| 77 | Full Of Hell | "Industrial Messiah Complex" | single | like descending saviors |
| 78 | Nytt Land | "Dead Man's Dance" | Ritual | burning benificently in the atmosphere |
| 79 | Alkonost | "Птица" | single | on the way to landing as smouldering lumps |
| 80 | Bucovina | "Tăriile Văzduhului" | single | in horizonal fields. |
| 81 | Fire-Toolz | "“Lellow< "Birbs<" | single | It begins there, too, |
| 82 | Lingua Ignota | "MANY HANDS" | SINNER GET READY | next to a small steaming hole in damp ground where we realize that salvation isn't a thing that comes, |
| 83 | Klara Lewis | "Sell Art" | KLMNOPQ 5 | but an assumption of impunity |
| 84 | Laura Stevenson | "Moving Cars" | Laura Stevenson | that we wear like costume jewelry |
| 85 | Hand Habits | "Aquamarine" | single | mistaken for regalia of a disbanded court. |
| 86 | Wilma Laverne Miner | "STCY" | single | We take up a collection from our friends |
| 87 | Ssaliva | "5ever" | 5ever / The Stars Up Above 2 | to pave the damp, punctured ground, |
| 88 | Montreal | "Danke für die Nase" | single | and this needs neither to be paid for nor done, |
| 89 | Betontod | "Pech&Schwefel" | Pech&Schwefel +1 | but we need friends and willingness, |
| 90 | Vico da sporo | "Kwa zulu - Original mix" | Underrated | and to be reminded when we have more than we require, |
| 91 | Saarkie | "Identiteit" | Waar Lê Jou Hart? | and how deeply that has made us how we are, |
| 92 | Toyah | "Summer of Love" | single | but how little it predetermines what we can become. |
| 93 | CHVRCHES | "Good Girls - John Carpenter Remix" | single | It all starts over every week, every day, every verse: |
| 94 | Corey Gray | "Hold On" | single | joy and chaos, |
| 95 | The Longing | "White Rabbit" | single | logic and proportion, |
| 96 | RUNAGROUND | "Boys of Summer" | single | the people we will be after everyone else's heroes have thrown away their rings and gone home. |