Pheromone Microphones
466 · 1 January 04
The Best of 2003
I love the arbitrary discipline of calendars. I think it helps to divide up time and give the sections names, in part for the same reasons we move belaying anchors or put bulkheads in ships, but in part just for the same reasons we designate beginnings and ends of stories in order to tell them at all. A year is long enough to feel lost in, short enough to escape. These lists have never defined my years, but the ritual has often been the main way I've acknowledged them. The years, left to their own flow, would often rather blend together. So we assign copyright dates, and make illusory distinctions based on inanely quantified subjectivity. There's no good reason for it, but then there's no good reason for words to mean what we say they do, to begin with. I think I once believed that a ranked list of my favorite music from a year said something about me. I think I once believed it said something about me to me. Or maybe I just wanted it to, so that the endless elusive ordeal of self-awareness could be reduced to a solvable exercise.
And one level abstracted, the process does say something about me to me. Some years, making the list has required torturous iterations. I have sometimes tried to make it answer unasked and unaskable questions. I have had too-empty years, and tried to disguise them as full using a handful of names and numbers, which is both unconvincing and hard. My 2003 could hardly have been more eventful. Very little of it had to do with music, and absolutely none of it had to do with numbering music. This year, everything here changed except for the music. My top ten list does not, even to me, tell the story of my year, nor do I wish it did. I don't need my life quantified, and music is its own justification. Possibly music is happiest left to be nothing but its own justification. These lists are always meaningless, and we make them as a way of crossing over, once a year, into a universe where the hardest problems are this easy. Solving imaginary easy problems used to make me feel better, used to be a comfort I thought I needed. Maybe that means my stubborn self-imposed labor of relating to music this way, my vigil of listening this way, is almost complete, or incomplete but still over. If this year the list is easy, maybe next year it will be moot. Or maybe beyond easy is something new. I don't know yet. Here's what it sounded like in the last year before I found out.
Albums
1
The Weakerthans: Reconstruction Site
Wheat: Per Second, Per Second, Per Second...Every Second
2
Chris Whitley: Hotel Vast Horizon
3
Jewel: 0304
4
Ted Leo / Pharmacists: Hearts of Oak & Tell Balgeary, Balgury Is Dead
5
HIM: Love Metal
6
Rainer Maria: Long Knives Drawn
7
Meat Loaf: Couldn't Have Said It Better
8
Ballboy: A Guide for the Daylight Hours
9
Garnet Crow: Crystallize
Dir en grey: VULGAR
10
Muse: Absolution
Other Songs
1
Aberdeen: "The Boy Has Gone Away" (single)
Liz Phair: "Jeremy Engle" (from comeandgetit)
2
BUMP OF CHICKEN: "sailing day" (single)
Gackt: "Kimi ga Oikaketa Yume" (from Crescent)
3
Chitose Hajime: "Neiro Nana Iro" (from Nomad Soul)
Every Little Thing: "Fundamental Love" (single)
4
The New Pornographers: "The Laws Have Changed" (from Electric Version)
The Delgados: "All You Need Is Hate" (from Hate)
5
Runrig: "Empty Glens" (from Proterra)
eastmountainsouth: "Hard Times" (from eastmountainsouth)
6
The Steinbecks: "Song for Today" (from Branches and Fronds Brushing the Windows)
Dear Leader: "Lonesome Together" (from War Chords)
7
Blondie: "Rules for Living" (from The Curse of Blondie)
Loveless: "Beautiful" (from Gift to the World)
8
Atom and His Package: "Possession (Not the One by Danzig)" (from Attention! Blah Blah Blah.)
The Postal Service: "Such Great Heights" (from Give Up)
9
Aberdeen: "Emma's House" (from The Boy Has Gone Away)
Ben Folds: "In Between Days" (from Speed Graphic)
10
Sloan: "I Was Wrong" (from Action Pact)
Puffy: "Invisible Tomorrow" (from Nice.)
For the original reviews of releases cited in these lists, see:
Aberdeen: The Boy Has Gone Away
Atom and His Package: Attention! Blah Blah Blah.
Ballboy: A Guide for the Daylight Hours
Blondie: The Curse of Blondie
BUMP OF CHICKEN: sailing day
Dear Leader: War Chords
The Delgados: Hate
Dir en grey: VULGAR
eastmountainsouth: eastmountainsouth
Ben Folds: Speed Graphic
Gackt: Kimi ga Oikaketa Yume
Gackt: Crescent
Garnet Crow: Crystallize
Chitose Hajime: Nomad Soul
HIM: Love Metal
Jewel: 0304
Ted Leo / Pharmacists: Hearts of Oak
Ted Leo / Pharmacists: Tell Balgeary, Balgury Is Dead
Loveless: Gift to the World
Meat Loaf: Couldn't Have Said It Better
Muse: Absolution
The New Pornographers: Electric Version
Liz Phair: comeandgetit
The Postal Service: Give Up
Puffy AmiYumi: Nice.
Rainer Maria: Long Knives Drawn
Runrig: Proterra
Sloan: Action Pact
The Steinbecks: Branches and Fronds Brushing the Windows
The Weakerthans: Reconstruction Site
Wheat: Per Second, Per Second, Per Second...Every Second
Chris Whitley: Hotel Vast Horizon
Atom and His Package: Attention! Blah Blah Blah.
Ballboy: A Guide for the Daylight Hours
Blondie: The Curse of Blondie
BUMP OF CHICKEN: sailing day
Dear Leader: War Chords
The Delgados: Hate
Dir en grey: VULGAR
eastmountainsouth: eastmountainsouth
Ben Folds: Speed Graphic
Gackt: Kimi ga Oikaketa Yume
Gackt: Crescent
Garnet Crow: Crystallize
Chitose Hajime: Nomad Soul
HIM: Love Metal
Jewel: 0304
Ted Leo / Pharmacists: Hearts of Oak
Ted Leo / Pharmacists: Tell Balgeary, Balgury Is Dead
Loveless: Gift to the World
Meat Loaf: Couldn't Have Said It Better
Muse: Absolution
The New Pornographers: Electric Version
Liz Phair: comeandgetit
The Postal Service: Give Up
Puffy AmiYumi: Nice.
Rainer Maria: Long Knives Drawn
Runrig: Proterra
Sloan: Action Pact
The Steinbecks: Branches and Fronds Brushing the Windows
The Weakerthans: Reconstruction Site
Wheat: Per Second, Per Second, Per Second...Every Second
Chris Whitley: Hotel Vast Horizon