| 1 | Kobra And The Lotus | "My Immortal" | Prevail II | We are crossbred organisms of inexorable violence and fractal elegance, |
| 2 | Crematory | "Stay with Me" | Oblivion | brandishing nostalgia for hypothetical oblivions to come, |
| 3 | Twin Shadow | "18 Years" | Caer | armoring unconcealable doubt for defiant display, |
| 4 | Elohim | "Half Love" | single | most nakedly human in our yearning mechanisms. |
| 5 | Mainland | "Villains" | Villains 5 | We see ourselves in camera angles, |
| 6 | Little Monarch | "Tangerine" | single | and western skylines retreating ahead of us over the beckoning horizon. |
| 7 | Meg Myers | "Numb" | single | We smell like in-between spirits, |
| 8 | Elysia Crampton | "Orion Song" | Elysia Crampton 6 | becalmed in electrical storms |
| 9 | Eli Lieb | "Fall for You" | The Nights We Lived | sent by our ancestors half as gifts, half as warning. |
| 10 | Anne-Marie | "Cry" | Speak Your Mind | The borders writhe, invert, |
| 11 | Camila Cabello | "Never Be the Same (feat. Kane Brown)" | single | subliminate into the sky when we show up with trucks, |
| 12 | Jennifer Lopez | "El Anillo" | single | and then precipitate back into forgotten channels. |
| 13 | Lisa Heller | "Quicksand" | single | We are collectors of abandoned talismans, |
| 14 | TeraBrite | "No Tears Left to Cry" | single | carving them into new semblances of old shapes |
| 15 | The Animal In Me | "Him & I" | single | in order to smash things we can't afford to be without. |
| 16 | Scavenger Hunt | "Name" | single | People become dolls become simulations become ghosts, |
| 17 | Peter Hollens | "Bridge Over Troubled Water" | single | and the ghosts defy you to touch them. |
| 18 | Warmth | "Convex" | Parallel | The bridge exists as much for the water's sake as ours, |
| 19 | Max Würden | "Initial Condition" | Momentum | if you listen to what water thinks. |
| 20 | Blanck Mass | "Shit Luck" | Odd Scene / Shit Luck 2 | Frantic absence |
| 21 | FigureItOut | "Want to Want Me" | single | only pretends to be above us. |
| 22 | AmaLee | "Pray (Gintama)" | Nostalgia IV | Our hearts live in our stories, |
| 23 | Phil Rey | "The Heart of a Giant" | single | gathering quests for the sequels, |
| 24 | LLNN | "Parallels" | Deads | and then eating half of them to survive the night. |
| 25 | The Lion's Daughter | "Die into Us" | single | Thus we are poisoned by our own impatience and an angle of rotation; |
| 26 | Ummet Ozcan | "Change My Heart" | single | thus we are immune to anything we survive twice; |
| 27 | Kahbum | "Appuntamento al buio" | single | thus we earnestly substitute contrition for grace, |
| 28 | Correos | "El último verso (feat. Gabriel de la Rosa)" | single | contortion for silence, |
| 29 | Destination Anywhere | "Außenseiter" | single | exhaustion for peace; |
| 30 | The Alarm | "Beautiful" | single | thus we hide from storms only until they feel familiar; |
| 31 | Keith Urban | "Same Heart" | Graffiti U | thus we have our methods as tenuously as our regrets; |
| 32 | Sugarland | "Mother" | single | thus we model our comforts in hardwood and iconography |
| 33 | Maddie & Tae | "Friends Don't" | single | and tractor beams of overcommitment and desire. |
| 34 | Madeline Merlo | "Neon Love" | single | Time passes too swiftly to do any exact thing more than once, |
| 35 | Molly Sandén | "Större" | Större | which is why we take pictures we will never look at, |
| 36 | Rúzsa Magdolna | "Légzés" | single | or never without filters. |
| 37 | Kell Smith | "Sete Galáxias" | Girassol | Only in this way, sometimes, can we extricate ourselves from the gravity of perfect moments, |
| 38 | IZA | "Bateu (Participação especial de Ruxell)" | Dona de mim | trailing them behind us in strobeframe, |
| 39 | Javiera Mena | "Cerca" | Espejo | and escape into the hopes they intimate |
| 40 | Janelle Monáe | "Crazy, Classic, Life" | Dirty Computer | or threaten. |
