1 |
These Winds Are Not Hope |
"The Endless Disconnect" |
Yesterday's Ghosts |
I have a thing that calculates the best metal albums from every country, based on Encyclopaedia Metallum ratings. I notice, when I update it, if it finds results for any country it didn't have before. Thus this, apparently the first great (melodic doom/post-metal) album ever made in Macedonia. |
2 |
Djevel |
"Vi Slakter Den Foerste og Den Andre, Den Tredje Lar Vi Gaa Mot Nord" |
single |
Norway already had a few. But if you've already listened to those, here's a new one in good manic shrieky Norwegian black metal supergroup style. |
3 |
Alcest |
"Je suis d'ailleurs" |
single |
The new album from French blackgaze standard-bearers Alcest isn't due out for another few weeks, but "out" has become a term of vagueness. Two of its roiling epics are streaming already. |
4 |
Sampha |
"Blood On Me" |
single |
If you have a drum machine and an ocean of guilt, you don't have to wait for anything. |
5 |
Plaitum |
"Grace Hits" |
Grace Hits / MYO 2 |
You can just take your toy hammers and smash it all into quivering shards. |
6 |
Serious Black |
"Castor Skies" |
single |
Supergroups are, of course, a dodgy proposition, but then power metal kind of exists to make dodgy propositions into eternal marriages. |
7 |
Crystal Ball |
"Deja-Voodoo" |
Déjà-Voodoo |
For example, the Swiss power-metal group Crystal Ball started as a Warrant cover-band called "Cherry Pie", an absurd origin they have not so much transcended as rendered peripheral by becoming a non-cover band that kind of sounds like ABBA as pirate metal. |
8 |
Pretty Maids |
"Face the World" |
single |
Or maybe you'd rather a Danish ex-Thin-Lizzy cover-band turned melodic hard rock? |
9 |
Aardvarck |
"Yogya" |
Indo EP 3 |
Maybe everybody knows this by now, but fluxwork can be way more menacing than power-metal. |
10 |
Sophie Ellis-Bextor |
"Wild Forever" |
Familia |
Ohohoh, somebody told Sophie Ellis-Bextor that I wanted her to make a few more rock songs. |
11 |
Jhameel |
"Bye" |
single |
R&Beemo is totally a thing. |
12 |
Carousel |
"Home" |
single |
Also, presumably, this shambly brit-rock band called Carousel, but good luck finding anything about them amidst the stuff about all the other bands already called Carousel. |
13 |
Devin Townsend Project |
"Stormbending" |
single |
Devin Townsend is one of the few people who can make "Stormbending" just seem like an obvious descriptive title. |
14 |
Memphis May Fire |
"Carry On" |
single |
I will admit that I only started paying attention to Memphis May Fire when I heard them on a Punk Goes Pop compilation. So I guess that worked exactly like it was supposed to. |
15 |
P.s. Eliot |
"broken record" |
2007 - 2011 |
If you missed anything by pre-Waxahatchee Alabama feminist-punk band P.S. Eliot, here's the whole discography neatly collated. |
16 |
We Are the Catalyst |
"One More Day" |
Elevation |
We Are Dark Pixiecore. |
17 |
Christopher Bissonnette |
"Small Feathers" |
single |
The sound of sitting fairly quietly on an old wooden chair. |
18 |
Library Tapes |
"Hebden Bridge" |
single |
The sound of sitting fairly quietly on an old wooden chair as interpreted by a ghost quartet. |
19 |
Zero Bedroom Apartment |
"Blurry Morning Glance" |
The Best of Zero Bedroom Apartment |
The sound of sitting fairly quietly on an old wooden chair as interpreted by a ghost quartet and then filtered through a prismatic dream. |
20 |
Olan Mill |
"Imondia" |
single |
And then blurred. |
21 |
Good Weather For An Airstrike |
"Let go" |
single |
And then polished. |
22 |
Erik Levander |
"Tillsäg mig huld" |
single |
And then replayed as fitful ambient jazz. |
23 |
Rhian Sheehan |
"Solis Ortus" |
single |
And then abstracted again. |
24 |
MONO |
"Ely's Heartbeat" |
single |
Post-rock = ambient + drums. |
25 |
Eluvium |
"Posturing Through Metaphysical Collapse" |
False Readings On |
But we're all post-rock now. Your decision is whether to fight that or embody it. What do you think? This has been your hour of theoretical peace. |
26 |
Helms Alee |
"Meats and Milks" |
Stillicide |
And now we return to wars and microbursts already in progress, |
27 |
Goblin Cock |
"Montrossor" |
Necronomidonkeykongimicon |
dressed in cartoon armor |
28 |
Erik Ekholm |
"Radiate" |
Ultimate Epic Music |
that transforms us into demigods. |
29 |
Dan Bull |
"Praxis Makes Perfect" |
Praxis Makes Perfect +1 |
But even demigods have social responsibilities. Especially demigods. |
30 |
Trevor Morris |
"Myanmar Chase" |
Hard Target 2 (Original Motion Picture Soundtrack) |
The more of the world you see, the more of it your conscience embraces. |
31 |
Covi Quintana |
"Yo Me Enamoré" |
single |
But the more pain, so too the more joy. The trick is to accumulate the lightnesses to balance the weights. |
32 |
Los Yayers |
"No Tiene Sentido" |
single |
The reward, as with any exploration, is a cabinet of equilibrial wonder |
33 |
Jimmy Eat World |
"Sure and Certain" |
single |
that you bring back to install exactly where you live. |
34 |
pg.lost |
"Ikaros" |
single |
Can you step onto the nearest sidewalk and feel like you're at the beginning of the road to everywhere? |
35 |
