| 1 | CHVRCHES | "Get Out" | single | A new era begins this week, every week. |
| 2 | flor | "overbehind" | come out. you're hiding | New eras of joy fountain out of us, uncontrollably, |
| 3 | The Weeknd | "Pray For Me (with Kendrick Lamar)" | single | thinly disguised by token diffidence and conscience, |
| 4 | Pale Waves | "The Tide" | single | by inward patterns |
| 5 | Familjen | "Rök och speglar" | single | and outward distance. |
| 6 | DON BROCO | "Tightrope" | Technology | We made up this universe as a joke, |
| 7 | We Were Sharks | "Hotel Beds" | single | or somebody did, |
| 8 | Therion | "Bring Her Home" | single | but now it is ours, |
| 9 | Alkonost | "The River" | The River +1 | and thus exactly as real as we make it. |
| 10 | Necrophobic | "Tsar Bomba" | single | If this makes it sound like we stand upon thin floating plates of transient and illusory solidity, |
| 11 | Djevel | "Det Svartner Paa Likbleik Hud" | single | then how many other metaphors are literal? |
| 12 | Tengger Cavalry | "Ride into Grave and Glory (War Horse II)" | single | All of them, of course. |
| 13 | Susperia | "The Lyricist" | single | We are, all and only, living metaphors for how the impossible could be. |
| 14 | Ancst | "Dysthymia" | single | We are essential sacraments in the guises of wireless headphone reviews, |
| 15 | Armored Dawn | "Sail Away" | single | new philosophies of cooking, |
| 16 | Demonical | "Towards Greater Gods" | single | new absences of light. |
| 17 | Slugdge | "Putrid Fairytale" | single | We are nothing but our |
| 18 | Manigance | "Face contre terre" | Machine nation | magnificent legends |
| 19 | McCafferty | "What Cannot Be Said, Must Be Wept" | McCafferty / Heart Attack Man Split EP 5 | and their torn out discarded pages. |
| 20 | Dozer TX | "Drain" | single | We don't learn, we incorporate. |
| 21 | The Secret Post | "Cold Like Air" | single | We don't teach, we recreate. |
| 22 | The Soft Moon | "Burn" | Criminal | We are twitching statuary, |
| 23 | Thin Lips | "So Stoned" | single | and pixies of disconsolate misgiving. |
| 24 | Sleeping At Last | "January 31, 2018: Super Blue Blood Moon" | single | We are awake at dawn for one fleeting glimpse of emptiness |
| 25 | Courtney Marie Andrews | "Kindness of Strangers" | single | before we return to creatures who need our love to rise, |
| 26 | Frank Turner | "1933" | single | before we sound alarms, |
| 27 | Erik Ekholm | "Arise" | Arise +2 | before we gird ourselves |
| 28 | Mattia Cupelli | "Embers, Pt. II" | Embers | or admit new quietnesses. |
| 29 | Voicians | "Holograms" | single | Lasers can show you cities hiding under canopies, or fantasies in daring pants, |
| 30 | Rivals | "Damned Soul" | Damned Soul | but only one of these at a time. |
| 31 | Happy Hour | "Night Vibe$" | single | These spaces must choose, again in each moment, between planning and stage, |
| 32 | Eyes Wide Open | "Fire Is the Solution" | single | between destruction and collapse, |
| 33 | QuietKind | "Failed State" | Shadow Play | between desperation and resolve. |
| 34 | Long Distance Calling | "In the Clouds" | Boundless | It is one thing to observe that everything is available in kits, |
| 35 | Poppy Ackroyd | "Light" | Resolve | another to realize that you leave traces of yourself in everything you assemble. |
| 36 | Raison D'être | "Nigredo" | Alchymeia | We carefully dust off and catalog fragments of the infinite, |
| 37 | Nomy | "Society falls" | Society Falls | and line them up under hammers. |
| 38 | Bloodywood | "Tunak Tunak Metal" | single | You can take things seriously, but eventually you have to give them back. |
| 39 | Earthists. | "Memento Mori" | single | We sometimes refer to this as thermodynamics or humility, |
| 40 | Glim Spanky | "Orokamonotachi" | Orokamonotachi +3 | but these are mostly oblique ways to apologize for temporarily forgetting a friend's friend's name, |
| 41 | 炎亞綸 | "最久的瞬間-電視劇<一路繁花相送>主題曲" | single | or maybe for never having known that was a name. |
| 42 | Punkreas | "Fermati e respira" | single | Once you start apologizing, of course, you expand your capacity to blame yourself, |
| 43 | Eva Weel Skram | "Om du vil" | single | and push some horizon farther away, |
| 44 | Ost+Front | "Heavy Metal" | single | so that there is more room in between for parades, |
| 45 | Aesthetic Perfection | "Ebb and Flow" | Ebb and Flow +2 | which are the least creative possible use of inhabited space, |
| 46 | Saxon | "The Secret Of Flight" | Thunderbolt | but give you a sense at least of capacity. |
| 47 | Simple Minds | "In Dreams" | Walk Between Worlds | Jim Kerr and Charlie Burchill have been in Simple Minds for 40 years; what have you done? |
| 48 | Kim Wilde | "Pop Don't Stop" | Pop Don't Stop +1 | Don't answer yet if you're not done, |
| 49 | Grim Sickers | "Save Me" | single | if you're never done. |
| 50 | Varry Brava | "Satánica" | single | You are never as simple as you aspire to be, |
