| 1 | Violet Cold | "Life in Moments" | Sommermorgen, Pt. I: Innocence | People you don't know are composing epic triologies, because they finally realized nothing will stop them. |
| 2 | Violet Cold | "Penguins Commit Suicide" | Sommermorgen, Pt. II: Joy | There is a note here for every listener, enough for you to pick one that is yours alone. |
| 3 | Violet Cold | "Ein Hauch Von Ewigkeit" | Sommermorgen, Pt. III: Nostalgia | Innocence, joy and nostalgia are not a sequence, they are a trinity. |
| 4 | June 1974 | "Arcadia" | Nemesi | All these patterns exist inside of your regret and obsession and self-doubt. |
| 5 | Kataklysm | "Narcissist" | Meditations | They have been inside of you all this time, while you have been alternatively building and destroying. |
| 6 | Dead in the Manger | "Despondency, Pt. 3" | Despondency 3 | They are why you oscillate between the two, |
| 7 | Moongates Guardian | "The Dragon Is Withered" | Let Horse Be Bridled, Horn Be Sounded! | and why you can't stop writing sequels to your own stories and everyone else's, |
| 8 | Dead Shape Figure | "Bolt of Chaos & Creation" | single | why you can't stop ending or beginning again. |
| 9 | Lonely Star | "Undo" | Love & Loss | Darkness and pale flowers; |
| 10 | Elvellon | "Oraculum" | Until Dawn | starlight and battlements; |
| 11 | St. Vincent | "Fast Slow Disco" | single | dancing with fears in our eyes: |
| 12 | Allie X | "Focus" | single | these are itineraries dressed as travelogues, |
| 13 | Betty Who | "All Things (From "Queer Eye")" | single | and we have costumes we excuse as travel clothes. |
| 14 | ayokay | "Swing Swing" | single | We walk lightly on ground we do not have to account for, |
| 15 | AURORA | "Queendom - Harp Version" | single | excuse every exquisite flaw of places we are only for a day, |
| 16 | Nick Wilson | "All the Same" | single | see even ourselves through alluring blur for a moment apart. |
| 17 | Lily Allen | "Lost My Mind" | single | You need one move, one hook. And then another, |
| 18 | Chelsea Grin | "Hostage" | single | lodged in skulls by force |
| 19 | Phil Rey | "Vanitas" | single | or breath. |
| 20 | Kitten | "Pink Champagne" | Pink Champagne +3 | We pack marching anthems, and then just wander. |
| 21 | Sugarland | "Tuesday's Broken" | single | We form tentative forgiveness inside of us, |
| 22 | Dan + Shay | "Alone Together" | single | quiet and so carefully hidden. |
| 23 | Walking Across Jupiter | "Unus Multorum" | Oneiroid | Your own buildings are zoning issues and accessibility affronts; other people's are majestic architecture. |
| 24 | Leprous | "Golden Prayers" | single | Your own hesitations and syncopations are fear; other people's are control and grace. |
| 25 | Night Verses | "Phoenix IV: Levitation" | single | Other people's monsters are demons and legend; |
| 26 | Familjen | "Kan vi bara låtsas" | Kom | yours are real, |
| 27 | Larz-Kristerz | "Kantareller och hjortron" | Det går bra nu | and wearing clothes you have only seen in your parents' pictures |
| 28 | Petal | "Stardust" | single | until you feel them on your own skin. |
| 29 | Tancred | "Hot Star" | Nightstand | We form tentative heroics in anticipation |
| 30 | Alessandro Casillo | "Ancora Qui" | single | of dreams as much as nightmares, |
| 31 | Slow Dancing Society | "Garland" | single | knowing that when you get a future you think you wanted, you are responsible for how it turns out, |
| 32 | Árstíðir | "Lover" | single | for the value of whatever you convinced your tribe to sell, |
| 33 | Jam Hsiao | "王妃 2.0" | single | whether it is natural resources or the way you dance. |
| 34 | 四分衛 | "Rocket Man" | 練習對抗的過程 | In the globalist futures you are surrounded by the unintelligible, |
| 35 | Viva Suecia | "Amar el Conflicto (todo Lo Que Importa)" | single | but perfectly comfortable; |
| 36 | Efecto Mariposa | "Qué Más Quieres De Mí" | Vuela | in the isolationist futures you are loved in every language but cowering in just one. |
| 37 | Hjerteslag | "Møhlenpris Motell" | single | Other people's hotels are glamorous and storied, |
| 38 | Skambankt | "I Dette Huset" | Horisonten Brenner | yours are decaying assemblies of noise complaints and subsistence drug deals, |
| 39 | Luca Brasi | "The In-Between" | single | and empty slightly sloping parking lots perfect for learning to ride a bicycle. |
| 40 | ZSK | "Es müsste immer Musik da sein" | single | There are tunnels under the best streets, |
| 41 | Der Tante Renate | "But Whoever Made This" | Whoever Made This 5 | dark at all times but lit at night, |
| 42 | Spurv | "Et blekt lys lyder" | Myra | where the city is not a surface |
| 43 | Ağaçkakan | "Fatalerrorist" | A Naşkvit | but a circumscribed logic. |
| 44 | Nervosa | "Never Forget, Never Repeat" | Downfall of Mankind | In the globalist apocalypses they flood our tunnels, |
| 45 | Mayday Parade | "It's Hard To Be Religious When Certain People Are Never Incinerated By Bolts Of Lightning" | single | and die above us; |
| 46 | MZ. 412 | "Ulvens Broder" | Ulvens Broder +2 | in the isolationist nightmares the waters only bring us swarming out, |
| 47 | 4lienetic | "Promises" | single | bringing with us our darknesses and lights and methods, |
| 48 | Lándevir | "El Espíritu del Viento" | Desde el Silencio | and our better pagan gods, |
| 49 | Lörihen | "El Viaje" | Desconexión | and stories about where else the tunnels emerge. |
| 50 | HoneyBeast | "A Lényeg" | Élet A Marson | Joy is not translated, |
| 51 | Rasmus Bo | "Ingen Vej Tilbage" | Ingen Vej Tilbage EP 4 | it is native everywhere. |
| 52 | Jem Cubil | "When I See You [From the Movie "Sid & Aya (Not a Love Story)"]" | single | Denial is translated a thousand ways, |
| 53 | North Point InsideOut | "Unshakeable Love" | single | but also native everywhere. |
| 54 | SKIES | "Dusk" | single | Your own heartbeat is a rhythm. |
| 55 | Rura | "Lust" | In Praise of Home | Desire is resonant; want is idiophonic. |
| 56 | Максим Фадеев | "Breach the Line" | single | People you don't know are forming epic trios. |
| 57 | Ghost | "Witch Image" | Prequelle | There is a joy for every listener, enough for you to pick one that is yours alone. |
| 58 | 18th & Addison | "Not My Home" | Vultures 4 | We write anthems of rebellion, and then only play them for our friends. |
| 59 | Kate Rezková | "Jediná" | single | This is how we find friends, |
| 60 | Mechina | "Anathema" | Empyrean | and how we check the references of our enemies. |
| 61 | BADA$$ B. | "Lo So Fare" | single | Enmity discriminates. Amity unites. |