| 1 | Chevel | "Crush" | Glass Bridge 3 | Anything you can't take apart is borrowed. |
| 2 | Loser | "pears #wlds" | single | Any weapon you wield without knowing how it works |
| 3 | POPSTARBILLS | "NO MORE MR. NICE GUY" | single | fights somebody else's battle. |
| 4 | Capoxxo | "We go hard HAPPY HARDCORE <333" | single | The continuum of intent in fighting other people's battles |
| 5 | Ryan Oakes | "LEFT 4 DEAD" | single | draws a line from empath to mercenary to narcissist. |
| 6 | POORSTACY | "Don't Go Outside" | The Breakfast Club | Pragmatism is the willingness to use a thing when you need it |
| 7 | Senses | "GPU" | single | instead of taking it apart yet. |
| 8 | nothing,nowhere. | "lights (4444)" | single | Most of our most crucial tools are borrowed |
| 9 | TeZATalks | "Bully" | single | from unknown future owners |
| 10 | Eryn Martin | "Namesez" | single | whose notional eventual returns we groundlessly debate, |
| 11 | Katie Dey | "Hurting" | Mydata | even when some of them will turn out to be us. |
| 12 | Maya Ricci | "Happy Chemicals" | single | The moment of discovery is one of knowledge variables |
| 13 | Whethan | "Hurting on Purpose (feat. K.Flay)" | single | initialized to their minimum values, |
| 14 | Silver Sphere | "crowd" | single | and emotional preconceptions to their ambient maximums, |
| 15 | SayWeCanFly | "Shape of Your Bones" | Nosebleed 6 | which is why first impressions are autobiography, not criticism. |
| 16 | Puppet | "Living in It" | single | Stout Cortez and his men looked at each other with wild surmise, |
| 17 | ONI INC. | "What's in the Bunker?" | single | not about the plagues they were about to unleash on another continent, |
| 18 | PRXJEK | "CUT THE GRASS (FREESTYLE)" | Quarantine Mixtape (Side A) | but about the hole they had just punched in what they thought was the edge of their world. |
| 19 | GILA | "Death Slump" | single | We can blame them in retrospect for their negligence, |
| 20 | Craig Irving | "Let Go" | single | but only with the retroactive awareness that they brought worse germs than they took back home. |
| 21 | Taylor Swift | "the last great american dynasty" | folklore | They should have worn their fucking masks. |
| 22 | Mickey Guyton | "Heaven Down Here" | single | The testing of your faith produces perseverance, |
| 23 | Patty Smyth | "Drive" | single | but sometimes the testing of your antibody response is more pertinent. |
| 24 | Underline The Sky | "Battlefield" | single | We are young |
| 25 | The Naked And Famous | "Everybody Knows" | Recover | until we're dead. |
| 26 | Brioni Faith | "Everybody's Free" | Everybody's Free +2 | Once you hear joy, nobody can take it out from inside of you. |
| 27 | hbd | "Til We Die" | In My Room 6 | Conversely, nobody can pound joy into the joyless, either. |
| 28 | Geographer | "Alibi" | single | We tell one kind of story about the angels who fly from Montgomery, |
| 29 | STRUAN | "Distance" | single | but there's another kind about how the angels marched there in the first place, |
| 30 | Vaya Futuro | "El Abuelo" | single | and how people who claim authority over the designation of angels stood in their way, |
| 31 | Creeper | "Poisoned Heart" | Poisoned Heart +3 | believing their hatred righteous until the angels were among and behind and above them. |
| 32 | ReoNa | "Ame ni utaeba" | ANIMA | We have skin like a wall, |
| 33 | BiSH | "LETTERS" | LETTERS | or too much like a wall or not enough. |
| 34 | CANDY GO!GO! | "Infinity" | Infinity +1 | We pour our love most earnestly into eulogies, |
| 35 | 一二三 | "毒々" | single | only in that moment confident that our heroes will not betray us. |
| 36 | allicholy | "in bloom" | single | We fall in love with cyphers, |
| 37 | the peggies | "Centimeter" | single | trusting that our incentives for adoration |
| 38 | ayutthaya | "BACK" | I know , right? 5 | and idols' mission of abstraction |
| 39 | Sway Emotions Slightly | "Parade" | single | are aligned in terror if not in cognizance. |
| 40 | SPYAIR | "INSIDE OF ME" | single | We borrow flags of eagles. |
| 41 | Orden Ogan | "In the Dawn of the AI" | single | Any flag you fly without having sewn it out of your own feathers |
| 42 | Veil Of Delusions | "Over the Edge" | single | is a remedial conversation with the wind. |
| 43 | Perfect Plan | "Time for a Miracle" | single | We pause and shout "Now!" and gesture at the space in front of us. |
| 44 | Creye | "Face to Face" | single | Maybe a vaccine will appear. It can only hurt to try |
| 45 | Two and a Half Girl | "Carried Away" | single | if we keep trying only that for longer than a minute. |
| 46 | Haken | "Messiah Complex V: Ectobius Rex" | Virus (Deluxe Edition) | Wear your fucking masks unless you arrive bearing the antidotes to all of your toxins. |
| 47 | Pyogenesis | "The Capital (A Silent Soul Screams Loud) - Single Edit" | single | Charity is being willing to trade neglible fractions of your own well-being |
| 48 | VON WELT | "Unendlichkeit" | Schwarz | for material changes in somebody else's. |
| 49 | Kathi | "Wie ihr" | single | Generosity involves different constants, but the same variables. |
| 50 | Marta Soto | "Podrás contar conmigo" | single | Love accepts well-being as a collective quality, |
| 51 | Giselle Torres | "18 (Dieciocho)" | single | not a quantity to be maxminned or arbitraged. |
| 52 | Broadside | "Overdramatic" | Into the Raging Sea | Do not be silent. Do not accept silence in place of songs. |
| 53 | Cole Rolland | "Another Day" | Passenger 5 | Tomorrow, be unsilent again, until your echoes reach a self-perpetuating volume. |
| 54 | Colours Of One | "Runaway" | single | We face the temptations of retreat and surrender, |
| 55 | Clan of Xymox | "Into the Unknown" | Spider On the Wall | buoyed by every gentle soul willing instead to pull us closer to some unreasonable promise. |
| 56 | At Dawn's Edge | "Into The Unknown" | single | Everyone you will ever love is here within these walls. |
| 57 | John Foxx & The Maths | "My Ghost" | Howl | We fall in love with equations, |
| 58 | Fish | "Garden Of Remembrance" | single | and the glittering illusions of commutative and distributive grace. |
| 59 | The Waterboys | "Low Down in the Broom" | Low Down in the Broom +2 | We fall in love with wishful simplifications |
| 60 | Mpumi Mzobe | "Magata" | single | in which there is finally one clear answer, one rhythm. |
| 61 | Sun-El Musician | "Emoyeni" | single | But the eagle isn't trying to tell you that you should fly. |
| 62 | Phuzekhemisi | "Sikhokha Njalo" | single | We sit on the ground, surrounded by the bones of eagles, trying to divine instructions from their arrangements. |
| 63 | Joker | "Kural" | single | The only arrangement of eagle-bones that matters is an eagle, |
| 64 | John K. Samson | "Fantasy Baseball at the End of the World" | single | and that only to eagles. |