| 1 | Dalriada | "Hollórege" | Nyárutó | Folk metal is the antithesis of melancholy indie rock in the way that mythology is the antithesis of Raymond Carver stories, |
| 2 | Arkona | "Volchitsa" | Khram | form as a consequence of legend rather than the also-interesting other way around. |
| 3 | Oceans of Slumber | "The Banished Heart" | single | Metal is, in general, an applied art of legendry, sometimes applied abstruely |
| 4 | The Atlas Moth | "Galactic Brain" | single | and sometimes coarsely. |
| 5 | Primordial | "Stolen Years" | single | Most things are, one way or another, but not everything is as unself-conscious about it, |
| 6 | Necrophobic | "Mark of the Necrogram" | single | not just unbowed by self-consciousness, but actually conscious of the unself, of the void. |
| 7 | Usurpress | "In Books Without Pages" | single | To be sure, not every insight inspired by the void is entirely new. It's the void. |
| 8 | Cynic | "Humanoid (Single)" | single | But sometimes we reach the event-horizon of the void in ships designed to fly there, |
| 9 | Eternal Void | "With Time" | single | fight the gravity, |
| 10 | REXORIA | "Queen of Light" | Queen of Light | and return triumphant. |
| 11 | Magnum | "Peaches and Cream" | Lost on the Road to Eternity | Sometimes in a battered, indestructible freighter; |
| 12 | Lione - Conti | "You're Falling" | single | sometimes in royal livery. |
| 13 | Sällskapet | "Morgenlicht" | single | But on every ship, life goes on. |
| 14 | Soho Rezanejad | "Pilot (The Guardian)" | Six Archetypes | On the way to the void you have plenty of time to contemplate it. |
| 15 | Parade of Lights | "Tidal Waves" | single | On the newer ships, you have artificial gravity for dancing, |
| 16 | Betty Who | "Ignore Me" | single | but weightlessness admits its own choreographic character, |
| 17 | Prides | "Born to Be Whole" | single | or in a way all dancing is about weightlessness or intertia, |
| 18 | Computer Magic | "Delirium (Don't Follow the Sheep)" | single | or how we fear them. |
| 19 | Editors | "Magazine" | single | Half our travelers' stories, of course, are at least ostensibly about missing home, |
| 20 | MILCK | "Call Of The Wild" | This Is Not The End | in the same way that our meditative stands and isolations are about longing. |
| 21 | bow church | "Remedy" | Canon | We are never more human than in geometric abstraction, |
| 22 | Mikky Ekko | "Not The One" | single | in hypothetical rules for delerious orbital mechanics, |
| 23 | Preoccupations | "Espionage" | single | in echoing regrets, |
| 24 | Teenage Wrist | "Dweeb" | single | in imitations of nirvana, |
| 25 | Moose Blood | "It's Too Much" | single | in retreat. |
| 26 | Waterparks | "Not Warriors" | single | We eat the world, |
| 27 | Noah Guthrie | "Hollywood Nights" | single | searching for a taste we remember. |
| 28 | Hodge | "Sunlight On a Broken Column" | Without Form / Sunlight On a Broken Column 2 | But sometimes what we remember is what it felt like to expect a taste and get a sound, |
| 29 | Sophia Loizou | "Shadows of Futurity" | Irregular Territories/Trembling With Tenderness 2 | or to expect math and get poetry, |
| 30 | AmaLee | "Unyielding Wish (Magic Knight Rayearth)" | Nostalgia III | or to fall in love with the credits. |
| 31 | Dan Bull | "The New Colossus - Wolfenstein Rap" | single | Just when you think you get the innermost in-joke, it punches through into a |
| 32 | FamilyJules | "Kraid's Lair" | single | new |
| 33 | The Sound Bee HD | "ENDLESS DEAD" | ENDLESS DEAD 5 | bright |
| 34 | Q'ulle | "DRY AI" | コネクトライト | universe. |
| 35 | Frej Larsson | "Äntligen hemma" | single | But if you can learn to feel centered in foreign streets, |
| 36 | Major Parkinson | "Munchausen by Proxy" | single | you can learn lessons from what you imagine other people to suffer. |
| 37 | Ondt Blod | "Unge Kniva" | single | They don't sound resigned, |
| 38 | Sin Fang | "Love Will Leave You Cold" | single | and you can't really stay, |
| 39 | Keith Urban | "Parallel Line" | single | but truces and understandings are possible. |
| 40 | Bely Basarte | "Mariposas" | single | They probably have streetlights, or fireflies, or dawn. |
| 41 | Juan Pablo Vega | "Amazonas, los Cantos del Agua" | single | Unfamiliar homeopathies will do you no real harm. |
| 42 | Hämatom | "Warum kann ich nicht glücklich sein?" | single | Other people's street-gangs will fight each other in other people's streets, |
| 43 | L'âme Immortelle | "Letztes Licht" | Hinter dem Horizont | watched over by inscrutable demons, |
| 44 | Pop Evil | "Colors Bleed" | single | against which they will eventually unite and turn, |
| 45 | The XCERTS | "First Kiss Feeling" | Hold on to Your Heart | freeing us all. |
| 46 | Why Everyone Left | "T.A.S.A." | single | Pick up a guitar, |
| 47 | Letzte Instanz | "Mein Land" | single | or a statistical correlation you can windmill, |
| 48 | NF | "NO NAME" | single | and make it your anthem. |
| 49 | VETO | "A Pit" | single | All of these stories are somebody's dreams. |
| 50 | Haley & Michaels | "All Out" | single | You can learn to spot simplistic dreams, but you can't critique them smaller. |
| 51 | Ashley McBryde | "American Scandal" | single | Music is agnostic, all the religions are ours. |
| 52 | Bella Thorne | "Burn So Bright (Single from the Midnight Sun [Original Motion Picture Soundtrack])" | single | But also all the joys. |
| 53 | The Blue Hour | "How Soon Is Now?" | How Soon Is Now? +1 | Music is agnostic where we are crushed by faith, |
| 54 | Kashuks | "Endless" | Mood - EP 6 | patient where we restlessly accelerate, |
| 55 | We Will Fail | "Night" | Schadenfreude 4 | frantic where we are abandoned, |
| 56 | ASC | "Tessellate" | Tessellate/Zoo Hypothesis 2 | sinister where we once thought we were right. |
| 57 | Gazelle Twin | "The Dream Ends" | The Dream Ends/Ghostly Metafiction 2 | We have a grammar of despair, |
| 58 | Answer Code Request | "knbn2" | single | and we use it to talk about what we will do tomorrow. |