Labirinto |
"Mal Sacré" |
Gehenna |
To a beckoning hell in every language? |
36 |
Chase Huglin |
"Pills" |
single |
To rickety tree forts we say we built for our kids, but use to hide from our own adulthood. |
37 |
Dallas Smith |
"Only One You" |
Side Effects |
To notional dirt roads paved flawlessly smooth. |
38 |
Volturyon |
"Pile of Human" |
Cleansed by Carnage |
To pulverization as a texture. |
39 |
A Loathing Requiem |
"Annihilation Induced by the Luminous Firestorm" |
Psalms of Misanthropy (2016 Remix) |
To sacred mosaics made of shattered subverbal terror. |
40 |
Hjerteslag |
"Sang Til Sonja" |
single |
If you can't figure out who you've offended, maybe you aren't ready to apologize yet. |
41 |
Ine Hoem |
"Moonbird" |
single |
How much of this is trying to breathe the elusive air of places you haven't quite been? |
42 |
Still Changing |
"In The End" |
single |
How many of our movement are attempts to hold the hands of people we imagine? |
43 |
Marsicans |
"Far Away (Saudade)" |
single |
We have the math to show that they must exist. |
44 |
Everything Everything |
"I Believe It Now" |
single |
So much math that you are forgiven for wondering whether it's people we love or the numbers that they produce. |
45 |
Communions |
"Don't Hold Anything Back" |
Don't Hold Anything Back / Eternity 2 |
But of course these are two ways to say the same thing. |
46 |
Destrage |
"Symphony of the Ego" |
single |
Construction is the opposite of resignation. |
47 |
Auras |
"Dream Elixir" |
single |
Silence derives its power from noise. |
48 |
Ion Dissonance |
"Treading on Thin Ice" |
single |
Or, said another way, noise is an investment in future silence. Now you understand the tender heart under the adamantine exoskeleton of deathcore. |
49 |
Skálmöld |
"Niðavellir" |
single |
Which is why, too, folk/death metal was as inevitable a reaction to modernity as paganism. |
50 |
Hordak |
"Bloodline of the Wolves" |
Padre |
Heritage is our most foundational construct. |
51 |
Unzucht |
"Der dunkle See" |
Neuntöter (Deluxe Edition) |
Gothicism is the plaintive desire for life to be more complex than death. |
52 |
The Beauty of Gemina |
"End" |
Minor Sun |
A wish for something we say to echo. |
53 |
Synk;yet |
"自責ノ園" |
罪咎の糸 |
For a tiny perfect music box to contain a better universe |
54 |
Celldweller |
"Razorface" |
Soundtrack For The Voices In My Head Vol. 03 |
lined with glossier darkness |
55 |
MIYAVI |
"Another World" |
Fire Bird |
and less-predictable absolutely-straight lines. |
56 |
A Tribe Called Red |
"ALie Nation" |
single |
We want to hear our story told. |
57 |
Terry Malts |
"Seen Everything" |
single |
And oh, can't it be a shimmery love story? |
58 |
Greywind |
"Afterthoughts - Remastered 2016" |
single |
With castles rising out of dawn mists? |
59 |
Avastera |
"Oceans" |
single |
Parapets on which we dance. |
60 |
Arms Aloft |
"The Voyage of the Dawndreaders" |
What a Time to Be Barely Alive |
Which sounds dangerous, but we gloriously never fall. |
61 |
Scholars |
"I Must Insist" |
single |
It is an urban-planning challenge, of course, to combine vertiginous parapets with megacity density. |
62 |
Brave Girls |
"YOO-HOO" |
single |
But you can do a lot with careful lighting. |
63 |
Tempa T |
"Not A Rocker" |
single |
And virtual streets on the upper floors. |
64 |
Ali Barter |
"Girlie Bits" |
single |
Sometimes we can't just sit. |
65 |
Aly & Fila |
"Unbreakable" |
single |
Sometimes we need spinning lights. |
66 |
Shatta Wale |
"Real African" |
single |
Sometimes we need to dance in somebody else's spaces. |
67 |
Shield Patterns |
"Balance & Scatter" |
Mirror Breathing |
Or, together, in the spaces nowhere between us. |
68 |
Mark Isham |
"The Offer" |
Mechanic: Resurrection (Original Motion Picture Soundtrack) |
Followed by a chase scene, |
69 |
Peter Hollens |
"Danny Boy" |
single |
and wild sentimental overreaching. |
70 |
Signals Midwest |
"You're Gonna Be Golden" |
At This Age |
These are our perfect inevitable incoherent plots, the only ones in which these impossible characters make sense. |
71 |
Shinova |
"Qué casualidad" |
single |
Or not sense, exactly, but whatever it is when our secret earnestnesses are squeezed to the surface, |
72 |
Miss Montreal |
"Tic Toc" |
single |
and our stomps find the sync with our heartbeats, |
73 |
Danny Vera |
"Ghost" |
The Outsider |
and orchestra flourishes fly off our fingertips like drops from the prize-vintage rainstorm we've saved in climate-controlled cellars for just this moment. |
74 |
Distrito Rojo |
"Distrito Rojo" |
single |
For the moment, still, we share this round world and thus all our horizons are the same, and so by implication all the comfortable places those horizons surround. |
75 |
Bosshafte Beats |
"Ghettoblues" |
single |
Different mechanisms, but the same physics. |
76 |
Silvana Imam |
"Sett Henne - Radio Edit" |
Sett Henne 2 |
Different arguments in the same addictive cadences. |
77 |
Sting |
"I Can't Stop Thinking About You" |
single |
Different stories always setting up for the next surprising postscript. Like, this week: Sting Cannot Possibly Be the Same Guy Who Could Not Possibly Be the Same Guy Who Was in the Police. |