| 51 | La Habitación Roja | "Nuevos Románticos" | single | nor as completely forgotten. |
| 52 | Dinero | "Armas sin filo (con Nina de Juan)" | single | You are dancing under the walls of a city abandoned |
| 53 | Efecto Mariposa | "Qué Me Está Pasando" | single | and reclaimed and rereleased. |
| 54 | Imperial Age | "The Awakening" | The Legacy of Atlantis | We will fill in every unoccupied space, and yet still dream of lost realms. |
| 55 | Alia Tempora | "Humanity" | single | We set out to cure disease, and end up inventing new ways to make shiny clothes. |
| 56 | DZ Deathrays | "Total Meltdown" | Bloody Lovely | We set out to put a book back on the shelf where we found it, and find that somebody has filled the space with a new sequel, |
| 57 | What So Not | "Stuck In Orbit - Edit" | Stuck In Orbit 2 | and the characters are older now, and maybe not exactly wiser, |
| 58 | Mia Dyson | "Fool" | single | because wisdom is only a placeholder goal when you don't know what you want, |
| 59 | Middle Kids | "Mistake" | single | but less willing to give up before a kiss or a heartbreak, |
| 60 | Montaigne | "Glorious Heights" | Glorious Heights | or before finding the way to rotate elements so that these two things happen furiously kaleidoscopically at once. |
| 61 | Dream State | "In This Hell" | single | Escape routes are choreographed, |
| 62 | Oliver Mtukudzi | "Mahara" | Hany'Ga (Concern) | improvised in instants and charted over decades, |
| 63 | Nola Wren | "Creature" | single | via aqueducts and signal tubes, |
| 64 | Fix | "Survive" | single | and your best friends' back yards, |
| 65 | Audrey Assad | "When I See You" | single | and a hundred other normative devolutions, |
| 66 | I AM THEY | "My Feet Are on the Rock" | single | and surging avoidances. |
| 67 | Dear Rouge | "Modern Shakedown" | single | Nowadays you can't be too sentimental, because there are specialists for that. |
| 68 | Yes-R | "Streets" | single | Cities grow older, but all of their streets are born anew every day, |
| 69 | The Atlas Moth | "Actual Human Blood" | single | recalibrated by your or whoever's presence, |
| 70 | Yanakoto Sotto Mute | "HOLY GRAiL" | echoes 2 | and new lights, |
| 71 | Atrium Carceri | "Miles to Midnight" | Miles to Midnight | and how new lights and you combine to make new shadows. |
| 72 | Mr.Busta | "MACHETE" | single | Sometimes you turn a corner between one narrow alley and the next, in a new city of cryptic signs, and find a Texas Steakhouse or another artisanal Asian-fusion burger place, |
| 73 | Wess Meets West | "Skylar, There's Rot" | single | or a plaque marking the place where Marie Curie first heard her favorite song, |
| 74 | Steve Hackett | "When The Heart Rules The Mind 2018" | single | or somewhere you suddenly realize you've been once before. |
| 75 | Oblivion Machine | "Омут" | single | The first secret to cheerful traveling is realizing that cryptic signs mostly say things about where you can and cannot park, |
| 76 | Boy Peacemaker | "เธอเปลี่ยนไป" | single | or make life-changing promises about specific brands of shampoo, |
| 77 | Manran | "Là Inbhir Lòchaidh" | single | and you can stand, transfixed, accumulating rhetorical wastes of water, |
| 78 | Tide Lines | "Streets of Dreamers" | single | or you can look both ways for cryptic traffic, and then dance in the middle of this street too. |
| 79 | Lights & Motion | "Bloom" | Bloom 5 | We don't transit, we precess. |
| 80 | MISSIO | "Everybody Gets High - Stripped" | Skeletons: Part 2 5 | Streets accrete. |
| 81 | GoGo Penguin | "Window" | single | We play, again, the same notes everyone before us has played already, |
| 82 | We Deserve This | "Silver Lines" | single | in a triumph of persistence, a suspension of disbelief powerful enough to float a city. |
| 83 | Metalite | "Afterlife (Piano Version)" | single | For 17 seconds this thronged street is empty except for us, |
| 84 | Shmu | "Hololeaps" | single | and dark windows are allegories of walls. |
| 85 | Mt. Wolf | "Bohemia (Single Version)" | single | Is the kiss now, or next? Is this where she heard it? Is this where her heart went, whenever she heard it later? |
| 86 | Carlton Melton | "The Lighthouse" | Mind Minerals | Streets do not transpire by themselves, that is why they matter more than asteroids. |
| 87 | Frozen Crown | "Kings" | The Fallen King | Ancient citadel cities are no more inherently spiritual than new subway entrances, but breath displaces outgassing incrementally, |
| 88 | Amiral Revers | "Kpanou lelo" | Fon Sonore | and so even where local regulations require all new passages to be infused with old air, |
| 89 | Sheila On 7 | "Film Favorit" | single | we may still pass through. |
| 90 | Danheim | "Ginnung" | single | All of this, after all, was once a limbo of endless impenetrable fog. |
| 91 | Wu Bai | "王道 - “雙面對決” Live" | 伍佰 & China Blue 雙面對決演唱會全紀錄 | For trillions of years there was nothing here worth hearing, and now listen. |