| 1 | Muncie Girls | "Jeremy" | Fixed Ideals | There is reason, and there is the desperate ache to stab a guitar through a hated thing you would rather have loved. |
| 2 | Kitten | "Secrets" | Secrets +1 | There is the way waves elegantly destroy themselves, |
| 3 | Francesca Battistelli | "Royalty" | single | and the way it is possible to allow yourself to be convinced that there is another realm where they are never broken, |
| 4 | Betty Who | "The Other Side (From "Sierra Burgess Is a Loser")" | single | and we are lifeguards set to watch over the roiling spaces between these interpretations of water. |
| 5 | Broods | "Eyes A Mess" | single | There is the way air can wind itself around your throat, |
| 6 | Ruusut | "Glitchit" | Ruusut | so that every breath is a sculpture about imminent extraction |
| 7 | Slayyyter | "Ghost" | single | and a machine for converting emotional loss into rueful kinetic energy. |
| 8 | Beyond The Black | "Hysteria" | Heart Of The Hurricane | All storms are metaphors, |
| 9 | Warrel Dane | "Disconnection System" | single | but so are we. |
| 10 | A Forest Of Stars | "Decomposing Deity Dance Hall" | single | Do not let anybody tell you that metaphors do not live rich internal lives. |
| 11 | Aborted | "Vespertine Decay" | single | Just like you, we are exalted in stained glass |
| 12 | Omnium Gatherum | "Over the Battlefield" | The Burning Cold | and weighed down by lead |
| 13 | Wolfheart | "The Saw" | single | and cut out of webs. |
| 14 | Iskald | "Offer Av Livet" | Innhøstinga | We march at the heads of ghost-armies, |
| 15 | Helrunar | "Blutmond" | single | and at the feet of mountains. |
| 16 | Bliss Signal | "Surge" | single | We are organisms of blur, |
| 17 | Nachtlieder | "Claws and Bone" | Lynx | released in darkness, |
| 18 | Void Eater | "Hul" | II | left to assign our own identities to "abandoned" or "delivered", |
| 19 | Norrsköld | "Embrace the light" | Fear the light 2 | feared |
| 20 | Fatherson | "Reflection" | single | or envied. |
| 21 | Empire | "Miss Fortune" | single | We are lonely heroic endings, |
| 22 | Mass Gothic | "Call Me" | I've Tortured You Long Enough | making spreadsheets of possible stories, |
| 23 | Lyla Foy | "Try My Heart" | single | their qualities and limitations |
| 24 | Haken | "The Good Doctor" | single | and incompatibilties, |
| 25 | Beyond Creation | "Algorythm" | single | hoping plaintively for a method where we know there is ultimately only love. |
| 26 | Frostbitt | "Magma" | single | We are distributed across the abyss between ice and fire, |
| 27 | Better Than Never | "Sharks" | Something Left To Talk About 4 | between present humility |
| 28 | SHXCXCHCXSH | "SHULULULU" | SHULULULU 5 | and abstracted immunity, |
| 29 | Hainbach | "We Are Impermanently" | Violin Forms | between our internal current |
| 30 | heidi. | "逆回転シンドローム" | ケセラセラ | and our most electrifying clothes. |
| 31 | Esprit D'Air | "Serafine" | single | There is the catalog of all the things that air can lift, |
| 32 | SoundWitch | "Celluloid Queen" | CELLULOID QUEEN 4 | and a blank page waiting for you, |
| 33 | THE SxPLAY | "コバンザメ" | single | or for something you can take off and live without. |
| 34 | Kinokoteikoku | "東京" | フェイクワールドワンダーランド | People you thought lived far away are now the voting majority of a town where you once ate linguini in a delicate cream sauce out of a deliberately oversized bowl. |
| 35 | HITT | "Arigatou Aishiteru" | Arigatou Aishiteru +2 | They have their own fetishes, which which you can fall in love without knowing what they were meant to mean. |
| 36 | Swingin' Utters | "Dubstep" | Peace and Love | They have their own meanings for words you thought were yours, |
| 37 | Lollia | "Odd Future" | single | but you lose control over your vocabulary as soon as you say it aloud, |
| 38 | Alkonost | "Vrata Zimy" | single | or write it on stones or bark, |