| 41 | a crowd of rebellion | "Ill" | single | We have no weapon but private reference-systems, |
| 42 | WagakkiBand | "紅蓮" | オトノエ | designed against langauge but employed against fear. |
| 43 | QUEEN BEE | "HALF" | HALF(Full Edition) 4 | We never learned to walk any other way but this: |
| 44 | Aimyon | "満月の夜なら" | single | like each step crushes the surface of the earth and flowers emerge; |
| 45 | edda | "夢のレイニー" | single | like we see invisible paths, as of course we do; |
| 46 | Sanna Nielsen | "Det vänder nu" | single | like walking is dancing is mediation is math. |
| 47 | Mœnia | "Clásico" | Clásico +1 | We will remember these devices fondly when they are gone, |
| 48 | Editors | "Darkness at the Door" | Violence | or we are. |
| 49 | Hatchie | "Sleep" | single | We are haunted not by ghosts but by twins, |
| 50 | Alight | "Roses in the Dusk" | Spiral of Silence | by the unreconciled implications of things we once believed. |
| 51 | Argentum | "Сверхновая" | Сверхновая +3 | All our marginalia has this subtext, |
| 52 | Captain Black Beard | "All the Pain" | Struck by Lightning | from sacrament commentary to arena inscriptions, |
| 53 | Skeletonwitch | "Fen of Shadows" | single | its true meanings only elicited by inspirational disintegration, |
| 54 | lynch. | "SORROW" | SINNERS-no one can fake my blood- | memorial regret, |
| 55 | Nergard | "Question Of God" | Memorial For A Wish | and reconstruction as a fetish. |
| 56 | Candlemass | "House of Doom" | single | Without the moon, we would be different people, |
| 57 | Chris Bay | "Flying Hearts" | Chasing the Sun | but this is obviously also true of the sun, |
| 58 | Midas Fall | "Dust and Bone" | Evaporate | and even more essentially of the space between them. |
| 59 | Toundra | "Tuareg" | Vortex | We are disruptions of emptiness, |
| 60 | Visions | "Monad" | Monad +3 | and at the same times its heirs, |
| 61 | John 00 Fleming | "Mhysa's Point Of No Return" | Galactic Transmissions | and we are at work on a ballet about how it fell in love, when it was young, |
| 62 | DRYM | "Ethereal" | single | with what happens when light trasmutes into time, only to find that the past has already gone. |
| 63 | The Spacies | "Keep Your Head Up" | single | The differences between collection and hoarding |
| 64 | Tigress | "Bring Me Down" | single | are smaller than the differences between curiosity and faith. |
| 65 | Boikot | "Hablarán las Calles" | single | Our hearts live in the spaces inside of us that stories vacate when they are told. |
| 66 | Sista Brytet | "Aldrig Komma Hem" | single | We try not to cry. |
| 67 | KAFVKA | "Hallo Welt" | 2084 | We try not to tell you everything we secretly belive in the first minute. |
| 68 | Phyno | "Onyeoma" | single | We try not to blurt out all the ways we have dreamed of being you. |
| 69 | Miligram | "Vampir" | single | We're lucky if we even know which ancient realms share land borders. |
| 70 | New Arcades | "Afterlight" | Nothing Is Lost 5 | And yet, we know what it feels like when the stars come down and glitter among us. |
| 71 | Saara Aalto | "DANCE!!!" | Wild Wild Wonderland | We know how every one of these clichés infected us. |
| 72 | T-cophony | "1015 Refreshes" | Day Sketch | We know what's left after everything we've already said has been removed and unheard. |
| 73 | Craig Cardiff | "Okay Cupid" | Okay Cupid +1 | What's left is anticipation and an insatiable vulnerability to transformation. |
| 74 | Dan Bull | "How to Shave" | How to Shave +1 | What's left is a willingness to learn, setting its pikes against the insistence to teach. |
| 75 | Angelique Kidjo | "Once in a Lifetime" | single | What's left is the conviction that your love has the power to overrule the valences of particles. |
| 76 | J.Fla | "Castle On The Hill" | Rose | What's left is the willingness to let truth come upon you by surprise, like it's your own face appearing sheepishly in the mirror after a quantum instant of nothing. |