| 1 | Synthvvitch | "shimmering mists (into the gloaming)" | Mortifer | We set imaginary boundaries |
| 2 | Rise to the Sky | "A Cold Embrace From Life" | A Cold Embrace from Life | lightly, momentarily, down on the flowing surface of time |
| 3 | The Ruins Of Beverast | "Kromlec'h Knell" | single | as a necessary mechanism for coping with the vertigo of eternity: |
| 4 | Akhlys | "Somniloquy" | Melinoë | ceremonially, and they are immediately and unceremoniously borne away. |
| 5 | Tomorrow's Rain | "דורסי לילה" | Hollow (Hebrew Version) | We may as well draw our plans on scritta |
| 6 | Alekhine's Gun | "Tonglen" | Year of the Lazarus 3 | with molten pens. |
| 7 | Aspar | "Der Aufstieg" | single | Nothing ends today |
| 8 | Korpiklaani | "Sanaton maa" | Sanaton Maa 3 | of its own internal volition, |
| 9 | Hora Zulú | "El Más Solo del Cementerio" | single | but we take our unnumbered inhalations |
| 10 | Tribulation | "Hour of the Wolf" | single | and select one to be assigned episodic finality. |
| 11 | Crystallion | "Knights and Heroes" | single | Here the old year ends, and we are allowed to choose our roles anew. |
| 12 | Mendel | "Discover" | Neoblivion | All structural implications inherently persist, |
| 13 | Green Carnation | "The World Without a View" | single | but our collective consensual notion of their implications can be reset |
| 14 | Jason Bieler And The Baron Von Bielski Orchestra | "Bring out Your Dead" | single | at any moment, |
| 15 | Vajra | "Sever the Tie" | single | and because this is unstable to contemplate, |
| 16 | NEVIAH | "EMBERS IN THE EYE" | EMBERS IN THE EYE | and we are even worse at ungrounded reasoning |
| 17 | Postmodern Fantasy | "When Destiny Calls" | single | than reasoning in general, |
| 18 | Tuatha de Danann | "The Wind That Shakes The Barley" | In Nomine Éireann | we pretend that we can only do so occasionally, |
| 19 | Herknungr | "Frægiligr" | single | when fleetingly invested with uncommon power. |
| 20 | Myrkur | "Dronning Ellisiv" | single | Our power, of course, is anything but fleeting, |
| 21 | Ean Grimm | "Valhalla" | single | profoundly every thing except uncommon. |
| 22 | NOCTURNAL BLOODLUST | "PROPAGANDA" | The Wasteland 6 | Every meaningful year begins today, not tomorrow, |
| 23 | sunsetinfall | "Hurts" | Hurts / Faded 2 | no matter what tomorrow claims, |
| 24 | teto | "もしもし?もしもさぁ" | single | or his pouchy minions disingenuously affirm. |
| 25 | Aoi | "huyugoe" | single | The future only retains or understands power as threat, |
| 26 | Mr.FanTastiC | "Night & Day" | & 3 | and it dissipates at our touch, at our approach, at our continuing existence. |
| 27 | BIGMAMA | "Ruby Red Shooting Star" | Snow Motion.EP 4 | Evil is notional darkness, but real darkness is a barely-oblique story of particular lights: |
| 28 | THE PINBALLS | "Million Dollar Baby" | Millions of Oblivion | our headlong rush into the unknown or borrowed, |
| 29 | PARED | "Message ~Tsunagare Inochi~" | single | our soaring insistence on explaining to each other our most dubious revelations, |
| 30 | mahina | "Boku No SOS" | single | our quiet beliefs in the universality of desperation and resolution, |
| 31 | SOMOSOMO | "Gunjo No Parade" | Gunjo No Parade / Liberty Marionette 2 | our willingness to march on secured ground |
| 32 | BAND-MAID | "After Life" | single | as proxy insurrection, |
| 33 | TRiDENT | "RIDE ON" | WE ARE THE WORLD 3 | resilience or incandescent demise. |
| 34 | Escuchando Elefantes | "Falsa Vanidad" | single | A masked year ends. |
| 35 | bis | "Road to Nowhere" | Music for Animations | A masked year begins. |
| 36 | Ready Steady Steroids | "If It Means a Lot to You" | single | But these masks have become expressions, |
| 37 | Glades | "Get in the Way" | Get in the Way +3 | and hide our true faces |
| 38 | Lande Hekt | "December" | December +3 | no more or less than words hide our actual emotions. |
| 39 | Quimera | "Nada Es Igual" | single | Masks remind us to look over them at each other's eyes, |
| 40 | Fear Of Tigers | "Looking For The Truth" | Looking For The Truth +2 | until the next plague requires full helmets, |
| 41 | Celest | "La Carretera" | single | and we put screens on the fronts of them to project our selves, |
| 42 | Habitants | "Morgen" | single | and thus so-belatedly accept operational responsibility for who we choose to seem to be. |
| 43 | Yandere | "gate" | single | You can be a gossamer promise of spectral grace, |
| 44 | blackwinterwells | "you" | single | or ribbons zephyred into the shapes of statuary, |
| 45 | Ryan Oakes | "BURIED ALIVE" | single | or brutalist variances. |
| 46 | Qawi Kamri | "Janji Mati" | single | You can fall in love with other people's lives, |
| 47 | Yung Scuff | "Anywhere but My Arms" | single | but when you stand up again, you are still just as alone, |
| 48 | Eredaze | "Misfit Kids" | Evadere | just as embraced and integral, |
| 49 | Puppet | "Good Day" | I Know You Know Who I Am | just as culpable for every lost other soul mistaking its own unremarkable uniqueness for singular abandonment. |
| 50 | Jorge Elbrecht | "The Clouds Are Gone" | The Clouds Are Gone | The atmospheric properties that produce the clouds are never gone, |
| 51 | JPEGMAFIA | "CUTIE PIE!" | single | but also never more than a thin layer between us |
| 52 | Ithwasa Lekhansela | "Ithole Likadumo" | Ijoka Lensimbi | and the universal manifest destiny |
| 53 | Imithente | "Amashinga" | single | we first and ever after earned by looking up |
| 54 | Mroza Van Damme Fakude | "Impilo Inzima" | Abasemkhuze Khushawa Edonsayo | and scattering human names among the infinite. |
| 55 | Samthing Soweto | "The Danko! Medley" | Danko! | We make borders by saying "Here, where I am standing, none can precisely stand. |
| 56 | Bab L' Bluz | "Gnawa Beat" | Nayda! | These things I will list, you must choose half of them to cherish, |
| 57 | Julianna Barwick | "Inspirit - Extended Version" | Inspirit (Takuya's Ryūteki Dragons) 3 | half to disavow. |
| 58 | Arca | "Riquiquí(lxxvi76);Bronze-Instance" | Riquiquí;Bronze-Instances(1-100) | The songs of our previously united land can never again be sung |
| 59 | Loreen | "Du är min man - Så mycket bättre 2020" | single | in this new year of sundered choruses and broken silence." |
| 60 | Caroline Polachek | "Breathless" | single | And then time stands still, for a moment or heartbeat or breath, just long enough for us to imagine what it would mean if we were serious, if this next breath were the last swell of a concluded era. |
| 61 | Dead by April | "Let It Go" | single | And then we laugh, and turn, and run a foot through the line as we step back into everything. |