| 39 | Theudho | "Waar Kraaien de Ondergang Bezingen" | De Roep Van Het Woud | or entrust it accidentally to messengers or deliberately to spies. |
| 40 | Carrie Underwood | "Love Wins" | single | The most emphatic foreign signatories go home to a point on the surface of the same globe, |
| 41 | Jillian Jacqueline | "Sad Girls" | single | to another town with zoning problems |
| 42 | Helion Prime | "A King Is Born" | Terror of the Cybernetic Space Monster | and invasive species |
| 43 | Manimal | "Purgatorio" | single | and subversive doubts |
| 44 | Ethernity | "Grey Skies" | single | and majestic gates. |
| 45 | Rhian Sheehan | "Soma Dreams" | single | They dream of days, or hours, circumscribed by joy, or peace. |
| 46 | Astron | "Calm Before the Storm" | single | They have illusory legends of implausible eras when these days or hours were routine, |
| 47 | Titiyo | "Som ingenting" | single | and ways of dressing that evoke those stories |
| 48 | Silence Wang | "曠夢 Sisyphus" | 克制兇猛 2 | or defy their gravity |
| 49 | Slow Crush | "Shallow Breath" | single | or seek out the obliterating comfort of their weight. |
| 50 | Pastel Ghost | "Mercury" | single | They have devices that will carry you along specific paths, |
| 51 | Son Volt | "Jet Pilot" | Okemah and the Melody of Riot | and fightsongs that will edge into the center of your field, |
| 52 | I:Scintilla | "Swayed" | Swayed +1 | and taxonomies of nihilist opulence. |
| 53 | Eva Weel Skram | "Du e alt eg treng" | single | They have quiet moments, we all do. |
| 54 | Betontod | "Zusammen" | Vamos! (Deluxe Version) | We are terrified to let them define us, |
| 55 | Rosenstolz | "Wenn es jetzt losgeht" | single | guarded when we should be most awed, |
| 56 | Veintiuno | "Cabezabajo" | single | panicked at every glorious acceleration. |
| 57 | The Veer Union | "Man into Machine" | Decade II: Rock & Acoustic | This is how we become bibliographers of dystopian verse, |
| 58 | Störte.Priester | "Geheilt durch Deutschrock" | single | and rehabilitators of anything we've ever had the patience to properly dread. |
| 59 | Scarlet Dorn | "Hold on to Me" | Lack of Light | This is how we all become concurrently alone. |
| 60 | Heatbeat | "Stadium Arcadium" | single | This is why, when we set robots as sentries, they are instantly and perpetually alarmed. |
| 61 | Enoch | "Pieces" | Killing Starts Where Hate Begins 4 | You would be alarmed, too, if you knew what we know. |
| 62 | Puppy | "Black Hole" | single | We know nothing, and this is the one thing you can never get robots to do for you. |
| 63 | The Secret | "Cupio Dissolvi" | Lux Tenebris 3 | We have seen plays about Galileo, |
| 64 | Ibeyi | "Rise Up Wise Up Eyes Up" | single | and written revisionist histories of how the stars would have prospered without his interference, |
| 65 | Västerbron | "Döda vinklar" | single | and somehow consented to constellational tattoos of their truths misspelled. |
| 66 | Sara | "Ethän vielä kuole" | single | We are organisms of edges and thorns, |
| 67 | Diztord | "Too Little Too Late" | single | forgotten in clockwork. |
| 68 | Softer Still | "Turtle Bay" | single | We are the perfect creatures with which clockwork falls perpetually in love. |
| 69 | Appearance of Nothing | "Storm" | single | We are definitively perpetual, |
| 70 | The Moth & The Flame | "Beautiful Couch" | single | in grand scattered unintelligible moments. |
| 71 | Andrew Bernstein | "Broken Arc" | single | We are systems of non-Eucliean suspension, interpolating rebellions into forgotten digits of pi. |
| 72 | Leto. | "Zahn der Zeit" | Vor die Hunde | We are reluctant discredited nostalgic half-solutions brought back to life as symbolic half-reveries of recurrence. |
| 73 | The Blue Hour | "Dust in the Wind" | single | And although the halves don't match, and can't be reassembled, that's how you ever make anything new. |