| 1 | Immortal | "Mighty Ravendark" | single | You get to decide what you want from art, |
| 2 | Shylmagoghnar | "No Child of Man Could Follow" | Transience | which sounds powerful, and is powerful, |
| 3 | Oubliette | "The Curse" | single | but is also just another way of saying that you have to decide |
| 4 | The Antichrist Imperium | "The Dreadful Hosanna" | Vol. II: Every Tongue Shall Praise Satan | the range of futures you consider anticipatable, |
| 5 | Primal Fear | "King of Madness" | single | and how you reconcile the disparity between |
| 6 | Dark Sarah | "Trespasser" | single | their potential effects on you |
| 7 | Helion Prime | "Silent Skies" | single | and your ability to control or influence them. |
| 8 | Habitants | "Soul Traveller" | One Self | You cannot boycott the planet's spin, |
| 9 | Meg Myers | "Jealous Sea" | single | or the way moving blood magnifies fear, |
| 10 | Pale Waves | "Noises" | single | or the moment in history when you were abandoned here among us. |
| 11 | Deaf Havana | "Hell" | single | Look back on your most precious moments |
| 12 | Sun Glitters | "Nothing's the Same" | single | and you will see typos, |
| 13 | How To Dress Well | "Vacant Boat (shred) | Nonkilling 1 | The Anteroom | False Skull 1" | Land of the Overflowing Urn 2 | errors of framing, |
| 14 | Charli XCX | "No Angel" | Focus / No Angel 2 | the places where you now know the cracks would eventually start. |
| 15 | Prayer | "Fear" | Vital 4 | You get to decide whether joy is invalidated in retrospect |
| 16 | Annisokay | "Unaware" | single | or borne up on its own precipitous perpetual impossibility. |
| 17 | Mitski | "Nobody" | single | You get to decide whether you are alone. |
| 18 | Free Cake For Every Creature | "In Your Car" | single | As with many powerful freedoms, of course, |
| 19 | The Joy Formidable | "The Wrong Side" | single | there are many categories of choices, and most of them are bad. |
| 20 | Scandroid | "Red Planet" | Red Planet +1 | All narrowly defensible paths through despair were discovered by accident, |
| 21 | Phil Rey | "A Good Day in Hell" | single | or charted by dubious lunatics, |
| 22 | Trophy Eyes | "More Like You" | single | or properly lead nowhere but are impossible to follow closely enough to reach there. |
| 23 | Oh, Weatherly | "I Think I Want You" | single | It is easy to give up, |
| 24 | Gesu No Kiwami Otome | "オンナは変わる" | single | easy to oversimplify; |
| 25 | BiSH | "Life is beautiful" | Life is beautiful / HiDE the BLUE 2 | harder to believe without recourse to faith, |
| 26 | HYDE | "AFTER LIGHT" | single | harder to apprehend complexity without disassembling it. |
| 27 | THE GALLO | "PLUTO" | PLUTO +2 | You get to decide which planets you would annex in hypothetical ages of empire, |
| 28 | D | "Revive 〜荒廃都市〜" | Revive 〜荒廃都市〜 +3 | and what people wear in their radiant arenas |
| 29 | Taichi Mukai | "HERO" | LOVE 5 | and quiet corridors. |
| 30 | Gyze | "龍吟" | ザ・ライジング・ドラゴン 5 | You have your choice of masks, |
| 31 | THE SxPLAY | "わたしだけのアイリス" | single | and choreographed evasions, |
| 32 | Night Verses | "Trading Shadows" | From the Gallery of Sleep | and you get to decide whether the roles within the range of your casting can justify defiant serenity, |
| 33 | Alee | "Don't Make Me Miss You" | single | or motivate momentary transcendence, |
| 34 | Elijah Bisbee | "(S)" | I S O L A T I O N (S) | or hold any single variable constant for long enough to record its value. |
| 35 | Nanne Grönvall | "C’mon" | Drama Queen | At least, this is all true if you believe that joy is earned. |
| 36 | Sofie Svensson & Dom Där | "Vill du följa med mig" | single | But you get to decide if you believe that. |
| 37 | Emma Ruth Rundle | "Fever Dreams" | single | You can be haunted; every creature who has ever died offers you ghosts. |
| 38 | Sleep Dealer | "Winter II" | Memories | You can be pinioned, crushed by blankets, |
| 39 | Whale Fall | "Decades" | Sondersongs | or held safely. |
| 40 | Them Are Us Too | "Floor" | Amends | Or not safely, or not even exactly held, |
| 41 | Ovlov | "Stick" | single | but connected to something amidst and despite the void. |
| 42 | Astro Bunny | "我只是你的夢境" | single | You choose to seek joy as an elusive treasure, |
| 43 | Oslo Ess | "I fritt fall" | Frie radikaler | or fail to contain it as a irrepressible force, |
| 44 | Saltatio Mortis | "Heimdall" | single | an elemental fountaining inner divinity. |
| 45 | Big Country | "Hardly a Mountain - Why the Long Face - Bonus Tracks" | Why the Long Face | We come and go like we always will: |
| 46 | Information Society | "Nothing Prevails" | Nothing Prevails +1 | hopelessly, |
| 47 | The Alarm | "Coming Backwards" | Equals | but maybe not needing hope, precisely. |
| 48 | Ital Tek | "Blood Rain" | single | It is viscerally satisfying to demand change, |
| 49 | Iglooghost | "Niteracer" | single | buoyant to demand hope; |
| 50 | Celest | "Entre Bien y Mal" | single | but we got here somehow. Where? And how? |
| 51 | DJ Maphorisa | "iWalk Ye Phara" | single | You get to choose whether you chase futures, |
| 52 | Seyi Shay | "The Mic" | Seyi or Shay | or take the duration of the present to try to understand what it is. |
| 53 | Black Tusk | "Burn the Stars" | single | You get to decide whether art is an idiom of distraction from vertigo |
| 54 | Council of Nine | "Red Alert" | Exit Earth | or a centrifuge of clarity. |
| 55 | Day6 | "어쩌다 보니 Somehow" | Shoot Me : Youth Part 1 6 | You get to argue about dancing, or dance. |
| 56 | Electrodomesticos | "La Ciudad se Fue" | Ex la Humanidad | You get to choose whether your arguments keep you from dancing, |
| 57 | Malú | "Contradicción" | single | or are dances, |
| 58 | Hannah Peel | "Particle G1" | Particles In Space | and thus whether they matter. |
| 59 | Bedroom Audio | "สภาวะสมองไม่สั่งการ" | single | You get to decide if you believe the translation computers that this Thai song is about love as essential anatomy, |
| 60 | Malik Montana | "Trajkotka (Prod.Olek + oil beatz)" | single | but they translate "trap" on this Polish rapper's bio to "gangway", |
| 61 | Peggy Zina | "Anthropi Monahi - New Version" | single | so maybe the old gods had their reasons for sending us here. |
| 62 | Puppet | "Orange Against The Blue" | single | You get to decide how much explanation you require or allow. |
| 63 | Nadia Gattas | "Atmosphere" | single | You get to decide whether any of this matters, |
| 64 | Cepeda | "Me Da Igual" | Principios | which sounds powerful, and is powerful, |
| 65 | Little Dead Bertha | "Day of Your Life" | Age of Silence | but neither answer precipates joy. Joy is the substrate, not the solution. |